Analysis of information sources in references of the Wikipedia article "Awakenings" in English language version.
The actress arrived and sat down across from the casting director. After a moment of silence, she reached into her satchel and pulled out an Oscar, which she placed on the desk. Then she reached in and pulled out another, placing it next to the first. Finally she said, 'Some people think I can act. Do you still want me to read for this part?' 'No, Miss Winters,' came the reply. She got the part.
The actress arrived and sat down across from the casting director. After a moment of silence, she reached into her satchel and pulled out an Oscar, which she placed on the desk. Then she reached in and pulled out another, placing it next to the first. Finally she said, 'Some people think I can act. Do you still want me to read for this part?' 'No, Miss Winters,' came the reply. She got the part.
Awakenings (Col) 10/11/89.
Shooting in New York (Start October 16).
Cert—12. dist—Columbia TriStar. p.c.—Columbia. exec. p—Penny Marshall, Anne Schmidt, Elliot Abbott. p—Walter F. Parkes, Lawrence Lasker. assoc. p—Amy Lemisch. p. office co-ordinator—Harriette Kanew. unit p. manager—Timothy M. Bourne. location manager—Richard Baratta. casting—Bonnie Timmermann. (addit.) Todd M. Thaler, Judie Fixler.
Miss Winters is in London to make a comedy, Heaven Save Us From Our Friends, opposite Lee J. Cobb. She surprised the cast of the picture by turning up with the little statuette in her luggage. [...] This weekend the unit moves to Bruges, in Belgium, for more shooting and Miss Winters plans to go to Amsterdam to hand over the coveted trophy. A spokesman for Miss Winters said: 'She plans to do this very quietly. She doesn't want people to think she is cashing in on such a tragic story for publicity for herself.
Shelley Winters, Best Supporting Actress winner for THE DIARY OF ANNE FRANK in 1960[sic], would 16 years later donate her Oscar to the Anne Frank Museum in Amsrerdam—the actual house where the thirteen-year-old Anne, in 1942, wrote her journal. At first, the Museum turned down the trophy because they couldn't decide what to do with it. Eventually they changed their mind and accepted the statuette during a ceremony that was attended by Anne Frank's father, Otto.
The actress arrived and sat down across from the casting director. After a moment of silence, she reached into her satchel and pulled out an Oscar, which she placed on the desk. Then she reached in and pulled out another, placing it next to the first. Finally she said, 'Some people think I can act. Do you still want me to read for this part?' 'No, Miss Winters,' came the reply. She got the part.
The actress arrived and sat down across from the casting director. After a moment of silence, she reached into her satchel and pulled out an Oscar, which she placed on the desk. Then she reached in and pulled out another, placing it next to the first. Finally she said, 'Some people think I can act. Do you still want me to read for this part?' 'No, Miss Winters,' came the reply. She got the part.
For an all-too-brief time, he's free of the deeply symbiotic relationship with his too-devoted mother (Ruth Nelson, so splendidly shaken by his unexpected 'recovery').See also:
The film's most tough-minded performance belongs to Ruth Nelson as Leonard's tenacious, white-haired mother. Having tended him for decades, she is overwhelmed by his recovery, yet better prepared to face its consequences than the doctors