BACH motif (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "BACH motif" in English language version.

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5books.google.com

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archive.org

Johann Gottfried Walther Musicalisches Lexicon oder Musicalische Bibliothec, p. 64. Leipzig, W. Deer. 1732.

books.google.com

Cumming 2000, p. 256. Cumming, Naomi (2000). "8. Culturally Embedded Signs", subsection "2. Skeptical Issues", part "a. Humpty Dumpty and the New Musicology". The Sonic Self: Musical Subjectivity and Signification. Indiana University Press. pp. 254–258. ISBN 0253337542.
Brandstätter 1990. Brandstätter, Ursula [in German] (1990). "Hans Heinrich Eggebrechts deutung der 'Kunst der Fuge' von J. S. Bach" [Hans Heinrich Eggebrecht's interpretation of 'The Art of Fugue' by J. S. Bach]. Musik im Spiegel der Sprache: Theorie und Analyse des Sprechens über Musik [Music reflected in language: theory and analysis of the discourse about music] (in German) (eBook ed.). Springer (published 2017). pp. 163–180. ISBN 9783476044600.
Eggebrecht 1985, p. 15 (in German), or Eggebrecht 1993, p. 8 (translated), cited in Brandstätter 1990, p. 163, Kivy 2000, p. 380, and Cumming 2000, p. 256. Eggebrecht, Hans Heinrich (1985) [1984]. Bachs Kunst der Fuge: Erscheinung und Deutung (in German) (4th ed.). Noetzel (published 1998). ISBN 379590725X. Eggebrecht, Hans Heinrich (1993). J.S. Bach's The Art of Fugue: The Work and Its Interpretation. Translated by Prater, Jeffrey L. Iowa State University Press. ISBN 0813814898. Brandstätter, Ursula [in German] (1990). "Hans Heinrich Eggebrechts deutung der 'Kunst der Fuge' von J. S. Bach" [Hans Heinrich Eggebrecht's interpretation of 'The Art of Fugue' by J. S. Bach]. Musik im Spiegel der Sprache: Theorie und Analyse des Sprechens über Musik [Music reflected in language: theory and analysis of the discourse about music] (in German) (eBook ed.). Springer (published 2017). pp. 163–180. ISBN 9783476044600. Kivy, Peter (2000). "'Absolute Music' and the 'New Musicology'". In Greer, David; Rumbold, Ian [at Wikidata]; King, Jonathan (eds.). Musicology and Sister Disciplines: Past, Present, Future. Oxford University Press. pp. 378–388. ISBN 0198167342. Cumming, Naomi (2000). "8. Culturally Embedded Signs", subsection "2. Skeptical Issues", part "a. Humpty Dumpty and the New Musicology". The Sonic Self: Musical Subjectivity and Signification. Indiana University Press. pp. 254–258. ISBN 0253337542.
Kivy 2000, "The Solution", pp. 380–381. Kivy, Peter (2000). "'Absolute Music' and the 'New Musicology'". In Greer, David; Rumbold, Ian [at Wikidata]; King, Jonathan (eds.). Musicology and Sister Disciplines: Past, Present, Future. Oxford University Press. pp. 378–388. ISBN 0198167342.
Cumming 2000, pp. 256–257. Cumming, Naomi (2000). "8. Culturally Embedded Signs", subsection "2. Skeptical Issues", part "a. Humpty Dumpty and the New Musicology". The Sonic Self: Musical Subjectivity and Signification. Indiana University Press. pp. 254–258. ISBN 0253337542.

imslp.org

Jones, Ben. "B–A–C–H motif in Oboe Concerto, TWV 51:D6 (Telemann, Georg Philipp)". IMSLP. Retrieved 1 October 2019. there is a clear B.A.C.H. motif at the beginning of the Adagio

wikidata.org

Eggebrecht 1985, p. 15 (in German), or Eggebrecht 1993, p. 8 (translated), cited in Brandstätter 1990, p. 163, Kivy 2000, p. 380, and Cumming 2000, p. 256. Eggebrecht, Hans Heinrich (1985) [1984]. Bachs Kunst der Fuge: Erscheinung und Deutung (in German) (4th ed.). Noetzel (published 1998). ISBN 379590725X. Eggebrecht, Hans Heinrich (1993). J.S. Bach's The Art of Fugue: The Work and Its Interpretation. Translated by Prater, Jeffrey L. Iowa State University Press. ISBN 0813814898. Brandstätter, Ursula [in German] (1990). "Hans Heinrich Eggebrechts deutung der 'Kunst der Fuge' von J. S. Bach" [Hans Heinrich Eggebrecht's interpretation of 'The Art of Fugue' by J. S. Bach]. Musik im Spiegel der Sprache: Theorie und Analyse des Sprechens über Musik [Music reflected in language: theory and analysis of the discourse about music] (in German) (eBook ed.). Springer (published 2017). pp. 163–180. ISBN 9783476044600. Kivy, Peter (2000). "'Absolute Music' and the 'New Musicology'". In Greer, David; Rumbold, Ian [at Wikidata]; King, Jonathan (eds.). Musicology and Sister Disciplines: Past, Present, Future. Oxford University Press. pp. 378–388. ISBN 0198167342. Cumming, Naomi (2000). "8. Culturally Embedded Signs", subsection "2. Skeptical Issues", part "a. Humpty Dumpty and the New Musicology". The Sonic Self: Musical Subjectivity and Signification. Indiana University Press. pp. 254–258. ISBN 0253337542.
Kivy 2000, "The Solution", pp. 380–381. Kivy, Peter (2000). "'Absolute Music' and the 'New Musicology'". In Greer, David; Rumbold, Ian [at Wikidata]; King, Jonathan (eds.). Musicology and Sister Disciplines: Past, Present, Future. Oxford University Press. pp. 378–388. ISBN 0198167342.

wikipedia.org

de.wikipedia.org

Brandstätter 1990. Brandstätter, Ursula [in German] (1990). "Hans Heinrich Eggebrechts deutung der 'Kunst der Fuge' von J. S. Bach" [Hans Heinrich Eggebrecht's interpretation of 'The Art of Fugue' by J. S. Bach]. Musik im Spiegel der Sprache: Theorie und Analyse des Sprechens über Musik [Music reflected in language: theory and analysis of the discourse about music] (in German) (eBook ed.). Springer (published 2017). pp. 163–180. ISBN 9783476044600.
Eggebrecht 1985, p. 15 (in German), or Eggebrecht 1993, p. 8 (translated), cited in Brandstätter 1990, p. 163, Kivy 2000, p. 380, and Cumming 2000, p. 256. Eggebrecht, Hans Heinrich (1985) [1984]. Bachs Kunst der Fuge: Erscheinung und Deutung (in German) (4th ed.). Noetzel (published 1998). ISBN 379590725X. Eggebrecht, Hans Heinrich (1993). J.S. Bach's The Art of Fugue: The Work and Its Interpretation. Translated by Prater, Jeffrey L. Iowa State University Press. ISBN 0813814898. Brandstätter, Ursula [in German] (1990). "Hans Heinrich Eggebrechts deutung der 'Kunst der Fuge' von J. S. Bach" [Hans Heinrich Eggebrecht's interpretation of 'The Art of Fugue' by J. S. Bach]. Musik im Spiegel der Sprache: Theorie und Analyse des Sprechens über Musik [Music reflected in language: theory and analysis of the discourse about music] (in German) (eBook ed.). Springer (published 2017). pp. 163–180. ISBN 9783476044600. Kivy, Peter (2000). "'Absolute Music' and the 'New Musicology'". In Greer, David; Rumbold, Ian [at Wikidata]; King, Jonathan (eds.). Musicology and Sister Disciplines: Past, Present, Future. Oxford University Press. pp. 378–388. ISBN 0198167342. Cumming, Naomi (2000). "8. Culturally Embedded Signs", subsection "2. Skeptical Issues", part "a. Humpty Dumpty and the New Musicology". The Sonic Self: Musical Subjectivity and Signification. Indiana University Press. pp. 254–258. ISBN 0253337542.

worldcat.org

Orledge, Robert (1989). Charles Koechlin (1867–1950) : his life and works. Chur, Switzerland: Harwood Academic Publishers. ISBN 3-7186-4898-9. OCLC 18833927.

search.worldcat.org

Orledge, Robert (1989). Charles Koechlin (1867–1950) : his life and works. Chur, Switzerland: Harwood Academic Publishers. ISBN 3-7186-4898-9. OCLC 18833927.