Lago & Gupta 1965, p. 639: The poet describes seeing her there after he has circled the earth innumerable times during thousands of years. His journey has encompassed the reign of the Emperor Bimbishar, who ruled during the lifetime of the Buddha, and that of Ashok, who lived two centuries later. The wanderer has visited vanished cities like Vidarbha and Vidisha, and after all his journeying his only moment of peace in any age was given by Banalatā Sen of Natore. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 639: If any single poem can be said to evoke the memory and essence of his imagery, it is the title poem of the volume banalatā sen. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 640: This poem makes comprehensive use of four key images which occur repeatedly in many poems by Jivanananda Das: darkness, the passage of time, moving water, and a woman ... The progressive development of the images throughout this poem, and the direction in which they move, illustrate the basic pattern of the imagery of Jivanananda Das: he uses the same images repeatedly, turning and molding them and always directing them from remoteness to intimacy, from dimness to distinctness, from separation to union. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, pp. 639–640: Her name indicates that she is a contemporary woman, but her description in terms of forgotten classical locations makes it plain that she is timeless. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 639: The poet describes seeing her there after he has circled the earth innumerable times during thousands of years. His journey has encompassed the reign of the Emperor Bimbishar, who ruled during the lifetime of the Buddha, and that of Ashok, who lived two centuries later. The wanderer has visited vanished cities like Vidarbha and Vidisha, and after all his journeying his only moment of peace in any age was given by Banalatā Sen of Natore. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 639: If any single poem can be said to evoke the memory and essence of his imagery, it is the title poem of the volume banalatā sen. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 640: This poem makes comprehensive use of four key images which occur repeatedly in many poems by Jivanananda Das: darkness, the passage of time, moving water, and a woman ... The progressive development of the images throughout this poem, and the direction in which they move, illustrate the basic pattern of the imagery of Jivanananda Das: he uses the same images repeatedly, turning and molding them and always directing them from remoteness to intimacy, from dimness to distinctness, from separation to union. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, pp. 639–640: Her name indicates that she is a contemporary woman, but her description in terms of forgotten classical locations makes it plain that she is timeless. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 639: The poet describes seeing her there after he has circled the earth innumerable times during thousands of years. His journey has encompassed the reign of the Emperor Bimbishar, who ruled during the lifetime of the Buddha, and that of Ashok, who lived two centuries later. The wanderer has visited vanished cities like Vidarbha and Vidisha, and after all his journeying his only moment of peace in any age was given by Banalatā Sen of Natore. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 639: If any single poem can be said to evoke the memory and essence of his imagery, it is the title poem of the volume banalatā sen. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, p. 640: This poem makes comprehensive use of four key images which occur repeatedly in many poems by Jivanananda Das: darkness, the passage of time, moving water, and a woman ... The progressive development of the images throughout this poem, and the direction in which they move, illustrate the basic pattern of the imagery of Jivanananda Das: he uses the same images repeatedly, turning and molding them and always directing them from remoteness to intimacy, from dimness to distinctness, from separation to union. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
Lago & Gupta 1965, pp. 639–640: Her name indicates that she is a contemporary woman, but her description in terms of forgotten classical locations makes it plain that she is timeless. Lago, Mary; Gupta, Tarun (August 1965), "Pattern in the Imagery of Jivanananda Das", The Journal of Asian Studies, 24 (4), Association for Asian Studies: 637–644, doi:10.2307/2051109, ISSN0021-9118, JSTOR2051109.
