Bavarian State Painting Collections (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Bavarian State Painting Collections" in English language version.

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  • "Restitution to the heirs of Julius Kien of a floral still-life from the workshop of Jan Brueghel the Elder by the Bayerische Staatsgemäldesammlungen". www.lootedart.com. Retrieved 2021-05-21.
  • "Restitution of a floral still-life from the workshop of Jan Brueghel the Elder by the Bayerische Staatsgemäldesammlungen 10 July 2012". www.lootedart.com. Retrieved 2021-05-21.
  • "Bayerische Staatsgemäldesammlungen restitute two watercolors by Max Pechstein from the Curt Glaser Collection and a painting by N.V. Díaz de la Peña from the George Behrens Collection". www.lootedart.com. Retrieved 2021-05-21.
  • "A Just and Fair Solution Reached by Bayerische Staats and Professor Curt Glaser Heirs" (PDF). Archived (PDF) from the original on 2013-09-19. Retrieved 2021-05-21.
  • "Munich's Looted Art Bazaar". www.lootedart.com. Sueddeutsche Zeitung. Archived from the original on 2016-07-03. Retrieved 2021-05-21. The Monuments Men tracked down Nazi looted art. Only for German museum directors to return it to the families of the Nazi leaders rather than to the Jewish families who were its rightful owners.
  • "Return of artworks by Bavarian government and museums to high-ranking Nazi families: 29 June 2016: Commission for Looted Art in Europe issues its response to the Bavarian State Paintings Collections statement on return-sales to high-ranking Nazi families". 2019-05-02. Archived from the original on 2019-05-02. Retrieved 2021-05-21. In response to the Sueddeutsche Zeitung article 'Munich's Looted Art Bazaar' of 25 June and the Commission for Looted Art's Press Release of 27 June, the Bavarian State Paintings Collections (Bayerische Staatsgemaeldsammlungen, BSGS) issued a statement on 28 June attempting to refute the facts set out in both documents. The Commission for Looted Art in Europe (CLAE) has today issued a full response showing that the BSGS statement is both inaccurate and misleading. The BSGS statement, which makes no mention of the victims of Nazi looting, and refers to provenance research as "tedious", further confirms the concerns expressed by families and the press across the world over the last few days, and underlines the need for root and branch reform in the way research and restitution are carried out in Germany, so that justice becomes fully available.
  • Waxman, Olivia B. (21 March 2019). "Looted by Nazis, Recovered, Sold Back to Hitler's Photographer's Daughter—How One Painting Got Back to Its Rightful Owners". Time. Archived from the original on 2019-05-01. Retrieved 2021-05-21 – via www.lootedart.com. According to documentation received by the Commission in 2011, the Bavarian State Paintings Collection had sold the painting in 1962 for 300 German Deutsche Marks. The buyer? Henriette Hoffmann-von Schirach, Heinrich Hoffmann's daughter and the wife of Baldur von Schirach, the Hitler Youth leader who became the Nazi governor of Vienna and oversaw the deportation of the city's Jews. Henriette, it turned out, had requested and was granted several works from her father's collection.
  • "New Report Reveals Munich Museums Sold Artworks Looted by Nazis". www.lootedart.com. Archived from the original on 2017-03-13. Retrieved 2021-06-02.
  • "Munich Museums Restitute Nazi-Looted Artworks". www.lootedart.com. Archived from the original on 2020-06-24. Retrieved 2021-05-21. The works—five paintings, three prints, and a wooden panel with ivory reliefs—were confiscated from the couple's apartment in Munich in 1938 and found their way into the collections of the Bavarian State Painting Collections, the Bavarian National Museum, and the State Collections of Prints and Drawings in 1955. When the Davidsohns were sent to the Theresienstadt concentration camp, where Julius died in August 1942 and Semaya died a few months later, in April 1943, the works ended up at a collecting point at Munich's Königsplatz before they were acquired by the museums.
  • "The Bavarian State Painting Collections Has Returned a Medieval Work Unlawfully Sold by Nazis to Its Rightful Heirs". www.lootedart.com. Archived from the original on 2021-05-10. Retrieved 2021-05-21. A.S. Drey's gallery partners, which included the Sterns, as well as Franz and Paul Drey, were all of Jewish heritage. In 1935, the Reich chamber of fine arts announced that their Munich art gallery would be dissolved. The dealers were then required to pay a massive sum and punitive taxes, which forced them to consign several works from their holdings, including the wooden panel of Saint Florian. It was bought by the Bavarian state in 1936.

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