István Deák, Weimar Germany's Left-wing Intellectuals: A Political History of the Weltbühne and its Circle, Berkeley: University of California, 1968, OCLC334757, p. 286.
Corey Ross, Media and the Making of Modern Germany: Mass Communications, Society, and Politics from the Empire to the Third Reich, Oxford/New York: Oxford University, 2008, ISBN9780191557293, p. 30.
Mila Ganeva, Women in Weimar Fashion: Discourses and Displays in German Culture, 1918–1933, Screen cultures, Rochester, New York: Camden House, 2008, ISBN9781571132055, p. 53.
Werner Faulstich, Medienwandel im Industrie- und Massenzeitalter (1830–1900), Geschichte der Medien 5, Göttingen: Vandenhoeck & Ruprecht, 2004, ISBN9783525207918, p. 73(in German)
Mary Warner Marien, Photography: A Cultural History, Upper Saddle River, New Jersey: Prentice Hall, 2002, ISBN9780810905597, p. 235.
Brett Abbott, Engaged Observers: Documentary Photography Since the Sixties, Exhibition catalogue, Los Angeles: J. Paul Getty Museum, 2010, ISBN9781606060223, p. 6.
Gail Finney, Visual Culture in Twentieth-Century Germany: Text as Spectacle, Bloomington: Indiana University, 2006, ISBN9780253347183, p. 225.
Kurt Korff, "Die 'Berliner Illustrirte'", in: Fünfzig Jahre Ullstein, 1877–1927, ed. Max Osborn, Berlin: Ullstein, 1927, OCLC919765, pp. 297–302, p. 290, cited in Ganeva, p. 53, p. 78, note 13, Ross, p. 34 and note 61, and de Mendelssohn, p. 112.
Tim Gidal, "Modern Photojournalism: The First Years", Creative Camera, July/August 1982, repr. in: David Brittain, ed., Creative Camera: 30 Years of Writing, Critical Image, Manchester: Manchester University, 1999, ISBN9780719058042, pp. 73–80, p. 75.
Sherre Lynn Paris, "Raising Press Photography to Visual Communication in American Schools of Journalism, with Attention to the Universities of Missouri and Texas, 1880s–1990s", Dissertation, University of Texas, 2007, OCLC311853822, p. 116[permanent dead link].
Daniel H. Magilow, The Photography of Crisis: The Photo Essays of Weimar Germany, University Park: Pennsylvania State University, 2012, ISBN9780271054223, p. 124.
"Essen am laufenden Band", 1930; Rob Kroes, Photographic Memories: Private Pictures, Public Images, and American History, Interfaces, studies in visual culture, Hanover, New Hampshire: Dartmouth College/University Press of New England, 2007, ISBN9781584655961, pp. 64–65.
Titanic: ein Medienmythos, ed. Werner Köster and Thomas Lischeid, Reclam-Bibliothek 1712, Leipzig: Reclam, 2000, ISBN9783379017121, p. 28(in German)
René Mounajed, Geschichte in Sequenzen: Über den Einsatz von Geschichtscomics im Geschichtsunterricht, Dissertation University of Göttingen, 1988, Frankfurt: Lang, 2009, ISBN9783631591666, pp. 27–28 and note 72(in German)
Kerstin Barndt, Sentiment und Sachlichkeit: Der Roman der Neuen Frau in der Weimarer Republik, Literatur, Kultur, Geschlecht 19, Cologne: Böhlau, 2003, ISBN9783412097011, p. 65(in German). The novel was published in English translation as Helene.
Jay Michael Layne, "Uncanny Collapse: Sexual Violence and Unsettled Rhetoric in German-language Lustmord representations, 1900–1933", Dissertation, University of Michigan, 2008, OCLC719369972, p. 14, note.
Thomas Kubetzky, "The Mask of Command": Bernard L. Montgomery, George S. Patton und Erwin Rommel in der Kriegsberichterstattung des Zweiten Weltkriegs, 1941–1944/45, Dissertation, Technical University of Brunswick, 2007, Geschichte 92, Berlin/Münster: LIT, 2010, ISBN9783643103499, p. 81(in German); also "Deutsche und britische Kriegsberichterstattung", in: Massenmedien im Europa des 20. Jahrhunderts, ed. Ute Daniel and Axel Schildt, Industrielle Welt 77, Cologne: Böhlau, 2009, ISBN9783412204433, p. 363(in German)
Andreas Hempfling, Organisationsstruktur und Regulierungspolitik der Zeitschriftenwerbung im Dritten Reich, Munich: GRIN 2005, ISBN9783638673303, note 19 (print on demand) (in German)
Irene Guenther, Nazi 'Chic'?: Fashioning Women in the Third Reich, Oxford/New York: Berg, 2004, ISBN9781859734001, p. 441.
Maria Morris Hambourg, "Photography between the Wars: Selections from the Ford Motor Company Collection", The Metropolitan Museum of Art Bulletin N.S. 45.4, Spring 1988, pp. 5–56, p. 17.
Maud Lavin, "Androgyny, Spectatorship, and the Weimar Photomontages of Hannah Höch", New German Critique 51, Autumn 1990, pp. 62–86, p. 75.
Peter de Mendelssohn, Zeitungsstadt Berlin: Menschen und Mächte in der Geschichte der deutschen Presse, Berlin: Ullstein, 1959, OCLC3006301, p. 364 (2nd ed. Frankfurt/Berlin/Vienna: Ullstein, 1982, ISBN9783550074967) (in German)
Kurt Korff, "Die 'Berliner Illustrirte'", in: Fünfzig Jahre Ullstein, 1877–1927, ed. Max Osborn, Berlin: Ullstein, 1927, OCLC919765, pp. 297–302, p. 290, cited in Ganeva, p. 53, p. 78, note 13, Ross, p. 34 and note 61, and de Mendelssohn, p. 112.
Sherre Lynn Paris, "Raising Press Photography to Visual Communication in American Schools of Journalism, with Attention to the Universities of Missouri and Texas, 1880s–1990s", Dissertation, University of Texas, 2007, OCLC311853822, p. 116[permanent dead link].
István Deák, Weimar Germany's Left-wing Intellectuals: A Political History of the Weltbühne and its Circle, Berkeley: University of California, 1968, OCLC334757, p. 286.
Jay Michael Layne, "Uncanny Collapse: Sexual Violence and Unsettled Rhetoric in German-language Lustmord representations, 1900–1933", Dissertation, University of Michigan, 2008, OCLC719369972, p. 14, note.
