Squiers, Anthony (2015). "A Critical Response to Heidi M. Silcox's "What's Wrong with Alienation?"". Philosophy and Literature. 39: 243–247. doi:10.1353/phl.2015.0016. S2CID146205099.
Jameson (1998, pp. 10–11). See also the discussions of Brecht's collaborative relationships in the essays collected in Thomson & Sacks 1994. John Fuegi's take on Brecht's collaborations, detailed in Brecht & Co. (New York: Grove, 1994; also known as The Life and Lies of Bertolt Brecht) and summarized in his contribution to Thomson & Sacks 1994, pp. 104–116, offers a particularly negative perspective; Jameson comments "his book will remain a fundamental document for future students of the ideological confusions of Western intellectuals during the immediate post-Cold War years" Jameson 1998, p. 31; Olga Taxidou offers a critical account of Fuegi's project from a feminist perspective in Taxidou 1995, pp. 381–384. Jameson, Fredric (1998). Brecht and Method. London and New York: Verso. ISBN1-85984-809-5. Thomson, Peter; Sacks, Glendyr, eds. (1994). The Cambridge Companion to Brecht. Cambridge Companions to Literature. Cambridge: Cambridge University Press. ISBN0-521-41446-6. Thomson, Peter; Sacks, Glendyr, eds. (1994). The Cambridge Companion to Brecht. Cambridge Companions to Literature. Cambridge: Cambridge University Press. ISBN0-521-41446-6. Jameson, Fredric (1998). Brecht and Method. London and New York: Verso. ISBN1-85984-809-5. Taxidou, Olga (November 1995). "Crude Thinking: John Fuegi and Recent Brecht Criticism". New Theatre Quarterly. XI (44): 381–384. doi:10.1017/S0266464X00009350. S2CID191590706.
Squiers, Anthony (2015). "A Critical Response to Heidi M. Silcox's "What's Wrong with Alienation?"". Philosophy and Literature. 39: 243–247. doi:10.1353/phl.2015.0016. S2CID146205099.
Jameson (1998, pp. 10–11). See also the discussions of Brecht's collaborative relationships in the essays collected in Thomson & Sacks 1994. John Fuegi's take on Brecht's collaborations, detailed in Brecht & Co. (New York: Grove, 1994; also known as The Life and Lies of Bertolt Brecht) and summarized in his contribution to Thomson & Sacks 1994, pp. 104–116, offers a particularly negative perspective; Jameson comments "his book will remain a fundamental document for future students of the ideological confusions of Western intellectuals during the immediate post-Cold War years" Jameson 1998, p. 31; Olga Taxidou offers a critical account of Fuegi's project from a feminist perspective in Taxidou 1995, pp. 381–384. Jameson, Fredric (1998). Brecht and Method. London and New York: Verso. ISBN1-85984-809-5. Thomson, Peter; Sacks, Glendyr, eds. (1994). The Cambridge Companion to Brecht. Cambridge Companions to Literature. Cambridge: Cambridge University Press. ISBN0-521-41446-6. Thomson, Peter; Sacks, Glendyr, eds. (1994). The Cambridge Companion to Brecht. Cambridge Companions to Literature. Cambridge: Cambridge University Press. ISBN0-521-41446-6. Jameson, Fredric (1998). Brecht and Method. London and New York: Verso. ISBN1-85984-809-5. Taxidou, Olga (November 1995). "Crude Thinking: John Fuegi and Recent Brecht Criticism". New Theatre Quarterly. XI (44): 381–384. doi:10.1017/S0266464X00009350. S2CID191590706.
Ewen 1967, p. 159 and Völker 1976, p. 65 Ewen, Frederic (1967). Bertolt Brecht: His Life, His Art and His Times (Citadel Press Book ed.). New York: Carol Publishing Group. Völker, Klaus (1976). Brecht: A Biography. Translated by John Nowell. New York: Seabury Press. Translation of Klaus Völker: Bertolt Brecht, Eine Biographie. Munich and Vienna: Carl Hanser Verlag. ISBN0-8164-9344-8.
Hayman 1983, p. 104 and Völker 1976, p. 108 Hayman, Ronald (1983). Brecht: A Biography. London: Weidenfeld & Nicolson. ISBN0-297-78206-1. Völker, Klaus (1976). Brecht: A Biography. Translated by John Nowell. New York: Seabury Press. Translation of Klaus Völker: Bertolt Brecht, Eine Biographie. Munich and Vienna: Carl Hanser Verlag. ISBN0-8164-9344-8.
Walter Held: "Stalins deutsche Opfer und die Volksfront", in the underground magazine Unser Wort, Nr. 4/5, October 1938, pp. 7 ff.; Michael Rohrwasser, Der Stalinismus und die Renegaten. Die Literatur der Exkommunisten, Stuttgart 1991, p. 163
Brecht 2000, p. 440. The poem was first printed in the West-German newspaper Die Welt in 1959 and subsequently in the Buckow Elegies in the West in 1964. It was first published in the GDR in 1969 after Helene Weigel had insisted on its inclusion in a collected edition of Brecht's works. John Willett; Ralph Manheim, eds. (2000). Poems: 1913–1956. London: Methuen. ISBN0-413-15210-3.
