Blue note (English Wikipedia)

Kubik, Gerhard (2005). "The African Matrix in Jazz Harmonic Practices". Black Music Research Journal. 25 (1/2): 167–222. ISSN 0276-3605. JSTOR 30039290.
Abbott, Lynn (1992). ""Play That Barber Shop Chord": A Case for the African-American Origin of Barbershop Harmony". American Music. 10 (3): 289–325. doi:10.2307/3051597. JSTOR 3051597.

mtosmt.org (Global: low place; English: low place)

Temperley, David (2017). "Mediant mixture and "blue notes" in rock: An exploratory study". Music Theory Online. 23. doi:10.30535/mto.23.1.7.

oxfordscholarship.com (Global: 9,710^th place; English: 6,123^rd place)

Averill, Gage (2003-02-20). Four Parts, No Waiting. Oxford University Press. doi:10.1093/acprof:oso/9780195116724.001.0001. ISBN 978-0-19-511672-4.

semanticscholar.org (Global: 15^th place; English: 8^th place)

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Curry, Ben (2015). "Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle". Popular Music. 34 (2): 245–273. doi:10.1017/S0261143015000276. ISSN 0261-1430. S2CID 145765888.
Curry, Ben (2017). "Two Approaches to Tonal Space in the Music of Muddy Waters: Two Approaches to Tonal Space" (PDF). Music Analysis. 36 (1): 37–58. doi:10.1111/musa.12084. S2CID 126072443.

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"Blue Notes". How To Play Blues Guitar. 2008-07-06. Archived from the original on 2008-12-02. Retrieved 2008-07-06.

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Evans, David, 1944- (1982). Big road blues : tradition and creativity in the folk blues. Berkeley: University of California Press. ISBN 0-520-03484-8. OCLC 6197930.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Titon, Jeff Todd, 1943- (1994). Early downhome blues : a musical and cultural analysis (2nd ed.). Chapel Hill: University of North Carolina Press. ISBN 0-8078-2170-5. OCLC 29909597.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Kubik, Gerhard, 1934- (1999). Africa and the blues. Jackson, Miss.: University Press of Mississippi. ISBN 0-585-20318-0. OCLC 44959610.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Kubik, Gerhard (2005). "The African Matrix in Jazz Harmonic Practices". Black Music Research Journal. 25 (1/2): 167–222. ISSN 0276-3605. JSTOR 30039290.
Curry, Ben (2015). "Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle". Popular Music. 34 (2): 245–273. doi:10.1017/S0261143015000276. ISSN 0261-1430. S2CID 145765888.
Van der Merwe, Peter (1989). Origins of the popular style : the antecedents of twentieth-century popular music. Oxford [Oxfordshire]: Clarendon Press. ISBN 0-19-316121-4. OCLC 18071070.
Helmholtz, Hermann von. On the sensations of tone as a physiological basis for the theory of music. Ellis, Alexander John, 1814-1890. (Second English edition, translated thoroughly revised and corrected, rendered conformal to the 4th (and last) German ed. of 1877, with numerous additional notes and a new additional appendix bringing down information to 1885, and especially adapted to the use of music students by Alexander J. Ellis ed.). New York. ISBN 0-486-60753-4. OCLC 385076.
Kubik, Gerhard (2010). Theory of African music. Chicago: The University of Chicago Press. ISBN 978-0-226-45690-4. OCLC 457769452.
Cutting, Court B (2019-01-17). "Microtonal Analysis of "Blue Notes" and the Blues Scale". Empirical Musicology Review. 13 (1–2): 84–99. doi:10.18061/emr.v13i1-2.6316. ISSN 1559-5749.

Blue note (English Wikipedia)

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