Analysis of information sources in references of the Wikipedia article "Bruce Banner (Marvel Cinematic Universe)" in English language version.
...despite obtaining the cinematic rights to make Hulk movies, Marvel did not obtain distribution rights. Universal held those rights... the exact situation is that Universal currently retains the right of first refusal to distribute any Hulk films in the future. If for some reason Universal chose to forgo distribution, then Disney would immediately pick up the distribution rights for the Hulk movie.
Finally I thought, 'I just have to work with human voices.' ... I just started playing combinations and I would give them 10 to 15 variations of roars. And Joss listened to them and came back and said, 'I like this one,' and I went back and I looked at the ingredients of what was in that one. Turned out to be Mark Ruffalo, some Lou Ferrigno and a little bit of me and two people from New Zealand. So I led with that and I started using those combinations but changing it up. But the great thing was that Mark Ruffalo had done an incredible [unintelligible] of variety so I was always blending him in. ... Lou Ferrigno seemed to have a real knack for just who this character was. ... They were always a component of it.
On The Avengers' comparatively minute canvas of two and a half hours, Whedon effectively creates a sketch of a working universe and tells us that his characters are emotionally damaged but doesn't explore that damage in any substantive way.
...despite obtaining the cinematic rights to make Hulk movies, Marvel did not obtain distribution rights. Universal held those rights... the exact situation is that Universal currently retains the right of first refusal to distribute any Hulk films in the future. If for some reason Universal chose to forgo distribution, then Disney would immediately pick up the distribution rights for the Hulk movie.
Finally I thought, 'I just have to work with human voices.' ... I just started playing combinations and I would give them 10 to 15 variations of roars. And Joss listened to them and came back and said, 'I like this one,' and I went back and I looked at the ingredients of what was in that one. Turned out to be Mark Ruffalo, some Lou Ferrigno and a little bit of me and two people from New Zealand. So I led with that and I started using those combinations but changing it up. But the great thing was that Mark Ruffalo had done an incredible [unintelligible] of variety so I was always blending him in. ... Lou Ferrigno seemed to have a real knack for just who this character was. ... They were always a component of it.
On The Avengers' comparatively minute canvas of two and a half hours, Whedon effectively creates a sketch of a working universe and tells us that his characters are emotionally damaged but doesn't explore that damage in any substantive way.
