Cabaret (musical) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Cabaret (musical)" in English language version.

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archive.org

Lehmann 1987, p. 18: "Jean Ross, whom [Isherwood] had met in Berlin as one of his fellow-lodgers in the Nollendorfstrasse for a time, when she was earning her living as a (not very remarkable) singer in a second-rate cabaret." Lehmann, John (1987). Christopher Isherwood: A Personal Memoir. New York City: Henry Holt and Company. ISBN 0-8050-1029-7 – via Internet Archive.
Lehmann 1987, pp. 28–9; Gallagher 2014; Spender 1974, pp. 138–139; Thomson 2005. Lehmann, John (1987). Christopher Isherwood: A Personal Memoir. New York City: Henry Holt and Company. ISBN 0-8050-1029-7 – via Internet Archive. Gallagher, Paul (April 3, 2014). "Life is a Cabaret: Christopher Isherwood on the real Sally Bowles, Berlin, writing and W. H. Auden". Dangerous Minds. Presented by Richard Metzger. Retrieved October 2, 2019. Spender, Stephen (September 1974). "On Being a Ghost in Isherwood's Berlin". Mademoiselle. No. 79. pp. 138–139. Thomson, David (March 21, 2005). "The Observer as Hero". The New Republic. New York City. Retrieved January 30, 2021.
Lehmann 1987, pp. 28–29; Izzo 2001, pp. 97, 144. Lehmann, John (1987). Christopher Isherwood: A Personal Memoir. New York City: Henry Holt and Company. ISBN 0-8050-1029-7 – via Internet Archive. Izzo, David Garrett (2001). Christopher Isherwood: His Era, His Gang, and the Legacy of the Truly Strong Man. Columbia, South Carolina: University of South Carolina Press. ISBN 978-1-57003-403-9 – via Google Books.
Mordden 2001, p. 154; Masteroff 1967, p. 7. Mordden, Ethan (2001). Open a New Window: The Broadway Musical in the 1960s. New York: Palgrave. ISBN 0-312-23952-1 – via Google Books. Masteroff, Joe (1967). Harold Prince's Cabaret. New York: Random House. LCCN 67-24365. Retrieved October 27, 2021 – via Internet Archive.
Isherwood 1963, p. 25; Parker 2005, p. 220; Lehmann 1987, p. 18. Isherwood, Christopher (1963) [1945]. The Berlin Stories. New York City: New Directions. ISBN 0-8112-0070-1. LCCN 55-2508 – via Internet Archive. Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books. Lehmann, John (1987). Christopher Isherwood: A Personal Memoir. New York City: Henry Holt and Company. ISBN 0-8050-1029-7 – via Internet Archive.
Van Druten 1983, p. 6. Van Druten, John (1983). I Am a Camera: A Play in Three Acts. United Kingdom: Dramatists Play Service. ISBN 978-0-8222-0545-6 – via Internet Archive.
Jones 2003, p. 243; Garebian 2011, pp. 85, 126. Jones, John Bush (2003). Our Musicals, Ourselves: A Social History of the American Musical Theatre. Lebanon, New Hampshire: University Press of New England. p. 243. ISBN 978-0-87451-904-4 – via Internet Archive. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Masteroff 1967, p. 113. Masteroff, Joe (1967). Harold Prince's Cabaret. New York: Random House. LCCN 67-24365. Retrieved October 27, 2021 – via Internet Archive.
Masteroff 1967, Musical Numbers. Masteroff, Joe (1967). Harold Prince's Cabaret. New York: Random House. LCCN 67-24365. Retrieved October 27, 2021 – via Internet Archive.
Green 1980, p. 53. Green, Stanley (1980). Encyclopedia of the Musical Theatre. New York City: Da Capo Press. ISBN 0-306-80113-2 – via Internet Archive.
Masteroff 1967, pp. 1–10, 44–42. Masteroff, Joe (1967). Harold Prince's Cabaret. New York: Random House. LCCN 67-24365. Retrieved October 27, 2021 – via Internet Archive.

bbc.co.uk

BBC News 2012. "Will Young to make West End musical debut in Cabaret". BBC News. London. May 18, 2012. Retrieved February 2, 2021.
Michelle Ryan 2012. "Michelle Ryan to join Will Young in Cabaret revival". BBC News. London. May 25, 2012. Retrieved July 17, 2012.
Youngs, Ian (April 30, 2024). "Tony Awards: Eddie Redmayne, Daniel Radcliffe and Rachel McAdam nominated".

books.google.com

Garebian 2011, p. 3; Gray 2016. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books. Gray, Margaret (July 20, 2016). "50 years of 'Cabaret': How the 1966 musical keeps sharpening its edges for modern times". Los Angeles Times. Los Angeles. Retrieved January 31, 2021.
Bloom & Vlastnik 2004, p. 46. Bloom, Ken; Vlastnik, Frank (October 2004). Broadway Musicals – The 101 Greatest Shows of All Time. New York City: Black Dog & Leventhal Publishers. pp. 46–49. ISBN 1-57912-390-2 – via Google Books.
Isherwood 1976, pp. 3–8: In March 1929, Isherwood joined W. H. Auden in Berlin. Impressed by the city, Isherwood returned again soon after and stayed for several years until the rise of the Nazis. Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books.
Isherwood 1976, Chapter 1: "To Christopher, Berlin meant Boys... Christopher was suffering from an inhibition, then not unusual among upper-class homosexuals; he couldn't relax sexually with a member of his own class or nation. He needed a working-class foreigner. He had become clearly aware of this when he went to Germany in May 1928." Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books.
Garebian 2011, pp. 6–7. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Izzo 2005, p. 144: "Isherwood himself admitted that he named the character of [Sally Bowles] for Paul Bowles, whose 'looks' he liked." Izzo, David Garrett (2005). Christopher Isherwood Encyclopedia. London: McFarland & Company. pp. 97, 144. ISBN 0-7864-1519-3 – via Google Books.
Garebian 2011, pp. 6–7; Spender 1977; Spender 1966, pp. 125–130. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books. Spender, Stephen (October 30, 1977). "Life Wasn't a Cabaret". The New York Times. New York City. p. 198. Retrieved February 2, 2021. Spender, Stephen (1966) [1951]. World Within World: The Autobiography of Stephen Spender. Berkeley, California: University of California Press. ISBN 978-0-679-64045-5 – via Google Books.
Firchow 2008, p. 120; Caudwell 1986, pp. 28–29. Firchow, Peter Edgerly (2008). Strange Meetings: Anglo-German Literary Encounters from 1910 to 1960. Washington, D.C.: Catholic University of America Press. ISBN 978-0-8132-1533-4 – via Google Books. Caudwell, Sarah (October 3, 1986). "Reply to Berlin". New Statesman. London. pp. 28–29.
Isherwood 1976, pp. 124–125; Doyle 2013. Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books. Doyle, Rachel (April 12, 2013). "Looking for Christopher Isherwood's Berlin". The New York Times. New York City. p. TR10. Retrieved February 5, 2021.
Isherwood 1976, p. 63. Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books.
Parker 2004; Parker 2005, p. 205. Parker, Peter (September 2004). "Ross, Jean Iris (1911–1973)". Oxford Dictionary of National Biography (online ed.). Oxford: Oxford University Press. doi:10.1093/ref:odnb/74425. Retrieved June 18, 2017. (Subscription or UK public library membership required.) Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Isherwood 1976, p. 63: "Jean moved into a room in the Nollendorfstrasse flat after she met Christopher, early in 1931." Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books.
Parker 2005, pp. 205–206: "...a sixteen-year-old Berliner named Heinz Neddermeyer... Isherwood realized that he 'had found someone emotionally innocent, entirely vulnerable and uncritical, whom he could protect and cherish as his very own.' In other words, he had found the person for whom he had been looking in all his relationships with adolescents." Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Izzo 2005, p. 6; Vidal 1976. Izzo, David Garrett (2005). Christopher Isherwood Encyclopedia. London: McFarland & Company. pp. 97, 144. ISBN 0-7864-1519-3 – via Google Books. Vidal, Gore (December 9, 1976). "Art, Sex and Isherwood". The New York Review of Books. New York City. Retrieved October 9, 2023.
Isherwood 1976, pp. 244–245; Parker 2005, p. 205. Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books. Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Parker 2005, p. 220. Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Isherwood 1976, pp. 244–245; Spender 1966, p. 127; Spender 1974, pp. 138–139; Thomson 2005. Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books. Spender, Stephen (1966) [1951]. World Within World: The Autobiography of Stephen Spender. Berkeley, California: University of California Press. ISBN 978-0-679-64045-5 – via Google Books. Spender, Stephen (September 1974). "On Being a Ghost in Isherwood's Berlin". Mademoiselle. No. 79. pp. 138–139. Thomson, David (March 21, 2005). "The Observer as Hero". The New Republic. New York City. Retrieved January 30, 2021.
Izzo 2005, p. 144: "The abortion is a turning point in the narrator's relationship with Sally and also in his relationship to Berlin and to his writing". Izzo, David Garrett (2005). Christopher Isherwood Encyclopedia. London: McFarland & Company. pp. 97, 144. ISBN 0-7864-1519-3 – via Google Books.
Spender 1966, p. 129. Spender, Stephen (1966) [1951]. World Within World: The Autobiography of Stephen Spender. Berkeley, California: University of California Press. ISBN 978-0-679-64045-5 – via Google Books.
Parker 2005, p. 219: In contrast to Stephen Spender's prescient realization of impending doom, Isherwood near the end of January 1933 "was complaining somewhat unpresciently to Spender that situation in Germany seemed 'very dull.'" Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Spender 1966, p. 129; Parker 2005, p. 254. Spender, Stephen (1966) [1951]. World Within World: The Autobiography of Stephen Spender. Berkeley, California: University of California Press. ISBN 978-0-679-64045-5 – via Google Books. Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Parker 2005, p. 221: "Isherwood recognized that he could not remain in Berlin much longer and on April 5, the day measures were brought in to ban Jews from the teaching professions and the Civil Service, he arrived back in London, bringing with him many of his possessions." Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Parker 2005, p. 220: Commenting on these dramatic change of events in Germany, Isherwood wrote to a friend that roving Nazi gangs could now murder anyone with impunity, and "it is illegal to offer any resistance". Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Farina 2013, p. 79. Farina, William (2013). "Christopher Isherwood, Reporting from Berlin". The German Cabaret Legacy in American Popular Music. London: McFarland & Company. ISBN 978-0-7864-6863-8 – via Google Books.
Isherwood 1976, pp. 164–166; Isherwood 1976, pp. 150, 297; Farina 2013, pp. 74–81. Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books. Isherwood, Christopher (1976). Christopher and His Kind: A Memoir, 1929–1939. New York: Farrar, Straus and Giroux. ISBN 978-0374-53522-3 – via Google Books. Farina, William (2013). "Christopher Isherwood, Reporting from Berlin". The German Cabaret Legacy in American Popular Music. London: McFarland & Company. ISBN 978-0-7864-6863-8 – via Google Books.
Lehmann 1987, pp. 28–29; Izzo 2001, pp. 97, 144. Lehmann, John (1987). Christopher Isherwood: A Personal Memoir. New York City: Henry Holt and Company. ISBN 0-8050-1029-7 – via Internet Archive. Izzo, David Garrett (2001). Christopher Isherwood: His Era, His Gang, and the Legacy of the Truly Strong Man. Columbia, South Carolina: University of South Carolina Press. ISBN 978-1-57003-403-9 – via Google Books.
Garebian 2011, pp. 15–16. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, p. 16: "David Black, a producer, had commissioned the show and sparked the interest of Julie Andrews, but the star's manager refused Andrews... to play such a part as Sally Bowles". Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, p. 16. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, pp. 15–16, 25, 28. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, p. 24. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Mordden 2001, p. 154. Mordden, Ethan (2001). Open a New Window: The Broadway Musical in the 1960s. New York: Palgrave. ISBN 0-312-23952-1 – via Google Books.
Izzo 2001, pp. 115–116. Izzo, David Garrett (2001). Christopher Isherwood: His Era, His Gang, and the Legacy of the Truly Strong Man. Columbia, South Carolina: University of South Carolina Press. ISBN 978-1-57003-403-9 – via Google Books.
Mordden 2001, p. 154; Masteroff 1967, p. 7. Mordden, Ethan (2001). Open a New Window: The Broadway Musical in the 1960s. New York: Palgrave. ISBN 0-312-23952-1 – via Google Books. Masteroff, Joe (1967). Harold Prince's Cabaret. New York: Random House. LCCN 67-24365. Retrieved October 27, 2021 – via Internet Archive.
Garebian 2011, p. 26. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Mordden 2001, pp. 152–54. Mordden, Ethan (2001). Open a New Window: The Broadway Musical in the 1960s. New York: Palgrave. ISBN 0-312-23952-1 – via Google Books.
Garebian 2011, p. 111. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Bloom & Vlastnik 2004, pp. 47–49. Bloom, Ken; Vlastnik, Frank (October 2004). Broadway Musicals – The 101 Greatest Shows of All Time. New York City: Black Dog & Leventhal Publishers. pp. 46–49. ISBN 1-57912-390-2 – via Google Books.
Garebian 2011, pp. 39–42. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, p. 49: "There was no question that the single greatest element in the design was the giant mirror." Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Mordden 2001, pp. 156–57. Mordden, Ethan (2001). Open a New Window: The Broadway Musical in the 1960s. New York: Palgrave. ISBN 0-312-23952-1 – via Google Books.
Isherwood 1963, p. 25; Parker 2005, p. 220; Lehmann 1987, p. 18. Isherwood, Christopher (1963) [1945]. The Berlin Stories. New York City: New Directions. ISBN 0-8112-0070-1. LCCN 55-2508 – via Internet Archive. Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books. Lehmann, John (1987). Christopher Isherwood: A Personal Memoir. New York City: Henry Holt and Company. ISBN 0-8050-1029-7 – via Internet Archive.
Jones 2003, p. 243; Garebian 2011, pp. 85, 126. Jones, John Bush (2003). Our Musicals, Ourselves: A Social History of the American Musical Theatre. Lebanon, New Hampshire: University Press of New England. p. 243. ISBN 978-0-87451-904-4 – via Internet Archive. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, p. 175. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, pp. 174–175. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Bloom & Vlastnik 2004, p. 48; Kander & Ebb 1999, pp. 3–4. Bloom, Ken; Vlastnik, Frank (October 2004). Broadway Musicals – The 101 Greatest Shows of All Time. New York City: Black Dog & Leventhal Publishers. pp. 46–49. ISBN 1-57912-390-2 – via Google Books. Kander, John; Ebb, Fred (March 1999). Golden, Bob (ed.). The Complete Cabaret Collection. Milwaukee, Wisconsin: Hal Leonard. ISBN 978-1-4584-5040-1 – via Google Books.
Garebian 2011, pp. 167, 200. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, p. 71. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Kander & Ebb 1999, pp. 3–4, 136–8. Kander, John; Ebb, Fred (March 1999). Golden, Bob (ed.). The Complete Cabaret Collection. Milwaukee, Wisconsin: Hal Leonard. ISBN 978-1-4584-5040-1 – via Google Books.
Kander & Ebb 1999, pp. 3–4. Kander, John; Ebb, Fred (March 1999). Golden, Bob (ed.). The Complete Cabaret Collection. Milwaukee, Wisconsin: Hal Leonard. ISBN 978-1-4584-5040-1 – via Google Books.
Garebian 2011, p. 29. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Kander & Ebb 1999, p. 150. Kander, John; Ebb, Fred (March 1999). Golden, Bob (ed.). The Complete Cabaret Collection. Milwaukee, Wisconsin: Hal Leonard. ISBN 978-1-4584-5040-1 – via Google Books.
Kander & Ebb 1999, pp. 50, 162. Kander, John; Ebb, Fred (March 1999). Golden, Bob (ed.). The Complete Cabaret Collection. Milwaukee, Wisconsin: Hal Leonard. ISBN 978-1-4584-5040-1 – via Google Books.
Garebian 2011, p. 141. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Kander & Ebb 1999, pp. 3–4, 129, 136–8. Kander, John; Ebb, Fred (March 1999). Golden, Bob (ed.). The Complete Cabaret Collection. Milwaukee, Wisconsin: Hal Leonard. ISBN 978-1-4584-5040-1 – via Google Books.
Garebian 2011, p. 187. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Garebian 2011, p. 197; Gray 2016. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books. Gray, Margaret (July 20, 2016). "50 years of 'Cabaret': How the 1966 musical keeps sharpening its edges for modern times". Los Angeles Times. Los Angeles. Retrieved January 31, 2021.
Garebian 2011, p. 197. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Bloom & Vlastnik 2004, p. 49. Bloom, Ken; Vlastnik, Frank (October 2004). Broadway Musicals – The 101 Greatest Shows of All Time. New York City: Black Dog & Leventhal Publishers. pp. 46–49. ISBN 1-57912-390-2 – via Google Books.
Garebian 2011, p. 199. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books.
Bloom & Vlastnik 2004, p. 47. Bloom, Ken; Vlastnik, Frank (October 2004). Broadway Musicals – The 101 Greatest Shows of All Time. New York City: Black Dog & Leventhal Publishers. pp. 46–49. ISBN 1-57912-390-2 – via Google Books.

broadwayworld.com

BroadwayWorld 2013. Rosky, Nicole (October 7, 2013). "Danny Burstein and Linda Emond to Play 'Herr Schultz' and 'Fraulein Schneider' in Cabaret Revival". BroadwayWorld. New York City. Retrieved March 3, 2022.
BroadwayWorld 2014. Peterson, Tyler (July 21, 2014). "Michelle Williams Extends Run in Broadway's Cabaret". BroadwayWorld. New York City. Retrieved January 31, 2021.
Brethauer-Hamling 2021. Brethauer-Hamling, Taylor (December 8, 2021). "Photos: First Look at Eddie Redmayne, Jessie Buckley & More in Cabaret". BroadwayWorld. New York City. Retrieved March 2, 2022.
Wild, Stephi. "Eddie Redmayne Will Reprise Role in Cabaret on Broadway Alongside Gayle Rankin". BroadwayWorld.com. Retrieved October 23, 2023.

cometothecabaret.com.au

2017 Australian Production. "Cabaret (2017 Australian Production)". Sydney, Australia: Hayes Theatre. November 6, 2016. Archived from the original on November 6, 2016.

curtainup.com

Reice 1998; Gray 2016. Reice, Sylvie (March 10, 1998). "Cabaret by Sylvie Reice". Curtain Up. New York City. Retrieved January 31, 2021. Gray, Margaret (July 20, 2016). "50 years of 'Cabaret': How the 1966 musical keeps sharpening its edges for modern times". Los Angeles Times. Los Angeles. Retrieved January 31, 2021.

dangerousminds.net

Lehmann 1987, pp. 28–9; Gallagher 2014; Spender 1974, pp. 138–139; Thomson 2005. Lehmann, John (1987). Christopher Isherwood: A Personal Memoir. New York City: Henry Holt and Company. ISBN 0-8050-1029-7 – via Internet Archive. Gallagher, Paul (April 3, 2014). "Life is a Cabaret: Christopher Isherwood on the real Sally Bowles, Berlin, writing and W. H. Auden". Dangerous Minds. Presented by Richard Metzger. Retrieved October 2, 2019. Spender, Stephen (September 1974). "On Being a Ghost in Isherwood's Berlin". Mademoiselle. No. 79. pp. 138–139. Thomson, David (March 21, 2005). "The Observer as Hero". The New Republic. New York City. Retrieved January 30, 2021.

doi.org

Parker 2004; Parker 2005, p. 205. Parker, Peter (September 2004). "Ross, Jean Iris (1911–1973)". Oxford Dictionary of National Biography (online ed.). Oxford: Oxford University Press. doi:10.1093/ref:odnb/74425. Retrieved June 18, 2017. (Subscription or UK public library membership required.) Parker, Peter (2005) [2004]. Isherwood: A Life Revealed. London: Picador. ISBN 978-0-330-32826-5 – via Google Books.
Parker 2004: "An affair with a Jewish musician called Götz von Eick, who subsequently became an actor in Hollywood under the name Peter van Eyck, led to her becoming pregnant, and she nearly died after an abortion." Parker, Peter (September 2004). "Ross, Jean Iris (1911–1973)". Oxford Dictionary of National Biography (online ed.). Oxford: Oxford University Press. doi:10.1093/ref:odnb/74425. Retrieved June 18, 2017. (Subscription or UK public library membership required.)

ew.com

popwatch.ew.com

Feldberg 2014; Jue 2015; Dziemianowicz 2014; Holcomb-Holland 2015. Feldberg, Robert (December 9, 2014). "Emma Stone sallies forth, exhuberantly, in 'Cabaret' revival". The Record. Hackensack, New Jersey. p. F1. Retrieved March 13, 2022 – via Newspapers.com. Jue, Teresa (January 5, 2015). "Emma Stone extends Cabaret run on Broadway". Entertainment Weekly. New York City. Retrieved January 31, 2021. Dziemianowicz, Joe (August 20, 2014). "Emma Stone to join Broadway's Cabaret in November". Daily News. New York. Retrieved January 7, 2016. Holcomb-Holland, Lori (January 5, 2015). "'Cabaret' to Close March 29, and Emma Stone Extends Her Run". The New York Times. New York City. Retrieved February 2, 2021.
Snetiker 2015. Snetiker, Marc (January 7, 2015). "Sienna Miller to replace Emma Stone in Broadway's Cabaret". Entertainment Weekly. New York City. Retrieved January 31, 2021.

kitkat.club

Kit Kat Club 2022. "Cast & Creative | Cabaret | Kit Kat Club London | West End". kitkat.club. 2022. Retrieved October 25, 2022.

latimes.com

Garebian 2011, p. 3; Gray 2016. Garebian, Keith (2011). The Making of Cabaret. Oxford: Oxford University Press. ISBN 978-0-19-973250-0 – via Google Books. Gray, Margaret (July 20, 2016). "50 years of 'Cabaret': How the 1966 musical keeps sharpening its edges for modern times". Los Angeles Times. Los Angeles. Retrieved January 31, 2021.
Gray 2016. Gray, Margaret (July 20, 2016). "50 years of 'Cabaret': How the 1966 musical keeps sharpening its edges for modern times". Los Angeles Times. Los Angeles. Retrieved January 31, 2021.
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Moss 1979: Isherwood frequented "the boy-bars in Berlin in the late years of the Weimar Republic.... [He] discovered a world utterly different from the repressive English one he disliked, and with it, the excitements of sex and new subject matter." Moss, Howard (June 3, 1979). "Christopher Isherwood: Man and Work". The New York Times. New York City. Retrieved January 30, 2021.
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Ato Blankson-Wood Joins Upcoming Broadway Cabaret
Bebe Neuwirth and Steven Skybell Join Upcoming Broadway Cabaret Revival
Natascia Diaz and Henry Gottfried Board Upcoming Broadway Cabaret
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Norbert Leo Butz Into Cabaret Tour w/ Teri Hatcher, Feb. 23
Randy Harrison Says "Willkommen" in New Cabaret Tour; First Pics Here!

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Wiegand 2023. Wiegand, Chris (August 14, 2023). "'Raring to take on this challenge': musicians Jake Shears and Self Esteem to star in Cabaret". The Guardian. London. ISSN 0261-3077. Retrieved August 15, 2023.
Wiegand, Chris (February 5, 2024). "Cara Delevingne to star as Sally Bowles in hit West End show Cabaret". The Guardian. ISSN 0261-3077. Retrieved February 6, 2024.
Paulson 2023; Culwell-Block 2023. Paulson, Michael (July 11, 2023). "Award-Winning 'Cabaret' Revival Plans Spring Broadway Bow". The New York Times. New York. ISSN 0362-4331. Retrieved July 11, 2023. Culwell-Block, Logan (July 11, 2023). "Olivier-Winning London Cabaret Revival is Officially Broadway Bound". Playbill. Retrieved July 11, 2023.

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Mendes 1993. Mendes, Sam (director), Cumming, Alan (actor) (1993). Cabaret (UK TV production) (Videotape). London: Channel Four Film. Retrieved March 10, 2022 – via YouTube.