Carnatic music (English Wikipedia)

Fuller, C. J.; Narasimhan, Haripriya (11 November 2014). Tamil Brahmans: The Making of a Middle-Class Caste. University of Chicago Press. p. 201. ISBN 978-0-226-15288-2. Most songs were in Telugu or Sanskrit, though some were in Tamil, but even Telugu and Tamil were strongly inflected by Sanskrit.
Ramaswamy, Vijaya (25 August 2017). Historical Dictionary of the Tamils. Rowman & Littlefield. p. 88. ISBN 978-1-5381-0686-0. In precolonial or early-modern South India, Telugu became the cultural language of the south, including the Tamil country, somewhat similar to the overwhelming dominance of French as the cultural language of modern Europe during roughly the same era. Therefore, Telugu predominates in the evolution of Carnatic music, and it is the practice to teach Telugu language in music colleges to those aspiring to become singers.
Arnold, Alison, ed. (1998). The Garland Encyclopedia of World Music. Vol. 5: South Asia: The Indian Subcontinent. Taylor & Francis. pp. 231, 232, 269. ISBN 978-0-8240-4946-1.
Kesavan, Veluthat (2019). The Buffalo Century: Vāñcheśvara Dīkṣita's Mahiṣaśatakam: A Political Satire for All Centuries. Taylor & Francis. p. 5. ISBN 9781000708561. Because this music came from Karnataka, it eventually came to be known as "Carnatic music" throughout the country
Art and Architecture in Karnataka. Directorate of Archaeology and Museums, Government of Karnataka. 1996. p. 313.

carnatica.net (Global: low place; English: low place)

"History of Music, Origins". The Carnatica Group. Carnatica.net. Retrieved 3 July 2007.

doi.org (Global: 2^nd place; English: 2^nd place)

Singer, M. (1958). "The Great Tradition in a Metropolitan Center: Madras". The Journal of American Folklore. 71 (281). American Folklore Society: 347–388. doi:10.2307/538567. JSTOR 538567.
Subramaniam, L. (1999). "The reinvention of a tradition: Nationalism, Carnatic music and the Madras Music Academy, 1900–1947". Indian Economic & Social History Review. 36 (2): 131–163. doi:10.1177/001946469903600201. S2CID 144368744.
Ries, R. E. (1969). "The Cultural Setting of South Indian Music". Asian Music. 1 (2). University of Texas Press: 22–31. doi:10.2307/833909. JSTOR 833909.
Hughes, S. P. (2002). "The 'Music Boom' in Tamil South India: gramophone, radio and the making of mass culture". Historical Journal of Film, Radio and Television. 22 (4): 445–473. doi:10.1080/0143968022000012129. S2CID 191466174.
Aravinthon, Dr (Mrs) Suhanya (1 June 2021). "Roots of Carnatic Music in Sri Lanka - Artistic interrelations between Sri Lanka and South India A". Smrti - Department of Indian Music: Annual Journal. 1 (1): 90–95. doi:10.5281/zenodo.6550640.
Breyer, Barbara (1972). "Composers and Tradition in Karnatik Music". Asian Music. 3 (2). University of Texas Press: 42–51. doi:10.2307/833958. JSTOR 833958.
Nettl, Bruno (1974). "Thoughts On Improvisation: A Comparative Approach". Musical Quarterly. LX: 9–12. doi:10.1093/mq/LX.1.1.
MacCarthy, M. (1912). "Some Indian Conceptions of Music". Proceedings of the Musical Association. 38th Sess: 41–65. doi:10.1093/jrma/38.1.41.
Kassebaum, G. R. (1987). "Improvisation in Alapana Performance: A Comparative View of Raga Shankarabharana". Yearbook for Traditional Music. 19. International Council for Traditional Music: 45–64. doi:10.2307/767877. JSTOR 767877. S2CID 192945498.
Higgins, J. B. (1973). "untitled". Asian Music. 4 (2): 27–35. doi:10.2307/833829. JSTOR 833829.
Wolf, R. (1999). "untitled". Asian Music. 30 (1): 199–203. doi:10.2307/834271. JSTOR 834271.
Higgins, J. B. (1987). "Performing Arts in India: Essays on Music, Dance, and Drama". Asian Music. 18 (2): 103–118. doi:10.2307/833942. JSTOR 833942.
Henry, E. O. (2002). "The Rationalization of Intensity in Indian Music". Ethnomusicology. 46 (1). Society for Ethnomusicology: 33–35. doi:10.2307/852807. JSTOR 852807.
Palackal, J. J. (1998). "untitled". Yearbook for Traditional Music. 30: 207. doi:10.2307/768616. JSTOR 768616. S2CID 191394968.
Higgins, J. B. (1985). "India". Ethnomusicology. 29 (1). Society for Ethnomusicology: 162–166. doi:10.2307/852348. JSTOR 852348.
L'Armand, A. K.; L'armand, Adrian (1983). "One Hundred Years of Music in Madras: A Case Study in Secondary Urbanization". Ethnomusicology. 27 (3). Society for Ethnomusicology: 411–438. doi:10.2307/850653. JSTOR 850653.
Rosenthal, E. (1931). "Tyagaraja: A Great South Indian Composer". Musical Quarterly. XVII: 14–24. doi:10.1093/mq/XVII.1.14.

encyclopedia.com (Global: 462^nd place; English: 345^th place)

"Tamil of Sri Lanka Facts, information, pictures | Encyclopedia.com articles about Tamil of Sri Lanka". encyclopedia.com. Retrieved 10 June 2016.

hindu.com (Global: 261^st place; English: 171^st place)

"Sci Tech / Speaking Of Science: The music of we primates: Nada Brahmam". The Hindu. Archived from the original on 31 March 2005.
"The golden era". The Hindu. Archived from the original on 19 September 2006.
"Focus on veena's exalted status". The Hindu. Archived from the original on 27 June 2003.
"Musical Musings". The Hindu. Chennai, India. 3 February 2005. Archived from the original on 7 February 2005. Retrieved 13 January 2007.

iitm.ac.in (Global: low place; English: low place)

ae.iitm.ac.in

Sriram, Parthasarathy. "A Karnatic Music Primer" (PDF).

indianfolklore.org (Global: low place; English: low place)

The Music Academy Archived 26 April 2012 at the Wayback Machine Written by Malathi Rangaswamy, Secretary of Music Academy

jstor.org (Global: 26^th place; English: 20^th place)

Singer, M. (1958). "The Great Tradition in a Metropolitan Center: Madras". The Journal of American Folklore. 71 (281). American Folklore Society: 347–388. doi:10.2307/538567. JSTOR 538567.
Ries, R. E. (1969). "The Cultural Setting of South Indian Music". Asian Music. 1 (2). University of Texas Press: 22–31. doi:10.2307/833909. JSTOR 833909.
Breyer, Barbara (1972). "Composers and Tradition in Karnatik Music". Asian Music. 3 (2). University of Texas Press: 42–51. doi:10.2307/833958. JSTOR 833958.
Kassebaum, G. R. (1987). "Improvisation in Alapana Performance: A Comparative View of Raga Shankarabharana". Yearbook for Traditional Music. 19. International Council for Traditional Music: 45–64. doi:10.2307/767877. JSTOR 767877. S2CID 192945498.
Higgins, J. B. (1973). "untitled". Asian Music. 4 (2): 27–35. doi:10.2307/833829. JSTOR 833829.
Wolf, R. (1999). "untitled". Asian Music. 30 (1): 199–203. doi:10.2307/834271. JSTOR 834271.
Higgins, J. B. (1987). "Performing Arts in India: Essays on Music, Dance, and Drama". Asian Music. 18 (2): 103–118. doi:10.2307/833942. JSTOR 833942.
Henry, E. O. (2002). "The Rationalization of Intensity in Indian Music". Ethnomusicology. 46 (1). Society for Ethnomusicology: 33–35. doi:10.2307/852807. JSTOR 852807.
Palackal, J. J. (1998). "untitled". Yearbook for Traditional Music. 30: 207. doi:10.2307/768616. JSTOR 768616. S2CID 191394968.
Higgins, J. B. (1985). "India". Ethnomusicology. 29 (1). Society for Ethnomusicology: 162–166. doi:10.2307/852348. JSTOR 852348.
L'Armand, A. K.; L'armand, Adrian (1983). "One Hundred Years of Music in Madras: A Case Study in Secondary Urbanization". Ethnomusicology. 27 (3). Society for Ethnomusicology: 411–438. doi:10.2307/850653. JSTOR 850653.

karnatik.com (Global: low place; English: low place)

"Royal Carpet: Glossary of Carnatic Terms S". karnatik.com.
"Royal Carpet: Glossary of Carnatic Terms M". karnatik.com.
"Royal Carpet: Glossary of Carnatic Terms T". karnatik.com.
"Royal Carpet: Glossary of Carnatic Terms R". karnatik.com.
"Royal Carpet: Glossary of Carnatic Terms V". karnatik.com.

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"Royal tribute to Thanjavur rulers". The New Indian Express.

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YjS 3.115. "Yajnavalkya on Music".

scroll.in (Global: 676^th place; English: 420^th place)

Srinivasan, Anil (20 November 2015). "Sri Lankan Tamil diaspora: The new force spreading Carnatic music and dance worldwide". Scroll.in. Retrieved 10 June 2016.

sdsu.edu (Global: 3,103^rd place; English: 2,242^nd place)

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"Veena in Yajurveda". Archived from the original on 31 October 2006.

semanticscholar.org (Global: 11^th place; English: 8^th place)

api.semanticscholar.org

Subramaniam, L. (1999). "The reinvention of a tradition: Nationalism, Carnatic music and the Madras Music Academy, 1900–1947". Indian Economic & Social History Review. 36 (2): 131–163. doi:10.1177/001946469903600201. S2CID 144368744.
Hughes, S. P. (2002). "The 'Music Boom' in Tamil South India: gramophone, radio and the making of mass culture". Historical Journal of Film, Radio and Television. 22 (4): 445–473. doi:10.1080/0143968022000012129. S2CID 191466174.
Kassebaum, G. R. (1987). "Improvisation in Alapana Performance: A Comparative View of Raga Shankarabharana". Yearbook for Traditional Music. 19. International Council for Traditional Music: 45–64. doi:10.2307/767877. JSTOR 767877. S2CID 192945498.
Palackal, J. J. (1998). "untitled". Yearbook for Traditional Music. 30: 207. doi:10.2307/768616. JSTOR 768616. S2CID 191394968.

soundofindia.com (Global: low place; English: low place)

"Sound of India". Archived from the original on 11 December 2008. Retrieved 18 December 2006.

web.archive.org (Global: 1^st place; English: 1^st place)

The Music Academy Archived 26 April 2012 at the Wayback Machine Written by Malathi Rangaswamy, Secretary of Music Academy
"Sci Tech / Speaking Of Science: The music of we primates: Nada Brahmam". The Hindu. Archived from the original on 31 March 2005.
"Veena in Yajurveda". Archived from the original on 31 October 2006.
"Sound of India". Archived from the original on 11 December 2008. Retrieved 18 December 2006.
"The golden era". The Hindu. Archived from the original on 19 September 2006.
"Focus on veena's exalted status". The Hindu. Archived from the original on 27 June 2003.
"Musical Musings". The Hindu. Chennai, India. 3 February 2005. Archived from the original on 7 February 2005. Retrieved 13 January 2007.

worldcat.org (Global: 5^th place; English: 5^th place)

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Daniel, E. Valentine (1996). Charred lullabies: chapters in an anthropography of violence. Princeton studies in culture / power / history. Princeton, NJ: Princeton University Press. pp. 157, 145. ISBN 978-0-691-02774-6. OCLC 34669394.
O’Shea, Janet; Morris, Gay; Giersdorf, Jens Richard (2016). "From Temple to Battlefield: Bharata Natyam in the Sri Lankan Civil War". Choreographies of 21st century wars. Oxford University Press. p. 119. ISBN 978-0-19-020166-1. OCLC 915135656.
Reed, Susan A. (2010). "Dance, Ethnicity and the State". Dance and the nation: performance, ritual, and politics in Sri Lanka. University of Wisconsin Press. pp. 131–132. ISBN 978-0-299-23164-4. OCLC 317288154.
Jeyaratnam Wilson, Alfred (2000). "Language, Poetry; Culture and Tamil Nationalism". Sri Lankan Tamil nationalism: its origins and development in the nineteenth and twentieth centuries. University of British Columbia Press. p. 36. ISBN 0-7748-0759-8. OCLC 41467484.

zenodo.org (Global: 621^st place; English: 380^th place)

Aravinthon, Dr (Mrs) Suhanya (1 June 2021). "Roots of Carnatic Music in Sri Lanka - Artistic interrelations between Sri Lanka and South India A". Smrti - Department of Indian Music: Annual Journal. 1 (1): 90–95. doi:10.5281/zenodo.6550640.
MacCarthy, M. (1912). "Some Indian Conceptions of Music". Proceedings of the Musical Association. 38th Sess: 41–65. doi:10.1093/jrma/38.1.41.

Carnatic music (English Wikipedia)

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