Charles Incledon (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Charles Incledon" in English language version.

refsWebsite

Global rank English rank

3^rd place

6^th place

3,233^rd place

2,002^nd place

27^th place

51^st place

8,496^th place

5,210^th place

1,505^th place

1,194^th place

3,407^th place

2,115^th place

613^th place

456^th place

archive.org

S. Baring-Gould, Cornish Characters and Strange Events (John Lane/Bodley Head, London and New York 1909), pp. 375–76.
A propos The Quaker, it is amusingly related that Incledon, finding himself in Margate to play Mr Steady without a suitable costume, induced a 'comfortable plump-looking Quaker' whom he met in the street to lend him his clothes for the night: and the Quaker attended the performance from a hidden vantage, to see how his people were represented. See Mrs Mathews, Memoir of Charles Mathews, Comedian (Richard Bentley, London 1838), Vol. 2, pp. 201–03 (Internet Archive).
His vanity caused his friends to play practical jokes on him, see Mathews, Memoirs of Charles Mathews, Comedian, 2 Vols (Richard Bentley, London 1838), Vol. 2, pp. 161–167 (Internet Archive).
W. Parke, Musical memoirs (1830), pp. 175–79.
Mathews, Memoir of Charles Mathews, Comedian (Richard Bentley, London 1838) Vol. 2, pp. 207–09 (Internet Archive).
Mathews, Memoir of Charles Mathews (Richard Bentley, London 1838), Vol. 2, pp. 153–210 (Internet Archive).
Mathews, Memoir of Charles Mathews, Vol. 2, pp. 195–96 (Internet Archive).
Theatrical Inquisitor (C Chapple, London 1816): reproduced in Baring-Gould's Cornish Characters and Strange Events, p. 376.

P.H. Highfill, K.A. Burnim and E.A. Langhans, 'Incledon, Charles Benjamin 1763–1826, singer, actor' in A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and other Stage Personnel in London, 1660–1800, Vol. 8: Hough to Keyse (SIU Press, 1982), pp. 86–99.
W.H. Tregellas, 'Incledon: The Singer', in Cornish Worthies. Sketches of Eminent Cornish Men and Families, 2 volumes (Elliot Stock, London 1884), II, pp. 89-112 (Google).
William Parke, Musical Memoirs (Henry Colburn and Richard Bentley, London 1830), vol. 1, p. 127 (Google).
Parke, Musical Memoirs (1830), vol. 1, p. 136 (Google).
Parke, Musical Memoirs (1830), vol. 1, pp. 187–88 (Google).
Parke, Musical Memoirs (1830), vol. 2, p. 249 (Google).
Parke, Musical Memoirs (1830), vol. 1, p. 253–54 (Google).
Parke, Musical Memoirs (1830), vol. 1, p. 282 (Google).
Parke, Musical Memoirs (1830), vol. 1, p. 291 (Google).
Parke, Musical Memoirs (1830), vol. 1, p. 304–06 (Google).
Parke, Musical Memoirs (1830), vol. 1, p. 324 (Google).
Parke, Musical Memoirs (1830), vol. 2, p. 250 (Google).
Thomas Rowlandson, 'Family Quarrels, or, The Jew and The Gentile', in Ruth HaCohen, The Music Libel Against the Jews: Vocal Fictions of Noise and Harmony (Yale University Press, 2012), Fig. 2.4 and pp. 124–25.
E. Fitzball, Thirty-five Years of a Dramatic Author's Life, 2 vols (T.C.Newby, London 1859), I, pp. 296-301 (Google).
Parke, Musical Memoirs (1830), vol. 2, pp. 250–51 (Google).

One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Incledon, Charles Benjamin". Encyclopædia Britannica. Vol. 14 (11th ed.). Cambridge University Press. p. 354.
P. Drummond, The Provincial Music Festival in England, 1784–1914 (Ashgate Publishing, 2013), p. 175; M. Argent (Ed), The Recollections of R.J.S. Stevens: An organist in Georgian London (Abridged edition) (SIU Press, 1992), pp. 293–94; see Wikisource