Chord (music) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Chord (music)" in English language version.

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17books.google.com

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Pachet 1999, pp. 187–206. Pachet, François (1999). "Surprising Harmonies". International Journal on Computing Anticipatory Systems.

books.google.com

Benward & Saker 2003, p. 67, represents the majority view that "A chord is a harmonic unit with at least three different tones sounding simultaneously." Contrast Károlyi 1965, p. 63: "Two or more notes sounding simultaneously are known as a chord". Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613. Károlyi, Otto (1965). Introducing Music. Penguin. ISBN 9780140206593.
Moylan 2014, p. 39. Moylan, William (2014). Understanding and Crafting the Mix: The Art of Recording. CRC Press. ISBN 9781136117589.
Benward & Saker 2003, p. 77. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Károlyi 1965, p. 63. Károlyi, Otto (1965). Introducing Music. Penguin. ISBN 9780140206593.
Benward & Saker 2003, p. 185. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 70. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 100. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 201. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 220. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 231. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 274. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Harrison 2005, p. 33. Harrison, Winston (2005). The Rockmaster System: Relating Ongoing Chords to the Keyboard – Rock, Book 1. Dellwin. ISBN 9780976526704.^{[permanent dead link‍]}
Benward & Saker 2003, pp. 74–75. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 92. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Weedon 2007. Weedon, Bert (2007). Play in a Day. Faber Music. ISBN 978-0-571-52965-0.
Benjamin et al. 2014, pp. 46–47. Benjamin, T.; Horvit, M.; Nelson, R.; Koozin, T. (2014). Techniques and Materials of Music: From the Common Practice Period Through the Twentieth Century (Enhanced ed.). Cengage Learning. ISBN 978-1-285-96580-2.
Benjamin et al. 2014, pp. 48–49. Benjamin, T.; Horvit, M.; Nelson, R.; Koozin, T. (2014). Techniques and Materials of Music: From the Common Practice Period Through the Twentieth Century (Enhanced ed.). Cengage Learning. ISBN 978-1-285-96580-2.

doi.org

Schellenberg et al. 2005, pp. 551–566. Schellenberg, E. Glenn; Bigand, Emmanuel; Poulin-Charronnat, Benedicte; Garnier, Cecilia; Stevens, Catherine (Nov 2005). "Children's implicit knowledge of harmony in Western music". Developmental Science. 8 (6): 551–566. doi:10.1111/j.1467-7687.2005.00447.x. PMID 16246247.
Tanguiane 1994. Tanguiane, Andranick (1994). "A principle of correlativity of perception and its application to music recognition". Music Perception. 11 (4): 465–502. doi:10.2307/40285634. JSTOR 40285634.
Hawkins 1992, pp. 325–335. Hawkins, Stan (October 1992). "Prince- Harmonic Analysis of 'Anna Stesia'". Popular Music. 11 (3): 329, 334n7. doi:10.1017/S0261143000005171. S2CID 161354788.

jstor.org

Tanguiane 1994. Tanguiane, Andranick (1994). "A principle of correlativity of perception and its application to music recognition". Music Perception. 11 (4): 465–502. doi:10.2307/40285634. JSTOR 40285634.

merriam-webster.com

"Chord". Merriam-Webster's dictionary of English usage. Merriam-Webster. 1995. p. 243. ISBN 978-0-87779-132-4.

nih.gov

pubmed.ncbi.nlm.nih.gov

Schellenberg et al. 2005, pp. 551–566. Schellenberg, E. Glenn; Bigand, Emmanuel; Poulin-Charronnat, Benedicte; Garnier, Cecilia; Stevens, Catherine (Nov 2005). "Children's implicit knowledge of harmony in Western music". Developmental Science. 8 (6): 551–566. doi:10.1111/j.1467-7687.2005.00447.x. PMID 16246247.

oxforddictionaries.com

"Chord". Oxford Dictionaries. Archived from the original on August 28, 2011.

pugetsound.edu

musictheory.pugetsound.edu

Hutchinson, Robert. "Introduction to Triads". Music Theory for the 21st-Century Classroom. University of Puget Sound.

semanticscholar.org

api.semanticscholar.org

Hawkins 1992, pp. 325–335. Hawkins, Stan (October 1992). "Prince- Harmonic Analysis of 'Anna Stesia'". Popular Music. 11 (3): 329, 334n7. doi:10.1017/S0261143000005171. S2CID 161354788.

web.archive.org

"Chord". Oxford Dictionaries. Archived from the original on August 28, 2011.

worldcat.org

search.worldcat.org

Benward & Saker 2003, p. 67, represents the majority view that "A chord is a harmonic unit with at least three different tones sounding simultaneously." Contrast Károlyi 1965, p. 63: "Two or more notes sounding simultaneously are known as a chord". Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613. Károlyi, Otto (1965). Introducing Music. Penguin. ISBN 9780140206593.
Benward & Saker 2003, p. 77. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Schoenberg 2010, p. 26, "It is required of a chord that it consist of three different tones." Schoenberg, Arnold (2010). Theory of harmony. Berkeley, Calif: University of California. ISBN 978-0-520-26608-7. OCLC 669843249.
Benward & Saker 2003, p. 185. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 70. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 100. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 201. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 220. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 231. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 274. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, pp. 74–75. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.
Benward & Saker 2003, p. 92. Benward, Bruce; Saker, Marilyn (2003). Music in Theory and Practice. Vol. I (' (7th ed.). New York: McGraw Hill. ISBN 9780072942620. OCLC 61691613.

youtube.com

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