For further information on the development of a classical music canon in 18th-century England, see Weber, William (Autumn 1994). "The Intellectual Origins of Musical Canon in Eighteenth-Century England". Journal of the American Musicological Society. 47 (3): 488–520. doi:10.2307/3128800. JSTOR3128800.
Vancour, Shawn (March 2009). "Popularizing the Classics: Radio's Role in the Music Appreciation Movement 1922–34". Media, Culture & Society. 31 (2): 19. doi:10.1177/0163443708100319. S2CID144331723.
The musicologist Ralph P. Locke cites composer Tan Dun as an example, and notes the title of a 2004 publication, Locating East Asia in Western Art Music.[37] See also the title of Barone, Joshua (23 July 2021). "Asian Composers Reflect on Careers in Western Classical Music". The New York Times. Archived from the original on 28 December 2021. Burkholder, Grout & Palisca 2014, p. 1009 note that "We may well wonder whether the term "Western [classical] music" is still appropriate when Western culture has spread around the world, and some of the most practices performers and interesting new composers come from China, Japan and Korea. Given its global reach, it may be time to rename this tradition, but as eclectic and diverse as it has become, its roots are still in Western culture reaching back through Europe to ancient Greece". Burkholder, J. Peter; Grout, Donald Jay; Palisca, Claude V. (2014). A History of Western Music (9th ed.). New York: W. W. Norton & Company. ISBN978-0-393-91829-8.
For further information on the development of a classical music canon in 18th-century England, see Weber, William (Autumn 1994). "The Intellectual Origins of Musical Canon in Eighteenth-Century England". Journal of the American Musicological Society. 47 (3): 488–520. doi:10.2307/3128800. JSTOR3128800.
The entirety of early medieval Europe may not have been without a notional system for music, see Gampel 2012, who argues against the traditional conclusion of Isidore of Seville's remark. Gampel, Alan (2012). "Papyrological Evidence of Musical Notation From the 6th to the 8th Centuries". Musica Disciplina. 57: 5–50. JSTOR24427165.
Burkholder, J. Peter (2009–2010). "Changing the Stories We Tell: Repertoires, Narratives, Materials, Goals, and Strategies in Teaching Music History". College Music Symposium. 49/50: 120. JSTOR41225238.
Bowles 1954, 119 et passim. Bowles, Edmund A. (1954). "Haut and Bas: The Grouping of Musical Instruments in the Middle Ages". Musica Disciplina. 8: 115–140. JSTOR20531877.
The musicologist Ralph P. Locke cites composer Tan Dun as an example, and notes the title of a 2004 publication, Locating East Asia in Western Art Music.[37] See also the title of Barone, Joshua (23 July 2021). "Asian Composers Reflect on Careers in Western Classical Music". The New York Times. Archived from the original on 28 December 2021. Burkholder, Grout & Palisca 2014, p. 1009 note that "We may well wonder whether the term "Western [classical] music" is still appropriate when Western culture has spread around the world, and some of the most practices performers and interesting new composers come from China, Japan and Korea. Given its global reach, it may be time to rename this tradition, but as eclectic and diverse as it has become, its roots are still in Western culture reaching back through Europe to ancient Greece". Burkholder, J. Peter; Grout, Donald Jay; Palisca, Claude V. (2014). A History of Western Music (9th ed.). New York: W. W. Norton & Company. ISBN978-0-393-91829-8.
Vancour, Shawn (March 2009). "Popularizing the Classics: Radio's Role in the Music Appreciation Movement 1922–34". Media, Culture & Society. 31 (2): 19. doi:10.1177/0163443708100319. S2CID144331723.
