Cloisonné (English Wikipedia)

Darling, Janina K., Architecture of Greece, p. xliii, 2004, Greenwood Press, ISBN 9780313321528, google books, a rather more restricted definition than some sources use.
Osborne, 331; Michaelides, Panicos, The Earliest Cloisonne Enamels from Cyprus, article from Glass on Metal, the Enamellist's Magazine, April 1989, online Archived 2009-04-12 at the Wayback Machine. See also Wilson, Nigel, ed. (2006). "Enamel". Encyclopedia of Ancient Greece. Psychology Press. p. 259. ISBN 978-0-415-97334-2.
Late Antiquity, 464. See here for scientific materials analysis
Harden, Donald Benjamin (1956). Dark-age Britain: Studies Presented to E. T. Leeds. Methuen – via Google Books.
Eckens, Marie (September 1982). "The True Art of Cloisonne". Antiques. Orange Coast Magazine. p. 96. This was improved further in the second of the 17th Century when copper--a more pliable metal--replaced bronze as the metal for both bases and cloisons.
John Blair; Nigel Ramsay (1991). English Medieval Industries: Craftsmen, Techniques, Products. A&C Black. pp. 127–. ISBN 978-1-85285-326-6.
Felicia Liban; Louise Mitchell (6 July 2012). Cloisonné Enameling and Jewelry Making. Courier Corporation. pp. 92–. ISBN 978-0-486-13600-4.
Stephanie Radok (2012). An Opening: Twelve Love Stories about Art. Wakefield Press. pp. 104–. ISBN 978-1-74305-043-9.
Rayner W. Hesse (2007). Jewelrymaking Through History: An Encyclopedia. Greenwood Publishing Group. pp. 88–. ISBN 978-0-313-33507-5.

britishmuseum.org

Bàràny-Oberschall, 122–123; Lasko, 8—he prefers ""full" enamel" and ""sunk" enamel"; British Museum on using the German names

Egyptian Paste Archived 2018-01-15 at the Wayback Machine article from Ceramics Today. See also Egyptian faience. There are disputes as to whether, or when, such materials were fired with the object, or fired separately first and then cut into pieces to be inlaid like gems. It seems both methods may have been used. See Day, Lewis Foreman, Enamelling: A Comparative Account of the Development and Practice of the Art, 7-10, 1907, Batsford

Osborne, 331; Michaelides, Panicos, The Earliest Cloisonne Enamels from Cyprus, article from Glass on Metal, the Enamellist's Magazine, April 1989, online Archived 2009-04-12 at the Wayback Machine. See also Wilson, Nigel, ed. (2006). "Enamel". Encyclopedia of Ancient Greece. Psychology Press. p. 259. ISBN 978-0-415-97334-2.

"Japanese Art Enamels". The Decorator and Furnisher. 21 (5): 170. 1893. ISSN 2150-6256. JSTOR 25582341. We doubt if any form of the enameller's art can equal the work executed in Japan, which is distinguished by great freedom of design, and the most exquisite gradations of color.

Clark, 67-68. For an example see Pectoral and Necklace of Sithathoryunet Metropolitan Museum

"Japanese Cloisonné Manufacture". Victoria and Albert Museum. Archived from the original on 2015-10-03. Retrieved 2015-10-29.

Osborne, 331; Michaelides, Panicos, The Earliest Cloisonne Enamels from Cyprus, article from Glass on Metal, the Enamellist's Magazine, April 1989, online Archived 2009-04-12 at the Wayback Machine. See also Wilson, Nigel, ed. (2006). "Enamel". Encyclopedia of Ancient Greece. Psychology Press. p. 259. ISBN 978-0-415-97334-2.
Egyptian Paste Archived 2018-01-15 at the Wayback Machine article from Ceramics Today. See also Egyptian faience. There are disputes as to whether, or when, such materials were fired with the object, or fired separately first and then cut into pieces to be inlaid like gems. It seems both methods may have been used. See Day, Lewis Foreman, Enamelling: A Comparative Account of the Development and Practice of the Art, 7-10, 1907, Batsford
"Japanese Cloisonné Manufacture". Victoria and Albert Museum. Archived from the original on 2015-10-03. Retrieved 2015-10-29.

Irvine, Gregory (2013). "Wakon Yosai- Japanese spirit, Western techniques: Meiji period arts for the West". In Irvine, Gregory (ed.). Japonisme and the rise of the modern art movement : the arts of the Meiji period : the Khalili collection. New York: Thames & Hudson. p. 177. ISBN 978-0-500-23913-1. OCLC 853452453.
"Japanese Art Enamels". The Decorator and Furnisher. 21 (5): 170. 1893. ISSN 2150-6256. JSTOR 25582341. We doubt if any form of the enameller's art can equal the work executed in Japan, which is distinguished by great freedom of design, and the most exquisite gradations of color.