Communion (chant) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Communion (chant)" in English language version.

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James McKinnon (2000, pp. 326-328). McKinnon, James (2000). The Advent project the later-seventh-century creation of the Roman Mass proper. Berkeley: University of California Press. ISBN 9780520221987. Retrieved 20 August 2012.

See transcription of Ms. Γ. 3 (fol. 9)—an Asmatikon of the Great Lavra Monastery on Mount Athos (Conomos 1980, p. 259, ex. 4). Conomos, Dimitri E. (1980). "Communion Chants in Magna Graecia and Byzantium". Journal of the American Musicological Society. 33: 241–263. doi:10.2307/831112. JSTOR 831112.
Conomos (1980, pp. 255-259, ex. 2) analyzed this cycle, added later during the late 14th century, and compared it to the earlier echos-protos version in a Slavic Kondakar of the 13th century (ex. 3). Conomos, Dimitri E. (1980). "Communion Chants in Magna Graecia and Byzantium". Journal of the American Musicological Society. 33: 241–263. doi:10.2307/831112. JSTOR 831112.
In his early article which preceded his book, Dimitri Conomos (1980) offers tables of the three cycles, their texts and their modal classification according to the Octoechos and a list of medieval notated chant manuscripts of the cathedral rite which have preserve these cycles. Conomos, Dimitri E. (1980). "Communion Chants in Magna Graecia and Byzantium". Journal of the American Musicological Society. 33: 241–263. doi:10.2307/831112. JSTOR 831112.
James McKinnon (1998). McKinnon, James W. (1998). "Compositional Planning in the Roman Mass Proper". Studia Musicologica Academiae Scientiarum Hungaricae. 39: 241–245. doi:10.2307/902538. JSTOR 902538.

See transcription of Ms. Γ. 3 (fol. 9)—an Asmatikon of the Great Lavra Monastery on Mount Athos (Conomos 1980, p. 259, ex. 4). Conomos, Dimitri E. (1980). "Communion Chants in Magna Graecia and Byzantium". Journal of the American Musicological Society. 33: 241–263. doi:10.2307/831112. JSTOR 831112.
Conomos (1980, pp. 255-259, ex. 2) analyzed this cycle, added later during the late 14th century, and compared it to the earlier echos-protos version in a Slavic Kondakar of the 13th century (ex. 3). Conomos, Dimitri E. (1980). "Communion Chants in Magna Graecia and Byzantium". Journal of the American Musicological Society. 33: 241–263. doi:10.2307/831112. JSTOR 831112.
In his early article which preceded his book, Dimitri Conomos (1980) offers tables of the three cycles, their texts and their modal classification according to the Octoechos and a list of medieval notated chant manuscripts of the cathedral rite which have preserve these cycles. Conomos, Dimitri E. (1980). "Communion Chants in Magna Graecia and Byzantium". Journal of the American Musicological Society. 33: 241–263. doi:10.2307/831112. JSTOR 831112.
James McKinnon (1998). McKinnon, James W. (1998). "Compositional Planning in the Roman Mass Proper". Studia Musicologica Academiae Scientiarum Hungaricae. 39: 241–245. doi:10.2307/902538. JSTOR 902538.