Comparison of analog and digital recording (English Wikipedia)

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web.archive.org

Liversidge, Anthony (February 1995). "Analog versus digital: has vinyl been wrongly dethroned by the music industry?". Omni. Vol. 17, no. 5. Archived from the original on 7 March 2015. Retrieved 22 March 2017.
Stuart, J. "Coding High Quality Digital Audio" (PDF). Meridian Audio Ltd. Archived from the original (PDF) on 11 October 2007. Retrieved 9 March 2008. This article is substantially the same as Stuart's 2004 JAES article "Coding for High-Resolution Audio Systems", Journal of the Audio Engineering Society, Volume 52 Issue 3 pp. 117–144; March 2004.
Elsea, Peter (1996). "Analog Recording of Sound". Electronic Music Studios at the University of California, Santa Cruz. Archived from the original on 16 October 2009. Retrieved 9 March 2008.
Dunn, Julian (2003). "Measurement Techniques for Digital Audio: Audio Precision Application Note #5". Audio Precision, Inc. Archived from the original on 20 March 2007. Retrieved 9 March 2008.
Jones, Wayne; Wolfe, Michael; Tanner, Theodore C. Jr.; Dinu, Daniel (March 2003). Testing Challenges in Personal Computer Audio Devices. 114th AES Convention. Archived from the original on 7 March 2008. Retrieved 9 March 2008.
Hawksford, Malcolm (September 1991). Introduction to Digital Audio Images of Audio (PDF). Proceedings of the 10th International AES Conference. London. Archived from the original (PDF) on 29 September 2007. Retrieved 9 March 2008.
Story, Mike (September 1997). "A Suggested Explanation For (Some Of) The Audible Differences Between High Sample Rate And Conventional Sample Rate Audio Material" (PDF). dCS Ltd. Archived (PDF) from the original on 28 November 2009.
Robjohns, Hugh (August 2016). "MQA Time-domain Accuracy & Digital Audio Quality". soundonsound.com. Sound On Sound. Archived from the original on 10 March 2023.
Nishiguchi, Toshiyuki; Iwaki, Masakazu; Ando, Akio (2004). Perceptual Discrimination between Musical Sounds with and without Very High Frequency Components. NHK Laboratories Note No. 486 (Report). NHK. Archived from the original on 16 October 2015. Retrieved 15 August 2012.
Ashihara, Kaoru; Kiryu, Shogo; Koizumi, Nobuo; Nishimura, Akira; Ohga, Juro; Sawaguchi, Masaki; Yoshikawa, Shokichiro (2005). "Detection threshold for distortions due to jitter on digital audio". Acoustical Science and Technology. 26 (1): 50–54. doi:10.1250/ast.26.50. Archived from the original on 12 August 2009. Retrieved 31 January 2014.
Hawksford, M. (2001). SDM versus LPCM: The Debate Continues (PDF). 110th AES Convention. Archived from the original (PDF) on 13 May 2006paper 5397{{cite conference}}: CS1 maint: postscript (link)
Diamond, John (2003) [1980]. "Human Stress Provoked by Digitalized Recordings". The Diamond Center. Archived from the original on 12 August 2004. Retrieved 17 July 2013.
Levinson, Mark. "Re-vitalizing Audio Industry:Music and Health" (PDF). Archived from the original (PDF) on 23 March 2014.
Levinson, Mark. "Mark Levinson: CD vs. SACD and LP". Redrosemusic.com. Archived from the original on 29 February 2012. Retrieved 16 August 2013.
Blech, Dominik; Yang, Min-Chi (8–11 May 2004). DVD-Audio versus SACD: Perceptual Discrimination of Digital Audio Coding Formats (PDF). AES Convention:116. Berlin: Audio Engineering Society. Archived from the original on 27 September 2007. Retrieved 27 July 2014.
Sinclair, Paul (6 August 2022). "Saturday Deluxe / 6 August 2022". SuperDeluxeEdition. Archived from the original on 9 August 2022. Retrieved 9 August 2022.

worldcat.org

search.worldcat.org

Edgers, Geoff (5 August 2022). "How a Phoenix record store owner set the audiophile world on fire". The Washington Post. Washington, D.C. ISSN 0190-8286. OCLC 1330888409.