Concerto delle donne (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Concerto delle donne" in English language version.

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22doi.org

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10books.google.com

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10oxfordmusiconline.com

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7worldcat.org

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6pdx.edu

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6oup.com

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2archive.org

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2taylorfrancis.com

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2usc.edu

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2ucpress.edu

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1web.archive.org

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1hcommons.org

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archive.org

Stolba 1994, p. 190. Stolba, K Marie (1994). The Development of Western Music: A History (3rd ed.). New York: McGraw-Hill Companies. ISBN 0-697-29379-3.
Haskell 1980, p. 25. Haskell, Francis (1980). Patrons and Painters: A study in the relations between Italian Art and Society in the Age of the Baroque. New Haven and London: Yale University Press. ISBN 978-0-300-02540-8.

books.google.com

Pendle 2001, p. 80. Pendle, Karin (2001). Women and Music: A History. Bloomington: Indiana University Press. ISBN 978-0-253-21422-5.
Stark 1999, p. 190. Stark, James (1999). Bel Canto: A History of Vocal Pedagogy. Toronto: University of Toronto Press. ISBN 978-0-8020-8614-3.
Pendle 2001, p. 40. Pendle, Karin (2001). Women and Music: A History. Bloomington: Indiana University Press. ISBN 978-0-253-21422-5.
Jensen et al. 2021, p. 49. Jensen, C. R.; Maier, I.; Shamin, S.; Waugh, D. C. (2021). Russia's Theatrical Past: Court Entertainment in the Seventeenth Century. Bloomington: Indiana University Press. ISBN 978-0-253-05635-1.
McClary 2012, p. 82. McClary, Susan (2012). Desire and Pleasure in Seventeenth-Century Music. Berkley: University of California Press.
Pendle 2001, p. 82. Pendle, Karin (2001). Women and Music: A History. Bloomington: Indiana University Press. ISBN 978-0-253-21422-5.
McClary 2012, p. 83. McClary, Susan (2012). Desire and Pleasure in Seventeenth-Century Music. Berkley: University of California Press.
Stark 1999, p. 193. Stark, James (1999). Bel Canto: A History of Vocal Pedagogy. Toronto: University of Toronto Press. ISBN 978-0-8020-8614-3.
Stark 1999, p. 155. Stark, James (1999). Bel Canto: A History of Vocal Pedagogy. Toronto: University of Toronto Press. ISBN 978-0-8020-8614-3.
Pendle 2001, p. 83; Cusick 1993, p. 17; Morton 2022, p. 156, reiterated by Newcomb 1980. Pendle, Karin (2001). Women and Music: A History. Bloomington: Indiana University Press. ISBN 978-0-253-21422-5. Cusick, Suzanne G. (1 April 1993). "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy". Journal of the American Musicological Society. 46 (1): 1–25. doi:10.2307/831804. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036. Newcomb, Anthony (1980). The Madrigal at Ferrara, 1579–1597. Princeton: Princeton University Press. ISBN 978-0-691-09125-9.

cambridge.org

Treadwell 2004, p. 2. Treadwell, Nina (March 2004). "She descended on a cloud 'from the highest spheres': Florentine monody 'alla Romanina'". Cambridge Opera Journal. 16 (1): 1–22. doi:10.1017/S0954586704001764. ISSN 1474-0621.

doi.org

Morton 2022, p. 156. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036.
Newcomb 2001. Newcomb, Anthony (2001). "Molza, Tarquinia". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.18918. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Tick 2001. Tick, Judith (2001). "Women in music, §II: Western classical traditions in Europe & the USA 3. 1500–1800". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.52554. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
HaCohen 2001, p. 630. HaCohen, Ruth (1 September 2001). "The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference". Poetics Today. 22 (3): 607–650. doi:10.1215/03335372-22-3-607.
Fenlon 2001a. Fenlon, Iain (2001a). "Fiorini [Fiorino], Ippolito". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.09702. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Savan 2018, p. 574. Savan, Jamie (31 December 2018). "Revoicing a 'Choice Eunuch': The Cornett and Historical Models of Vocality". Early Music. 46 (4): 561–578. doi:10.1093/em/cay068.
Whenham 2001. Whenham, John (2001). "Orfeo(i)". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O005849. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Treadwell 2000, p. 43. Treadwell, Nina (2000). Restaging the Siren: Musical Women in the Performance of Sixteenth-Century Italian Theater (PhD). University of Southern California. doi:10.25549/usctheses-c16-138553. OCLC 53291961.
Sherr 1980. Sherr, Richard (Spring 1980). "Gugliemo Gonzaga and the Castrati". Renaissance Quarterly. 33 (1). Renaissance Society of America: 33–56. doi:10.2307/2861534. ISSN 0034-4338. JSTOR 2861534.
Carter & Chew 2001. Carter, Tim; Chew, Geoffrey (2001). "Monteverdi [Monteverde], Claudio". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.44352. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Treadwell 2000, p. 78. Treadwell, Nina (2000). Restaging the Siren: Musical Women in the Performance of Sixteenth-Century Italian Theater (PhD). University of Southern California. doi:10.25549/usctheses-c16-138553. OCLC 53291961.
Fenlon 2001b. Fenlon, Iain (2001b). "Agostini, Lodovico". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.00301. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Bianconi 2001. Bianconi, Lorenzo (2001). "Gesualdo, Carlo, Prince of Venosa, Count of Conza". Grove Music Online. Revised by Glenn Watkins. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.10994. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Shindle 2001. Shindle, W. Richard (2001). "Macque, Giovanni de". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.17378. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Morton 2022, p. 157. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036.
Cusick 1993, p. 17. Cusick, Suzanne G. (1 April 1993). "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy". Journal of the American Musicological Society. 46 (1): 1–25. doi:10.2307/831804.
Treadwell 2004, p. 2. Treadwell, Nina (March 2004). "She descended on a cloud 'from the highest spheres': Florentine monody 'alla Romanina'". Cambridge Opera Journal. 16 (1): 1–22. doi:10.1017/S0954586704001764. ISSN 1474-0621.
Pendle 2001, p. 83; Cusick 1993, p. 17; Morton 2022, p. 156, reiterated by Newcomb 1980. Pendle, Karin (2001). Women and Music: A History. Bloomington: Indiana University Press. ISBN 978-0-253-21422-5. Cusick, Suzanne G. (1 April 1993). "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy". Journal of the American Musicological Society. 46 (1): 1–25. doi:10.2307/831804. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036. Newcomb, Anthony (1980). The Madrigal at Ferrara, 1579–1597. Princeton: Princeton University Press. ISBN 978-0-691-09125-9.
Harris 2001. Harris, Ellen T. (2001). "Virtuosa". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.49405. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Carter & Hitchcock 2001. Carter, Tim; Hitchcock, H. Wiley (2001). "(1) Giulio Romolo Caccini [Giulio Romano]". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.40146. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Coluzzi 2019, p. 335. Coluzzi, Seth (23 September 2019). "Licks, Polemics, and the Viola Bastarda: Unity and Defiance in Monteverdi's Fifth Book". Early Music. 47 (3): 333–344. doi:10.1093/em/caz040.
Niwa 2005, p. 34. Niwa, S. (1 February 2005). "'Madama' Margaret of Parma's patronage of music". Early Music. 33 (1): 25–38. doi:10.1093/em/cah039.

dukeupress.edu

read.dukeupress.edu

HaCohen 2001, p. 630. HaCohen, Ruth (1 September 2001). "The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference". Poetics Today. 22 (3): 607–650. doi:10.1215/03335372-22-3-607.

hcommons.org

jnr2.hcommons.org

Wistreich 2017. Wistreich, Richard (5 July 2017). "'Inclosed in This Tabernacle of Flesh': Body, Soul, and the Singing Voice". Journal of the Northern Renaissance (8).

jhu.edu

muse.jhu.edu

Hammond 2004, p. 156. Hammond, Frederick (2004). "There is Nothing Like the dame". Early Music. 32 (1): 156–157 – via Project MUSE.

jstor.org

Arnold 1982, pp. 253–254. Arnold, Denis (1982). "Review of Le settimo libro de' madrigali (1595)". Early Music. 10 (2): 253–255. ISSN 0306-1078.
Sherr 1980. Sherr, Richard (Spring 1980). "Gugliemo Gonzaga and the Castrati". Renaissance Quarterly. 33 (1). Renaissance Society of America: 33–56. doi:10.2307/2861534. ISSN 0034-4338. JSTOR 2861534.

newberry.org

Springfels. Springfels, Mary. "Newberry Consort Repertoire - Daughters of the Muse". Chicago: Newberry Library. Archived from the original on 13 May 2006. Retrieved 11 July 2006.

oup.com

academic.oup.com

Morton 2022, p. 156. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036.
Savan 2018, p. 574. Savan, Jamie (31 December 2018). "Revoicing a 'Choice Eunuch': The Cornett and Historical Models of Vocality". Early Music. 46 (4): 561–578. doi:10.1093/em/cay068.
Morton 2022, p. 157. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036.
Pendle 2001, p. 83; Cusick 1993, p. 17; Morton 2022, p. 156, reiterated by Newcomb 1980. Pendle, Karin (2001). Women and Music: A History. Bloomington: Indiana University Press. ISBN 978-0-253-21422-5. Cusick, Suzanne G. (1 April 1993). "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy". Journal of the American Musicological Society. 46 (1): 1–25. doi:10.2307/831804. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036. Newcomb, Anthony (1980). The Madrigal at Ferrara, 1579–1597. Princeton: Princeton University Press. ISBN 978-0-691-09125-9.
Coluzzi 2019, p. 335. Coluzzi, Seth (23 September 2019). "Licks, Polemics, and the Viola Bastarda: Unity and Defiance in Monteverdi's Fifth Book". Early Music. 47 (3): 333–344. doi:10.1093/em/caz040.
Niwa 2005, p. 34. Niwa, S. (1 February 2005). "'Madama' Margaret of Parma's patronage of music". Early Music. 33 (1): 25–38. doi:10.1093/em/cah039.

oxfordmusiconline.com

Newcomb 2001. Newcomb, Anthony (2001). "Molza, Tarquinia". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.18918. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Tick 2001. Tick, Judith (2001). "Women in music, §II: Western classical traditions in Europe & the USA 3. 1500–1800". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.52554. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Fenlon 2001a. Fenlon, Iain (2001a). "Fiorini [Fiorino], Ippolito". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.09702. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Whenham 2001. Whenham, John (2001). "Orfeo(i)". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O005849. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Carter & Chew 2001. Carter, Tim; Chew, Geoffrey (2001). "Monteverdi [Monteverde], Claudio". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.44352. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Fenlon 2001b. Fenlon, Iain (2001b). "Agostini, Lodovico". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.00301. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Bianconi 2001. Bianconi, Lorenzo (2001). "Gesualdo, Carlo, Prince of Venosa, Count of Conza". Grove Music Online. Revised by Glenn Watkins. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.10994. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Shindle 2001. Shindle, W. Richard (2001). "Macque, Giovanni de". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.17378. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Harris 2001. Harris, Ellen T. (2001). "Virtuosa". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.49405. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)
Carter & Hitchcock 2001. Carter, Tim; Hitchcock, H. Wiley (2001). "(1) Giulio Romolo Caccini [Giulio Romano]". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.40146. ISBN 978-1-56159-263-0. Retrieved 11 April 2006. (subscription or UK public library membership required)

pdx.edu

archives.pdx.edu

Yarris 2022, p. 4. Yarris, Ella (25 April 2022). Paving the Way: Women in Music at Ferrara, Italy During the Late 1500s. Young Historians Conference 2022. Portland State University.
Yarris 2022, p. 6. Yarris, Ella (25 April 2022). Paving the Way: Women in Music at Ferrara, Italy During the Late 1500s. Young Historians Conference 2022. Portland State University.
Yarris 2022, pp. 9, 10. Yarris, Ella (25 April 2022). Paving the Way: Women in Music at Ferrara, Italy During the Late 1500s. Young Historians Conference 2022. Portland State University.
Yarris 2022, p. 3. Yarris, Ella (25 April 2022). Paving the Way: Women in Music at Ferrara, Italy During the Late 1500s. Young Historians Conference 2022. Portland State University.
Yarris 2022, pp. 8, 9. Yarris, Ella (25 April 2022). Paving the Way: Women in Music at Ferrara, Italy During the Late 1500s. Young Historians Conference 2022. Portland State University.
Yarris 2022, p. 7. Yarris, Ella (25 April 2022). Paving the Way: Women in Music at Ferrara, Italy During the Late 1500s. Young Historians Conference 2022. Portland State University.

taylorfrancis.com

Treadwell 2002, p. 28. Treadwell, Nina (2002). "2 "Simil combattimento fatto da Dame": The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History". Gender, Sexuality, and Early Music. Routledge. ISBN 978-0-203-05549-6.
Treadwell 2002, p. 29. Treadwell, Nina (2002). "2 "Simil combattimento fatto da Dame": The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History". Gender, Sexuality, and Early Music. Routledge. ISBN 978-0-203-05549-6.

uclouvain.be

dial.uclouvain.be

Kuhn 2020, p. 94. Kuhn, Eva (2020). Agency of Musical Instruments: The Resonance of Instruments without Sounds in the Collection of Francesco II d’Este. 19th Biennial International Conference on Baroque Music. Birmingham. p. 94.

ucpress.edu

online.ucpress.edu

Cusick 1993, p. 17. Cusick, Suzanne G. (1 April 1993). "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy". Journal of the American Musicological Society. 46 (1): 1–25. doi:10.2307/831804.
Pendle 2001, p. 83; Cusick 1993, p. 17; Morton 2022, p. 156, reiterated by Newcomb 1980. Pendle, Karin (2001). Women and Music: A History. Bloomington: Indiana University Press. ISBN 978-0-253-21422-5. Cusick, Suzanne G. (1 April 1993). "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy". Journal of the American Musicological Society. 46 (1): 1–25. doi:10.2307/831804. Morton, Joëlle (22 December 2022). "Will Wonders Never Cease? The Viola Bastarda at the Ferrarese Court". Early Music. 50 (2): 155–168. doi:10.1093/em/caac036. Newcomb, Anthony (1980). The Madrigal at Ferrara, 1579–1597. Princeton: Princeton University Press. ISBN 978-0-691-09125-9.

ufmg.br

periodicos.ufmg.br

Tomlinson 2017, p. 4. Tomlinson, Gary (9 August 2017). "Consider the Madrigal". Per Musi (36). ISSN 2317-6377.

usc.edu

digitallibrary.usc.edu

Treadwell 2000, p. 43. Treadwell, Nina (2000). Restaging the Siren: Musical Women in the Performance of Sixteenth-Century Italian Theater (PhD). University of Southern California. doi:10.25549/usctheses-c16-138553. OCLC 53291961.
Treadwell 2000, p. 78. Treadwell, Nina (2000). Restaging the Siren: Musical Women in the Performance of Sixteenth-Century Italian Theater (PhD). University of Southern California. doi:10.25549/usctheses-c16-138553. OCLC 53291961.

web.archive.org

Springfels. Springfels, Mary. "Newberry Consort Repertoire - Daughters of the Muse". Chicago: Newberry Library. Archived from the original on 13 May 2006. Retrieved 11 July 2006.

worldcat.org

Arnold 1982, pp. 253–254. Arnold, Denis (1982). "Review of Le settimo libro de' madrigali (1595)". Early Music. 10 (2): 253–255. ISSN 0306-1078.
Clapton 2006. Clapton, Nicholas (2006). "Machines Made for Singing". Handel & the Castrati: The Story Behind the 18th-Century Superstar Singers; 29 March – 1 October 2006. London: Handel House Museum. OCLC 254055896.
Treadwell 2000, p. 43. Treadwell, Nina (2000). Restaging the Siren: Musical Women in the Performance of Sixteenth-Century Italian Theater (PhD). University of Southern California. doi:10.25549/usctheses-c16-138553. OCLC 53291961.
Sherr 1980. Sherr, Richard (Spring 1980). "Gugliemo Gonzaga and the Castrati". Renaissance Quarterly. 33 (1). Renaissance Society of America: 33–56. doi:10.2307/2861534. ISSN 0034-4338. JSTOR 2861534.
Treadwell 2000, p. 78. Treadwell, Nina (2000). Restaging the Siren: Musical Women in the Performance of Sixteenth-Century Italian Theater (PhD). University of Southern California. doi:10.25549/usctheses-c16-138553. OCLC 53291961.
Tomlinson 2017, p. 4. Tomlinson, Gary (9 August 2017). "Consider the Madrigal". Per Musi (36). ISSN 2317-6377.
Treadwell 2004, p. 2. Treadwell, Nina (March 2004). "She descended on a cloud 'from the highest spheres': Florentine monody 'alla Romanina'". Cambridge Opera Journal. 16 (1): 1–22. doi:10.1017/S0954586704001764. ISSN 1474-0621.