Consonance and dissonance (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Consonance and dissonance" in English language version.

refsWebsite

Global rank English rank

8doi.org

2^nd place

4medieval.org

low place

2mitpressjournals.org

low place

2open.ac.uk

4,356^th place

2,724^th place

2harvard.edu

18^th place

17^th place

2wisc.edu

1,045^th place

746^th place

1books.google.com

3^rd place

1web.archive.org

1^st place

1archive.org

6^th place

archive.org

Aristoxenus 1902, pp. 188–206. Aristoxenus (1902). Macran, H. Stewart (ed.). Harmonics. Oxford, UK: Clarendon Press – via archive.org.

books.google.com

Myers 1904, p. 315. Myers, Charles S. (25 June 1904). "Theories of Consonance and Dissonance". The British Journal of Psychology. 1: 315–316 – via Google books.

doi.org

Milne, Sethares & Plamondon 2007. Milne, Andrew; Sethares, William A.; Plamondon, James (Winter 2007). "Invariant fingerings across a tuning continuum". Computer Music Journal. 31 (4): 15–32. doi:10.1162/comj.2007.31.4.15.
Milne, Sethares & Plamondon 2008. Milne, Andrew; Sethares, William A.; Plamondon, James (Spring 2008). "Tuning continua and keyboard layouts" (PDF). Journal of Mathematics and Music. 2: 1–19. doi:10.1080/17459730701828677.^{[page needed]}
Sethares et al. 2009. Sethares, W.A.; Milne, Andrew; Tiedje, Stefan; Prechtl, Anthony & Plamondon, James (Summer 2009). "Spectral tools for dynamic tonality and audio morphing". Computer Music Journal. 33 (2): 71–84. doi:10.1162/comj.2009.33.2.71.
Zwicker, Flottorp & Stevens 1957, p. ^{[page needed]}. Zwicker, Eberhard; Flottorp, G.; Stevens, S. S. (1957). "Critical band-width in loudness summation". Journal of the Acoustical Society of America. 29 (5): 548–557. Bibcode:1957ASAJ...29..548Z. doi:10.1121/1.1908963.
Zwicker 1961, p. ^{[page needed]}. Zwicker, Eberhard (May 1961). "Subdivision of the Audible Frequency into Critical Bands". Journal of the Acoustical Society of America. 33 (2): 248–249. Bibcode:1961ASAJ...33..248Z. doi:10.1121/1.1908630.
Milne, Sethares & Plamondon 2007, p. ^{[page needed]}. Milne, Andrew; Sethares, William A.; Plamondon, James (Winter 2007). "Invariant fingerings across a tuning continuum". Computer Music Journal. 31 (4): 15–32. doi:10.1162/comj.2007.31.4.15.
Milne, Sethares & Plamondon 2008, p. ^{[page needed]}. Milne, Andrew; Sethares, William A.; Plamondon, James (Spring 2008). "Tuning continua and keyboard layouts" (PDF). Journal of Mathematics and Music. 2: 1–19. doi:10.1080/17459730701828677.^{[page needed]}
Sethares et al. 2009, p. ^{[page needed]}. Sethares, W.A.; Milne, Andrew; Tiedje, Stefan; Prechtl, Anthony & Plamondon, James (Summer 2009). "Spectral tools for dynamic tonality and audio morphing". Computer Music Journal. 33 (2): 71–84. doi:10.1162/comj.2009.33.2.71.

harvard.edu

ui.adsabs.harvard.edu

Zwicker, Flottorp & Stevens 1957, p. ^{[page needed]}. Zwicker, Eberhard; Flottorp, G.; Stevens, S. S. (1957). "Critical band-width in loudness summation". Journal of the Acoustical Society of America. 29 (5): 548–557. Bibcode:1957ASAJ...29..548Z. doi:10.1121/1.1908963.
Zwicker 1961, p. ^{[page needed]}. Zwicker, Eberhard (May 1961). "Subdivision of the Audible Frequency into Critical Bands". Journal of the Acoustical Society of America. 33 (2): 248–249. Bibcode:1961ASAJ...33..248Z. doi:10.1121/1.1908630.

medieval.org

Schulter 1997a. Schulter, Margo (1997a). "Thirteenth-century polyphony". Medieval Music & Arts Foundation. Todd M. McComb. Retrieved 1 Jan 2015.
Schulter 1997b. Schulter, Margo (1997b). "Pythagorean tuning". Medieval Music & Arts Foundation. Todd M. McComb. Retrieved 1 Jan 2015.
Schulter 1997c. Schulter, Margo (1997c). "Multi-voice combinations". Medieval Music & Arts Foundation. Todd M. McComb. Retrieved 1 Jan 2015.
Schulter 1997d. Schulter, Margo (1997d). "Pythagorean tuning and Gothic polyphony". Medieval Music & Arts Foundation. Todd M. McComb. Retrieved 1 Jan 2015.

mitpressjournals.org

Milne, Sethares & Plamondon 2007. Milne, Andrew; Sethares, William A.; Plamondon, James (Winter 2007). "Invariant fingerings across a tuning continuum". Computer Music Journal. 31 (4): 15–32. doi:10.1162/comj.2007.31.4.15.
Milne, Sethares & Plamondon 2007, p. ^{[page needed]}. Milne, Andrew; Sethares, William A.; Plamondon, James (Winter 2007). "Invariant fingerings across a tuning continuum". Computer Music Journal. 31 (4): 15–32. doi:10.1162/comj.2007.31.4.15.

open.ac.uk

oro.open.ac.uk

Milne, Sethares & Plamondon 2008. Milne, Andrew; Sethares, William A.; Plamondon, James (Spring 2008). "Tuning continua and keyboard layouts" (PDF). Journal of Mathematics and Music. 2: 1–19. doi:10.1080/17459730701828677.^{[page needed]}
Milne, Sethares & Plamondon 2008, p. ^{[page needed]}. Milne, Andrew; Sethares, William A.; Plamondon, James (Spring 2008). "Tuning continua and keyboard layouts" (PDF). Journal of Mathematics and Music. 2: 1–19. doi:10.1080/17459730701828677.^{[page needed]}

web.archive.org

Sethares 1992. Sethares, W.A. (September 1992). "Relating tuning and timbre". Experimental Musical Instruments. Archived from the original on 10 June 2010. Retrieved 29 July 2014.

wisc.edu

eceserv0.ece.wisc.edu

Sethares 1992. Sethares, W.A. (September 1992). "Relating tuning and timbre". Experimental Musical Instruments. Archived from the original on 10 June 2010. Retrieved 29 July 2014.

sethares.engr.wisc.edu

Sethares, W.A. (1993). "Relating Tuning and Timbre". Experimental Musical Instruments.