Cross-gender acting (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Cross-gender acting" in English language version.

refsWebsite

Global rank English rank

27doi.org

2^nd place

13worldcat.org

5^th place

8jstor.org

26^th place

20^th place

6semanticscholar.org

11^th place

8^th place

3web.archive.org

1^st place

1globe-theatre.org.uk

low place

1uchicago.edu

230^th place

214^th place

1jhu.edu

699^th place

479^th place

1psu.edu

207^th place

136^th place

1vanderbilt.edu

3,332^nd place

1,981^st place

1bard.org

low place

1rusactors.ru

6,141^st place

low place

1taylorfrancis.com

3,142^nd place

2,072^nd place

1wiley.com

222^nd place

297^th place

1handle.net

102^nd place

76^th place

1tamildigitallibrary.in

low place

1manoramaonline.com

1,386^th place

812^th place

1imdb.com

16^th place

23^rd place

1books.google.com

3^rd place

1sonyclassics.com

low place

8,505^th place

1latimes.com

22^nd place

19^th place

1ad.nl

705^th place

1,953^rd place

1behindthevoiceactors.com

173^rd place

109^th place

ad.nl

"Tygo Gernandt speelt eerste vrouwenrol in jeugdfilm Juffrouw Pots". Algemeen Dagblad (in Dutch). 2024-07-16. Retrieved 2024-07-16.

bard.org

Pilkington, Angel M. "Peter Pan: Myth and Fantasy", Archived 2009-01-08 at the Wayback Machine Midsummer Magazine, 2000, reprinted at the Utah Shakespearean Festival website, 2007

behindthevoiceactors.com

https://www.behindthevoiceactors.com/video-games/Genshin-Impact/Venti/}}

books.google.com

Hammond, Stefan; Wilkins, Mike (1996), Sex and Zen & a bullet in the head, Simon and Schuster, p. 80, ISBN 978-0-684-80341-8

doi.org

Case, Sue-Ellen (1985). "Classic Drag: The Greek Creation of Female Parts". Theatre Journal. 37 (3): 317–327. doi:10.2307/3206851. ISSN 0192-2882. JSTOR 3206851.
Howard, Jean E. (1988). "Crossdressing, The Theatre, and Gender Struggle in Early Modern England" (PDF). Shakespeare Quarterly. 39 (4): 419. doi:10.2307/2870706. JSTOR 2870706. Archived from the original (PDF) on January 2, 2014. Retrieved October 21, 2012.
Clark, Robert L. A.; Sponsler, Claire (1997). "Queer Play: The Cultural Work of Crossdressing in Medieval Drama". New Literary History. 28 (2): 319–344. doi:10.1353/nlh.1997.0017. ISSN 0028-6087. JSTOR 20057418. S2CID 143591237.
Sedinger, Tracey (1997). ""If Sight and Shape be True": The Epistemology of Crossdressing on the London Stage". Shakespeare Quarterly. 48 (1): 63–79. doi:10.2307/2871401. ISSN 0037-3222. JSTOR 2871401.
Guanda Wu (2013). "Should Nandan Be Abolished? The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic". Asian Theatre Journal. 30 (1): 189–206. CiteSeerX 10.1.1.818.4786. doi:10.1353/atj.2013.0008. ISSN 1527-2109. S2CID 161652350.
Hui-ling, Chou (1997). "Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage". TDR (1988-). 41 (2): 130–152. doi:10.2307/1146629. ISSN 1054-2043. JSTOR 1146629.
Prest, Julia (2006). "Theatre under Louis XIV". SpringerLink. doi:10.1057/9780230600928. ISBN 978-1-349-53578-1.
Franko, Mark (2023-09-01), "The King Cross-Dressed", From the Royal to the Republican Body, University of California Press, pp. 64–84, doi:10.2307/jj.5973055.7, ISBN 978-0-520-91880-1, retrieved 2023-11-24
Chen, X. (2010-03-01). "Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai". The Opera Quarterly. 26 (2–3): 471–475. doi:10.1093/oq/kbq034. ISSN 0736-0053.
McConachie, Bruce; Fisher Sorgenfrei, Carol; Zarrilli, Phillip B.; Williams, Gary Jay (2013-03-07). Theatre Histories (0 ed.). Routledge. doi:10.4324/9780203879177. ISBN 978-0-203-87917-7.
Berlin, Zeke (1991). "The Takarazuka Touch". Asian Theatre Journal. 8 (1): 35–47. doi:10.2307/1124165. ISSN 0742-5457. JSTOR 1124165.
Robertson, Jennifer (August 1992). "the politics of androgyny in Japan: sexuality and subversion in the theater and beyond". American Ethnologist. 19 (3): 419–442. doi:10.1525/ae.1992.19.3.02a00010. hdl:2027.42/136411.
Brau, Lorie (1990). "The Women's Theatre of Takarazuka". TDR. 34 (4): 79–95. doi:10.2307/1146045. JSTOR 1146045.
Abbitt, Erica Stevens (2001). "Androgyny and Otherness: Exploring the West Through the Japanese Performative Body". Asian Theatre Journal. 18 (2): 249–256. doi:10.1353/atj.2001.0012. ISSN 1527-2109. S2CID 162239691.
Ashagrie, Aboneh (June 2012). "The role of women on the Ethiopian stage". Journal of African Cultural Studies. 24 (1): 1–8. doi:10.1080/13696815.2012.673055. ISSN 1369-6815. S2CID 145175221.
Molvaer, Reidulf K. (1997). "Siniddu Gebru: Pioneer Woman Writer, Feminist, Patriot, Educator, and Politician". Northeast African Studies. 4 (3): 61–75. doi:10.1353/nas.1997.0012. ISSN 1535-6574. S2CID 144371963.
Hansen, Kathryn (1999). "Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre". Theatre Journal. 51 (2): 127–147. doi:10.1353/tj.1999.0031. ISSN 1086-332X. S2CID 192100757.
Schechner, Richard (1989). "Race Free, Gender Free, Body-Type Free, Age Free Casting". TDR (1988-). 33 (1): 4–12. doi:10.2307/1145934. ISSN 1054-2043. JSTOR 1145934.

dx.doi.org

Hui-ling, Chou (1997). "Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage". TDR (1988-). 41 (2): 130–152. doi:10.2307/1146629. ISSN 1054-2043. JSTOR 1146629.
Franko, Mark (2023-09-01), "The King Cross-Dressed", From the Royal to the Republican Body, University of California Press, pp. 64–84, doi:10.2307/jj.5973055.7, ISBN 978-0-520-91880-1, retrieved 2023-11-24
Chen, X. (2010-03-01). "Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai". The Opera Quarterly. 26 (2–3): 471–475. doi:10.1093/oq/kbq034. ISSN 0736-0053.
Berlin, Zeke (1991). "The Takarazuka Touch". Asian Theatre Journal. 8 (1): 35–47. doi:10.2307/1124165. ISSN 0742-5457. JSTOR 1124165.
Abbitt, Erica Stevens (2001). "Androgyny and Otherness: Exploring the West Through the Japanese Performative Body". Asian Theatre Journal. 18 (2): 249–256. doi:10.1353/atj.2001.0012. ISSN 1527-2109. S2CID 162239691.
Ashagrie, Aboneh (June 2012). "The role of women on the Ethiopian stage". Journal of African Cultural Studies. 24 (1): 1–8. doi:10.1080/13696815.2012.673055. ISSN 1369-6815. S2CID 145175221.
Molvaer, Reidulf K. (1997). "Siniddu Gebru: Pioneer Woman Writer, Feminist, Patriot, Educator, and Politician". Northeast African Studies. 4 (3): 61–75. doi:10.1353/nas.1997.0012. ISSN 1535-6574. S2CID 144371963.
Hansen, Kathryn (1999). "Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre". Theatre Journal. 51 (2): 127–147. doi:10.1353/tj.1999.0031. ISSN 1086-332X. S2CID 192100757.
Schechner, Richard (1989). "Race Free, Gender Free, Body-Type Free, Age Free Casting". TDR (1988-). 33 (1): 4–12. doi:10.2307/1145934. ISSN 1054-2043. JSTOR 1145934.

globe-theatre.org.uk

"Globe Theatre Female Roles". Archived from the original on 2013-04-06. Retrieved 2018-12-24.

handle.net

hdl.handle.net

Robertson, Jennifer (August 1992). "the politics of androgyny in Japan: sexuality and subversion in the theater and beyond". American Ethnologist. 19 (3): 419–442. doi:10.1525/ae.1992.19.3.02a00010. hdl:2027.42/136411.

imdb.com

"Awards for J.L. Reate", IMDb. Retrieved 10 September 2011.

jhu.edu

muse.jhu.edu

Steen, Sara Jayne (1997). "Impersonations: The Performance of Gender in Shakespeare's England by Stephen Orgel (review)". Rocky Mountain Review of Language and Literature. 51 (2): 42–43. ISSN 1948-2833.

jstor.org

Case, Sue-Ellen (1985). "Classic Drag: The Greek Creation of Female Parts". Theatre Journal. 37 (3): 317–327. doi:10.2307/3206851. ISSN 0192-2882. JSTOR 3206851.
Howard, Jean E. (1988). "Crossdressing, The Theatre, and Gender Struggle in Early Modern England" (PDF). Shakespeare Quarterly. 39 (4): 419. doi:10.2307/2870706. JSTOR 2870706. Archived from the original (PDF) on January 2, 2014. Retrieved October 21, 2012.
Clark, Robert L. A.; Sponsler, Claire (1997). "Queer Play: The Cultural Work of Crossdressing in Medieval Drama". New Literary History. 28 (2): 319–344. doi:10.1353/nlh.1997.0017. ISSN 0028-6087. JSTOR 20057418. S2CID 143591237.
Sedinger, Tracey (1997). ""If Sight and Shape be True": The Epistemology of Crossdressing on the London Stage". Shakespeare Quarterly. 48 (1): 63–79. doi:10.2307/2871401. ISSN 0037-3222. JSTOR 2871401.
Hui-ling, Chou (1997). "Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage". TDR (1988-). 41 (2): 130–152. doi:10.2307/1146629. ISSN 1054-2043. JSTOR 1146629.
Berlin, Zeke (1991). "The Takarazuka Touch". Asian Theatre Journal. 8 (1): 35–47. doi:10.2307/1124165. ISSN 0742-5457. JSTOR 1124165.
Brau, Lorie (1990). "The Women's Theatre of Takarazuka". TDR. 34 (4): 79–95. doi:10.2307/1146045. JSTOR 1146045.
Schechner, Richard (1989). "Race Free, Gender Free, Body-Type Free, Age Free Casting". TDR (1988-). 33 (1): 4–12. doi:10.2307/1145934. ISSN 1054-2043. JSTOR 1145934.

latimes.com

"Allison Williams in 'Peter Pan' continues a cross-dressing tradition". Los Angeles Times. 2014-07-30. Retrieved 2019-08-29.

manoramaonline.com

english.manoramaonline.com

"Yesteryear Telugu diva recalls unexpected film debut 50 yrs ago". Manorama Online. October 1, 2018. Retrieved 2019-08-29.

psu.edu

citeseerx.ist.psu.edu

Guanda Wu (2013). "Should Nandan Be Abolished? The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic". Asian Theatre Journal. 30 (1): 189–206. CiteSeerX 10.1.1.818.4786. doi:10.1353/atj.2013.0008. ISSN 1527-2109. S2CID 161652350.

rusactors.ru

Актеры советского и российского кино (Actors of Soviet and Russian cinema) (in Russian) http://rusactors.ru/m/millyar/

semanticscholar.org

api.semanticscholar.org

Clark, Robert L. A.; Sponsler, Claire (1997). "Queer Play: The Cultural Work of Crossdressing in Medieval Drama". New Literary History. 28 (2): 319–344. doi:10.1353/nlh.1997.0017. ISSN 0028-6087. JSTOR 20057418. S2CID 143591237.
Guanda Wu (2013). "Should Nandan Be Abolished? The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic". Asian Theatre Journal. 30 (1): 189–206. CiteSeerX 10.1.1.818.4786. doi:10.1353/atj.2013.0008. ISSN 1527-2109. S2CID 161652350.
Abbitt, Erica Stevens (2001). "Androgyny and Otherness: Exploring the West Through the Japanese Performative Body". Asian Theatre Journal. 18 (2): 249–256. doi:10.1353/atj.2001.0012. ISSN 1527-2109. S2CID 162239691.
Ashagrie, Aboneh (June 2012). "The role of women on the Ethiopian stage". Journal of African Cultural Studies. 24 (1): 1–8. doi:10.1080/13696815.2012.673055. ISSN 1369-6815. S2CID 145175221.
Molvaer, Reidulf K. (1997). "Siniddu Gebru: Pioneer Woman Writer, Feminist, Patriot, Educator, and Politician". Northeast African Studies. 4 (3): 61–75. doi:10.1353/nas.1997.0012. ISSN 1535-6574. S2CID 144371963.
Hansen, Kathryn (1999). "Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre". Theatre Journal. 51 (2): 127–147. doi:10.1353/tj.1999.0031. ISSN 1086-332X. S2CID 192100757.

sonyclassics.com

Orlando is a drama film and the film's press kit reads "[The director's] research has shown that Crisp's portrayal of Queen Elizabeth may be more than simply an interesting political or comic move", Press kit, sonyclassics.com. Retrieved 12 September 2011.

tamildigitallibrary.in

Sathi Leelavathi (PDF) (press book). Coimbatore: Manorama Films. 1936.

taylorfrancis.com

McConachie, Bruce; Fisher Sorgenfrei, Carol; Zarrilli, Phillip B.; Williams, Gary Jay (2013-03-07). Theatre Histories (0 ed.). Routledge. doi:10.4324/9780203879177. ISBN 978-0-203-87917-7.

uchicago.edu

home.uchicago.edu

Howard, Jean E. (1988). "Crossdressing, The Theatre, and Gender Struggle in Early Modern England" (PDF). Shakespeare Quarterly. 39 (4): 419. doi:10.2307/2870706. JSTOR 2870706. Archived from the original (PDF) on January 2, 2014. Retrieved October 21, 2012.

vanderbilt.edu

ir.vanderbilt.edu

Seagraves, Rosie (July 29, 2013). SHE AS HE: CROSS-DRESSING, THEATER, AND "IN-BETWEENS" IN EARLY MODERN SPAIN (Thesis). p. 1. Retrieved April 21, 2021.

web.archive.org

"Globe Theatre Female Roles". Archived from the original on 2013-04-06. Retrieved 2018-12-24.
Howard, Jean E. (1988). "Crossdressing, The Theatre, and Gender Struggle in Early Modern England" (PDF). Shakespeare Quarterly. 39 (4): 419. doi:10.2307/2870706. JSTOR 2870706. Archived from the original (PDF) on January 2, 2014. Retrieved October 21, 2012.
Pilkington, Angel M. "Peter Pan: Myth and Fantasy", Archived 2009-01-08 at the Wayback Machine Midsummer Magazine, 2000, reprinted at the Utah Shakespearean Festival website, 2007

wiley.com

doi.wiley.com

Robertson, Jennifer (August 1992). "the politics of androgyny in Japan: sexuality and subversion in the theater and beyond". American Ethnologist. 19 (3): 419–442. doi:10.1525/ae.1992.19.3.02a00010. hdl:2027.42/136411.

worldcat.org

search.worldcat.org

Case, Sue-Ellen (1985). "Classic Drag: The Greek Creation of Female Parts". Theatre Journal. 37 (3): 317–327. doi:10.2307/3206851. ISSN 0192-2882. JSTOR 3206851.
Steen, Sara Jayne (1997). "Impersonations: The Performance of Gender in Shakespeare's England by Stephen Orgel (review)". Rocky Mountain Review of Language and Literature. 51 (2): 42–43. ISSN 1948-2833.
Clark, Robert L. A.; Sponsler, Claire (1997). "Queer Play: The Cultural Work of Crossdressing in Medieval Drama". New Literary History. 28 (2): 319–344. doi:10.1353/nlh.1997.0017. ISSN 0028-6087. JSTOR 20057418. S2CID 143591237.
Sedinger, Tracey (1997). ""If Sight and Shape be True": The Epistemology of Crossdressing on the London Stage". Shakespeare Quarterly. 48 (1): 63–79. doi:10.2307/2871401. ISSN 0037-3222. JSTOR 2871401.
Guanda Wu (2013). "Should Nandan Be Abolished? The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic". Asian Theatre Journal. 30 (1): 189–206. CiteSeerX 10.1.1.818.4786. doi:10.1353/atj.2013.0008. ISSN 1527-2109. S2CID 161652350.
Hui-ling, Chou (1997). "Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage". TDR (1988-). 41 (2): 130–152. doi:10.2307/1146629. ISSN 1054-2043. JSTOR 1146629.
Chen, X. (2010-03-01). "Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai". The Opera Quarterly. 26 (2–3): 471–475. doi:10.1093/oq/kbq034. ISSN 0736-0053.
Berlin, Zeke (1991). "The Takarazuka Touch". Asian Theatre Journal. 8 (1): 35–47. doi:10.2307/1124165. ISSN 0742-5457. JSTOR 1124165.
Abbitt, Erica Stevens (2001). "Androgyny and Otherness: Exploring the West Through the Japanese Performative Body". Asian Theatre Journal. 18 (2): 249–256. doi:10.1353/atj.2001.0012. ISSN 1527-2109. S2CID 162239691.
Ashagrie, Aboneh (June 2012). "The role of women on the Ethiopian stage". Journal of African Cultural Studies. 24 (1): 1–8. doi:10.1080/13696815.2012.673055. ISSN 1369-6815. S2CID 145175221.
Molvaer, Reidulf K. (1997). "Siniddu Gebru: Pioneer Woman Writer, Feminist, Patriot, Educator, and Politician". Northeast African Studies. 4 (3): 61–75. doi:10.1353/nas.1997.0012. ISSN 1535-6574. S2CID 144371963.
Hansen, Kathryn (1999). "Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre". Theatre Journal. 51 (2): 127–147. doi:10.1353/tj.1999.0031. ISSN 1086-332X. S2CID 192100757.
Schechner, Richard (1989). "Race Free, Gender Free, Body-Type Free, Age Free Casting". TDR (1988-). 33 (1): 4–12. doi:10.2307/1145934. ISSN 1054-2043. JSTOR 1145934.