Cult film (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Cult film" in English language version.

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adweek.com

"Streamy Romance: Americans' Love Affair With B Movies Goes Digital". Ad Week. May 21, 2014. Retrieved May 29, 2014.

alexcox.com

Cox, Alex; Jones, Nick (1990). Moviedrome: The Guide (PDF). London: BBC. Archived from the original (PDF) on August 21, 2018. Retrieved June 13, 2019.

allmovie.com

Firsching, Robert. "Attack of the Killer Tomatoes!". Allmovie. Rovi. Retrieved May 1, 2013.

archive.org

Peary, Danny (1981). Cult Movies. New York: Delacorte Press. pp. 203–205. ISBN 0-440-01626-6.

archive.today

deNobel, Jacob (May 26, 2013). "Good Bad Taste: 'Rocky Horror Picture Show' and the So Bad It's Good Fallacy". Carroll County Times. Archived from the original on November 22, 2014. Retrieved May 28, 2013.
"Cult Film Still Reels in Tourists". The Omaha World Herald. Associated Press. October 25, 2009. Archived from the original on June 16, 2013. Retrieved May 31, 2013.

artslondonnews.co.uk

Collinson, Laura (February 17, 2011). "Lights, Camera ... Fashion!". Arts London News. London College of Communication. Archived from the original on April 20, 2014. Retrieved 2013-06-03.

avclub.com

Harris, Will (September 7, 2012). "Cult Film Staple Mary Woronov on Andy Warhol, Roger Corman, and Being Typecast". The A.V. Club. Retrieved June 5, 2013.
O'Neal, Sean (May 7, 2008). "Interview: Lloyd Kaufman". The A.V. Club. Retrieved June 15, 2013.
Tobias, Scott (February 21, 2008). "The New Cult Canon: An Introduction". The A.V. Club. Retrieved May 1, 2013.

backstage.com

Paris, Robyn (April 30, 2012). "How 'The Room' Turned Me Into a Cult Movie 'Star'". Backstage. Retrieved June 16, 2013.

baltimoresun.com

articles.baltimoresun.com

"Hollywood Takes a Chance on J-Horror Films". The Baltimore Sun. Knight Ridder. June 23, 2006. Archived from the original on February 2, 2014. Retrieved May 20, 2013.

bbc.co.uk

news.bbc.co.uk

Haigh, Ian (May 3, 2010). "What Makes a Cult Film?". BBC News Magazine. Retrieved April 17, 2013.
Dowling, Stephen (October 17, 2003). "When a Cult Film's Not a Cult Film". BBC News. Retrieved April 19, 2013.
"Norman Wisdom Mobbed by Albanian Fans on 1995 Trip". BBC News. October 5, 2010. Retrieved October 11, 2010.

bbc.co.uk

Masters, Tim (May 26, 2011). "'Video Nasty' Director Deodato Debates Censorship". BBC News. Retrieved June 15, 2013.
Kelly, Jon (November 25, 2012). "Hemp: Could the US Rekindle Its Love Affair?". BBC News Magazine. Retrieved May 6, 2013.

bifi.fr

cinema.encyclopedie.films.bifi.fr

"La Planète sauvage (1968) René Laloux" (in French). Bifi.fr. Retrieved April 11, 2020.

books.google.com

Hollows, Joanna (2003). "The Masculinity of Cult". In Jancovich, Mark; Reboll, Antionio Lázaro; Stringer, Julian; Willis, Andy (eds.). Defining Cult Movies: the Cultural Politics of Oppositional Taste. Manchester: Manchester University Press. ISBN 978-0-7190-6631-3.
Potamkin, Harry Allen (2007). "Film Cults". In Mathijs, Ernest; Mendik, Xavier (eds.). The Cult Film Reader. McGraw-Hill International. p. 26. ISBN 978-0-335-21923-0.
Mathijs, Ernest; Sexton, Jamie (2011). "Meta-cult". Cult Cinema. John Wiley & Sons. p. 234. ISBN 978-1-4051-7374-2.
Mathijs, Ernest; Mendik, Xavier (2007). The Cult Film Reader. McGraw-Hill International. p. 19. ISBN 978-0-335-21923-0.
Mathijs, Ernest; Sexton, Jamie (2011). "Cult Movie Contexts: Midnight Movies". Cult Cinema. Malden, MA: John Wiley & Sons. ISBN 978-1-4443-9643-0.
Mathijs, Ernest; Sexton, Jamie (2012). "Fandom and Subculture". Cult Cinema. John Wiley & Sons. pp. 62–63. ISBN 978-1-4443-9642-3.
Egan, Kate; Thomas, Sarah (2012). "Introduction". Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Palgrave Macmillan. pp. 1–2, 7. ISBN 978-1-137-29177-6.
Wimmer, Leila (2012). "Chapter 11: Forever Emmanuelle: Sylvia Kristel and Soft-Core Cult Stardom". In Egan, Kate; Thomas, Sarah (eds.). Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Houndsmills, Basingstoke, Hampshire New York: Palgrave Macmillan. p. 197. ISBN 978-0-230-29369-4.
Sexton, Jamie (2012). "Prisoner of Cool: Chloë Sevigny, Alternative Stardom and Image Management". In Egan, Kate; Thomas, Sarah (eds.). Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Palgrave Macmillan. pp. 73–74. ISBN 978-0-230-29369-4.
Batchelor, Bob (2011). "Swayze is America". In Batchelor, Bob (ed.). Cult Pop Culture: How the Fringe Became Mainstream: Volume 1. ABC-CLIO. ISBN 978-0-313-35781-7.
Capitanio, Adam G. (2011). "Sexploitation Cinema and the Rise and Fall of Russ Meyer". In Bob Batchelor (ed.). Cult Pop Culture: How the Fringe Became Mainstream: How the Fringe Became Mainstream, Volume 1. ABC-CLIO. pp. 3–15. ISBN 978-0-313-35781-7.
Selfe, Melanie (2010). "Incredibly French". In Mazdon, Lucy; Wheatley, Catherine (eds.). Je T'Aime, Moi Non Plus: Franco-British Cinematic Relations. New York: Berghahn Books. pp. 164–165. ISBN 978-1-84545-855-3. Retrieved June 25, 2013.
Mathijs, Ernest; Sexton, Jamie (2011). "Fandom and Subculture: Cultural Capital and Subcultures". Cult Cinema. Chichester, West Sussex Malden, MA: John Wiley & Sons. p. 61. ISBN 978-1-4051-7374-2.
Paszylk, Bartłomiej (2009). "Introduction". The Pleasure and Pain of Cult Horror Films: An Historical Survey. Jefferson, N.C.: McFarland & Co. p. 3. ISBN 978-0-7864-5327-6.
Hills, Matt (2008). "The Question of Genre in Cult Film and Fandom". The SAGE Handbook of Film Studies. SAGE Publications. ISBN 978-1-4462-0682-9.
Wilson, Kristi M. (2011). "Demogogues in Death and Notes from Way Underground". In Batchelor, Bob (ed.). Cult Pop Culture: How the Fringe Became Mainstream. ABC-CLIO. pp. 61–63. ISBN 978-0-313-35780-0.
Hills, Matt (2006). "Realising the Cult Blockbuster: The Lord of the Rings Fandom and Residual/Emergent Cult Status in 'The Mainstream'". In Mathijs, Ernest (ed.). The Lord of the Rings: Popular Culture in Global Context. London New York: Wallflower Press. pp. 160–169. ISBN 978-1-904764-82-3.
Scott, Jason (2012). "Chapter 5: From Behind the Masks to Inside: Acting, Authenticity, and the Star Wars Co-Stars". In Egan, Kate; Thomas, Sarah (eds.). Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Houndsmills, Basingstoke, Hampshire New York: Palgrave Macmillan. pp. 91–94. ISBN 978-0-230-29369-4.
Mathijs, Ernest; Sexton, Jamie (2011). "Fandom and Subculture: Mainstream Cult Fans?". Cult Cinema. Chichester, West Sussex Malden, MA: John Wiley & Sons. p. 64. ISBN 978-1-4051-7374-2. Retrieved May 23, 2013.
Mathijs, Ernest; Sexton, Jamie (2012). "Chapter 20: Cult blockbusters". Cult Cinema: An Introduction. John Wiley & Sons. Turkey Plucking: The Critical Reception of Cult Blockbusters. ISBN 978-1-4051-7374-2.
Marchetti, Gina (2007). "Subcultural Studies and the Film Audience". In Mathijs, Ernest; Mendik, Xavier (eds.). The Cult Film Reader. McGraw-Hill International. p. 413. ISBN 978-0-335-21923-0.
Mathijs, Ernest; Sexton, Jamie (2011). "Fandom and Subculture: Fan Studies: Early Approaches". Cult Cinema. Chichester, West Sussex Malden, MA: John Wiley & Sons. p. 57. ISBN 978-1-4051-7374-2.
Smith, Justin (2012). "Vincent Price and Cult Performance: the Case of Witchfinder General". In Egan, Kate; Thomas, Sarah (eds.). Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Palgrave Macmillan. pp. 110–111. ISBN 978-0-230-29369-4.
Simpson, Philip L. (2011). "Lector for President". In Batchelor, Bob (ed.). Cult Pop Culture: How the Fringe Became Mainstream. ABC-CLIO. pp. 90–91. ISBN 978-0-313-35780-0.
Jackson, Jeffrey C. (2011). "The Godfather of Cult". In Batchelor, Bob (ed.). Cult Pop Culture: How the Fringe Became Mainstream. ABC-CLIO. p. 48. ISBN 978-0-313-35780-0.
Mathijs, Ernest; Sexton, Jamie (2011). "Cult Cinema and Music". Cult Cinema. Wiley & Sons. ISBN 978-1-4443-9643-0. Retrieved August 1, 2013.
Crowder-Taraborrelli, Tomas F. (2011). "Midnight Movies and the Phenomenon of the Cult Film". In Batchelor, Bob (ed.). Cult Pop Culture: How the Fringe Became Mainstream: How the Fringe Became Mainstream, Volume 1. ABC-CLIO. ISBN 978-0-313-35781-7.
Hawkins, Joan (2000). "Sleaze-Mania, Euro-trash, and High Art". Cutting Edge: Art-Horror and the Horrific Avant-garde. Minneapolis: University of Minnesota Press. pp. 3–4. ISBN 0-8166-3413-0.
Mathijs, Ernest; Sexton, Jamie (2012). "Exploitation and B Movies". Cult Cinema. Wiley & Sons. ISBN 978-1-4443-9643-0.
Andrews, David (2006). Soft in the Middle: The Contemporary Softcore Feature in Its Contexts. Ohio State University Press. p. 8. ISBN 978-0-8142-1022-2.
Mathijs, Ernest; Sexton, Jamie (2012). "Transgression and Freakery". Cult Cinema. John Wiley & Sons. pp. 105–107. ISBN 978-1-4443-9642-3.
Mathijs, Ernest; Sexton, Jamie (2011). "Cult Science Fiction Cinema". Cult Cinema. John Wiley & Sons. pp. 205–207. ISBN 978-1-4051-7374-2.
Geraghty, Lincoln (2009). American science fiction film and television. Oxford: Berg Publishers. p. 102. ISBN 978-1-84520-795-3.
Mathijs, Ernest; Sexton, Jamie (2012). "Cult Cinema and Music". Cult Cinema. John Wiley & Sons. pp. 175–177. ISBN 978-1-4443-9642-3.
Mathijs, Ernest; Mendik, Xavier (2007). "What Is Cult Film?". The Cult Film Reader. McGraw-Hill International. pp. 1–10. ISBN 978-0-335-21923-0.
Grant, Barry K. (2007). "Science Fiction Double Feature: Ideology in the Cult Film". In Mathijs, Ernest; Mendik, Xavier (eds.). The Cult Film Reader. McGraw-Hill International. p. 78. ISBN 978-0-335-21923-0.
Jancovich, Mark (2007). "Cult Fictions". In Mathijs, Ernest; Mendik, Xavier (eds.). The Cult Film Reader. McGraw-Hill International. p. 157. ISBN 978-0-335-21923-0.
McKendry, Rebekah (2010). "Chapter 9: Troma Entertainment". In Weiner, Robert G.; Cline, John (eds.). Cinema Inferno: Celluloid Explosions from the Cultural Margins. Lanham: Scarecrow Press. p. 164. ISBN 978-0-8108-7657-6.
Batchelor, Bob (2011). "Introduction". Cult Pop Culture: How the Fringe Became Mainstream: How the Fringe Became Mainstream, Volume 1. ABC-CLIO. pp. xii–xiii. ISBN 978-0-313-35781-7.
Taylor, Greg (2001). Artists in the Audience: Cults, Camp, and American Film Criticism. Princeton University Press. pp. 87–88. ISBN 978-0-691-08955-3.

boston.com

Anderman, Joan (June 19, 2010). "Cult film Is Good Business at Coolidge Corner Theatre". The Boston Globe. Retrieved May 31, 2013.

boxofficemojo.com

"Gumby: The Movie". Box Office Mojo. Retrieved October 12, 2021.
"The Rocky Horror Picture Show". Box Office Mojo. Retrieved May 1, 2013.

brightlightsfilm.com

Martin, Adrian (2008). "What's Cult Got to Do with It? In Defense of Cinephile Elitism." Cineaste, Winter 2008, 34 (1), cited by Dan Bentley-Baker. What Is Cult Cinema?. Bright Lights Film Journal. Retrieved 2013-04-27.

britannica.com

"Alejandro Jodorowsky Biography, Films, & Facts". Encyclopedia Britannica. Retrieved July 21, 2021.

businessweek.com

Lemire, Christy (May 7, 2010). "Schlockey Films Gain Instant Cult Status via Net". Business Week. Associated Press. Archived from the original on November 20, 2015. Retrieved 2013-05-11.

canada.com

Hill, Mary Frances (July 20, 2008). "Darkness rules for Batman fans in Vancouver". Vancouver Sun. Archived from the original on April 16, 2016. Retrieved 2016-03-29.

carrollcountytimes.com

localbiz.carrollcountytimes.com

deNobel, Jacob (May 26, 2013). "Good Bad Taste: 'Rocky Horror Picture Show' and the So Bad It's Good Fallacy". Carroll County Times. Archived from the original on November 22, 2014. Retrieved May 28, 2013.

chicagoreader.com

Doerksen, Cliff (August 2, 2010). ""So Bad It's Good" Isn't All That Bad". Chicago Reader. Retrieved May 19, 2013.

cineaste.com

Church, David; Hills, Matt; Hunter, I. Q.; Kleinhans, Chuck; Koven, Mikel J.; Mathijs, Ernest; Rosenbaum, Jonathan; Weinstock, Jeffrey Andrew (2008). "Cult Film: A Critical Symposium (Web Edition)". Cineaste. 34 (1). Archived from the original on August 28, 2013. Retrieved 2013-05-09.

cnet.com

news.cnet.com

Termen, Amanda (March 8, 2006). "It's the Site of the Living Dead, as Cult Films Hit Web". CNET. Retrieved August 1, 2013.

ctnow.com

Ranade, Raj (February 5, 2013). "A Really Bad Movie Becomes a Cult Classic". WTIC-TV. Tribune Broadcasting. Retrieved November 22, 2014.

deseretnews.com

Hicks, Chris (August 28, 1991). ""Beastmaster" Actor Has Kept Busy". Deseret News. Archived from the original on May 24, 2018. Retrieved May 6, 2013.

doi.org

Diffrient, David Scott (2013). ""Hard to Handle": Camp Criticism, Trash-Film Reception, and the Transgressive Pleasures of Myra Breckinridge" (PDF). Cinema Journal. 52 (2): 46–70. doi:10.1353/cj.2013.0007. Retrieved June 29, 2013 – via Project MUSE.

ejumpcut.org

Shin, Chi-Yun (2008). "Art of Branding: Tartan "Asia Extreme" Films". Jump Cut (50). Retrieved May 22, 2013.
Hawkins, Joan (2009). "Culture Wars: Some New Trends in Art Horror". Jump Cut (51). Retrieved June 22, 2013.

electricsheepmagazine.co.uk

Sélavy, Virginie (May 1, 2008). "Interview with Xavier Mendik". Electric Sheep. Retrieved June 28, 2013.

emanuellevy.com

Levy, Emanuel (January 2013). "Almodovar: What Makes Pedro Run? Part Two". EmanuelLevy.com. Retrieved May 21, 2013.

ew.com

Browne, David (September 10, 1993). "Why The Beastmaster?". Entertainment Weekly. No. 187. Retrieved November 8, 2019.
Collis, Clark (December 12, 2008). "The Crazy Cult of "The Room"". Entertainment Weekly. No. 1026. Retrieved November 8, 2019.
Rottenberg, Josh (October 7, 2011). "The Princess Bride cast, director talk inconceivable(!) cult hit". Entertainment Weekly. Retrieved November 9, 2019.

files.wordpress.com

intensitiescultmedia.files.wordpress.com

Egan, Kate (2003). Hills, Matt; Jones, Sara Gwenllian (eds.). "The Amateur Historian and the Electronic Archive: Identity, Power and the Function of Lists, Facts and Memories on "Video Nasty"-Themed Websites" (PDF). Intensities (3). Archived (PDF) from the original on October 9, 2022. Retrieved June 25, 2013.
Ruh, Brian (Spring–Summer 2013). "Producing Transnational Cult Media- Neon Genesis Evangelion and Ghost in the Shell in Circulation" (PDF). Intensities (5). Archived (PDF) from the original on October 9, 2022. Retrieved July 30, 2013.

filmjournal.com

Alter, Ethan (July 20, 2010). "Pilgrim's Progress: Cult director Edgar Wright Guides Michael Cera in Genre-Bending Comic Romp". Film Journal International. Archived from the original on June 9, 2013. Retrieved May 1, 2013.

filmmakermagazine.com

Harris, Brandon (April 4, 2013). "The Internet and the Cult Film: On A Fan's Notes". Filmmaker. Retrieved May 13, 2013.

filmthreat.com

Hall, Phil (October 26, 2007). "The Bootleg Files: "Nosferatu"". Film Threat. Retrieved April 29, 2013.

flowtv.org

Mathijs, Ernest (March 29, 2010). "Time Wasted". Flow. 11 (10). Retrieved June 19, 2013.
Mathijs, Ernest (January 8, 2010). "Television and the Yuletide Cult". Flow. 11 (5). Retrieved June 19, 2013.
Mathijs, Ernest (October 30, 2009). "Threat or Treat: Film, Television, and the Ritual of Halloween". Flow. 11 (1). Retrieved June 19, 2013.
Stadler, Jane (September 29, 2007). "The Cult of Aeon Flux". Flow. 6 (7). Retrieved June 21, 2013.
Roberts, Martin (April 2, 2009). ""I'm Riding a Panda!": Japanese Cult Media and Hipster Cosmopolitanism". Flow. 9 (10). Retrieved June 19, 2013.
Smith, Iain Robert (September 16, 2011). "Collecting the Trash: The Cult of the Ephemeral Clip from VHS to YouTube". Flow. 14 (8). Retrieved June 21, 2013.
Tompkins, Joe (July 16, 2010). ""They Have the Oscars": Oppositional Telebranding and the Cult of the Horror Auteur". Flow. 12 (4). Retrieved June 21, 2013.

ghostarchive.org

"Moviedrome - Wicker Man - Alex Cox intro". YouTube. Archived from the original on October 30, 2021. Retrieved July 16, 2016.
Chopra‑Gant, Mike (2010). "Dirty Movies, or: Why Film Scholars Should Stop Worrying About Citizen Kane and Learn to Love Bad Films" (PDF). Participations. 7 (2). Archived (PDF) from the original on October 9, 2022. Retrieved July 3, 2013.
Klinger, Barbara. "Becoming Cult: The Big Lebowski, Replay Culture and Male Fans" (PDF). University of Oregon. Archived (PDF) from the original on October 9, 2022. Retrieved May 11, 2013.
Grimes, William (May 21, 2011). "Leonard Kastle, Composer and Filmmaker, Dies at 82". The New York Times. Archived from the original on January 1, 2022. Retrieved June 14, 2013.
McCulloch, Richard (2011). "'Most people bring their own spoons': The Room's Participatory Audiences as Comedy Mediators" (PDF). Participations. 8 (2). Archived (PDF) from the original on October 9, 2022. Retrieved June 28, 2013.
Fidler, Tristan (2009). Cash, Conall; Snow, Samuel Cuff (eds.). ""They Don't Call 'em Exploitation Movies for Nothing!": Joe Bob Briggs and the Critical Commentary on I Spit on Your Grave" (PDF). Colloquy (18). Monash University. Archived (PDF) from the original on October 9, 2022. Retrieved June 23, 2013.
Kehr, Dave (January 27, 2012). "Buxom, Lustful and Thirsty for Blood". The New York Times. Archived from the original on January 1, 2022. Retrieved May 17, 2013.
Imanjaya, Ekky (2009). Cash, Conall; Snow, Samuel Cuff (eds.). "The Other Side of Indonesia: New Order's Indonesian Exploitation Cinema as Cult Films" (PDF). Colloquy (18). Monash University. Archived (PDF) from the original on October 9, 2022. Retrieved June 23, 2013.
Egan, Kate (2003). Hills, Matt; Jones, Sara Gwenllian (eds.). "The Amateur Historian and the Electronic Archive: Identity, Power and the Function of Lists, Facts and Memories on "Video Nasty"-Themed Websites" (PDF). Intensities (3). Archived (PDF) from the original on October 9, 2022. Retrieved June 25, 2013.
"Sir Norman Wisdom". Telegraph. London. October 5, 2010. Archived from the original on January 11, 2022. Retrieved October 6, 2010.
Pett, Emma (2013). "'Hey! Hey! I've seen this one, I've seen this one. It's a classic': Nostalgia, Repeat Viewing and Cult Performance in Back to the Future" (PDF). Participations. 10 (1). Archived (PDF) from the original on October 9, 2022. Retrieved July 1, 2013.
Ruh, Brian (Spring–Summer 2013). "Producing Transnational Cult Media- Neon Genesis Evangelion and Ghost in the Shell in Circulation" (PDF). Intensities (5). Archived (PDF) from the original on October 9, 2022. Retrieved July 30, 2013.
Squires, Nick (June 18, 2010). "Vatican Declares the Blues Brothers a 'Catholic Classic'". The Independent. Archived from the original on January 11, 2022. Retrieved May 31, 2013.
Stevens, Kirsten (2009). Cash, Conall; Snow, Samuel Cuff (eds.). "Snakes on a Plane and the Prefabricated Cult Film" (PDF). Colloquy (18). Monash University. Archived (PDF) from the original on October 9, 2022. Retrieved June 23, 2013.

hollywoodreporter.com

Kemp, Stuart (December 10, 2012). "BFI to Screen Uncut Versions of Cult Films as British Censor Turns 100". The Hollywood Reporter. Retrieved May 14, 2013.

huffingtonpost.com

Judell, Brandon (August 4, 2015). "'Who Killed Captain Alex?': The Best Worst Film of 2010, Uganda-Style". Huffington Post. Retrieved January 6, 2019.

ifc.com

Hillis, Aaron; Orange, Michelle; Singer, Matt; Sweeney, R. Emmet; Willmore, Alison (January 15, 2007). "Gagging on the Kool-Aid: Cult Films We Just Don't Get". IFC. Retrieved May 16, 2013.
Singer, Matt (November 6, 2008). "Pass the Kool-Aid: Five Flicks That Aspired To Cult Status". IFC. Archived from the original on June 16, 2013. Retrieved May 20, 2013.

ign.com

Carle, Chris (January 2, 2007). "Snakes on a Plane". IGN. Retrieved May 13, 2013.

ilkestonadvertiser.co.uk

"Russell's Skills Prove a Hit with Cinema Fans". Ilkeston Advertiser. June 24, 2013. Retrieved June 24, 2013.

independent.co.uk

Aftab, Kaleem (December 10, 2010). "Scholar Devises Equation for Determining a Cult Film". The Independent. Retrieved April 20, 2013.
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