Dance in India (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Dance in India" in English language version.

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Ankiya Nat Archived 17 February 2020 at the Wayback Machine, UNESCO: Asia-Pacific Database on Intangible Cultural Heritage (ICH), Japan

archive.org

James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: N-Z. The Rosen Publishing Group. pp. 467. ISBN 978-0-8239-3180-4., Quote: "the Natyashastra remains the ultimate authority for any dance form that claims to be 'classical' dance, rather than 'folk' dance".
Kapoor, Sukhbir Singh (March 1989). Sikh festivals. Rourke Enterprises. p. 44. ISBN 978-0-86592-984-5. Retrieved 28 February 2012.
James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: A-M. The Rosen Publishing Group. p. 359. ISBN 978-0-8239-3179-8.
Phillip B. Zarrilli (2000). Kathakali Dance-drama: Where Gods and Demons Come to Play. Routledge. pp. xi, 17–19. ISBN 978-0-415-13109-4.
Phillip B. Zarrilli (2000). Kathakali Dance-drama: Where Gods and Demons Come to Play. Routledge. pp. 22–25, 191. ISBN 978-0-415-13109-4.
James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: A-M. The Rosen Publishing Group. pp. 358–359. ISBN 978-0-8239-3179-8.
Ragini Devi 1990, pp. 60–68. Ragini Devi (1990). Dance Dialects of India. Motilal Banarsidass. ISBN 978-81-208-0674-0.
Ragini Devi 1990, pp. 67–68. Ragini Devi (1990). Dance Dialects of India. Motilal Banarsidass. ISBN 978-81-208-0674-0.
Ragini Devi 1990, p. 73. Ragini Devi (1990). Dance Dialects of India. Motilal Banarsidass. ISBN 978-81-208-0674-0.
Ragini Devi 1990, pp. 175–180. Ragini Devi (1990). Dance Dialects of India. Motilal Banarsidass. ISBN 978-81-208-0674-0.
Ragini Devi 1990, p. 176. Ragini Devi (1990). Dance Dialects of India. Motilal Banarsidass. ISBN 978-81-208-0674-0.
James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: A-M. The Rosen Publishing Group. p. 433. ISBN 978-0-8239-3179-8.
Devi, Ragini (1990). Dance dialects of India. Motilal Banarsidass. p. 181. ISBN 978-81-208-0674-0. Retrieved 29 February 2012.
Banerji, Projesh (October 1983). Indian ballet dancing. Abhinav Publications. p. 172. ISBN 978-0-391-02716-9. Retrieved 28 February 2012.

bestringtonemobile.com

Jubin (4 March 2020). "Viral Dance Song in India 2020".

books.google.com

McCormick, Charlie T.; White, Kim Kennedy (13 December 2010). Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art. ABC-CLIO. p. 705. ISBN 978-1-59884-241-8.
Bishnupriya Dutt; Urmimala Sarkar Munsi (2010). Engendering Performance: Indian Women Performers in Search of an Identity. SAGE Publications. p. 216. ISBN 978-81-321-0612-8.
Don Rubin; Chua Soo Pong; Ravi Chaturvedi (2001). The World Encyclopedia of Contemporary Theatre: Asia/Pacific. Routledge. pp. 130–139. ISBN 978-0-415-26087-9.
Julius Lipner (2012). Hindus: Their Religious Beliefs and Practices. Routledge. p. 206. ISBN 978-1-135-24061-5. It would be appropriate here to comment on Hindu classical dance. This developed in a religious context and was given high profile as part of temple worship. There are a number of regional and other styles as well as source texts, but the point we wish to stress is the participative nature of such dance. In form and content, the heart of dance as worship in Hinduism has always been 'expression' (abhinaya), i.e. the enacting of various themes.
Jean Holm; John Bowker (1994). Worship. Bloomsbury Academic. p. 85. ISBN 978-1-85567-111-9., Quote: Hindu classical dance-forms, like Hindu music, are associated with worship. References to dance and music are found in the Vedic literature, (...)".
Frank Burch Brown (2013). The Oxford Handbook of Religion and the Arts. Oxford University Press. pp. 195–196. ISBN 978-0-19-972103-0., Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and to the world."
McFee, Graham (1994). The concept of dance education. Routledge. pp. 127–128. ISBN 978-0-415-08376-8. Retrieved 29 February 2012.
Munsi, Urmimala Sarkar; Burridge, Stephanie (2012). Traversing Tradition: Celebrating Dance in India. en: Routledge, Taylor & Francis. p. 35. ISBN 978-1-136-70378-2.
John Pragathi national aware Gassner; Edward Quinn (2002). The Reader's Encyclopedia of World Drama. Courier. pp. 448–454. ISBN 978-0-486-42064-6.
Pallabi Chakravorty; Nilanjana Gupta (2012). Dance Matters: Performing India on Local and Global Stages. Routledge. pp. 56–57, 169–170, 209–210. ISBN 978-1-136-51612-2.
Urmimala Sarkar Munsi; Stephanie Burridge (2012). Traversing Tradition: Celebrating Dance in India. Taylor & Francis. pp. 115–116. ISBN 978-1-136-70378-2.
Pallabi Chakravorty; Nilanjana Gupta (2012). Dance Matters: Performing India on Local and Global Stages. Routledge. p. 40. ISBN 978-1-136-51612-2.
John Gassner; Edward Quinn (2002). The Reader's Encyclopedia of World Drama. Courier. pp. 448–454. ISBN 978-0-486-42064-6.
Pallabi Chakravorty; Nilanjana Gupta (2012). Dance Matters: Performing India on Local and Global Stages. Routledge. pp. 43–45. ISBN 978-1-136-51612-2.
Kamal Sharma (2004). Folk Dances of Chambā. Indus. pp. 35–36. ISBN 978-81-7387-166-5.
Kapila Vatsyayan (1982). Dance in Indian Painting. Abhinav Publications. pp. 12–19. ISBN 978-81-7017-153-9.
Upinder Singh (2008). A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century. Pearson Education. pp. 153–162. ISBN 978-81-317-1120-0.
Gregory L. Possehl (2002). The Indus Civilization: A Contemporary Perspective. Rowman. pp. 111–115 with Figures 6.4–6.5. ISBN 978-0-7591-0172-2.
Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. pp. 111–113. ISBN 978-81-208-1234-5.
Richmond, Swann & Zarrilli 1993, p. 30. Richmond, Farley P.; Swann, Darius L.; Zarrilli, Phillip B. (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9.
Tarla Mehta 1995, pp. xxiv, xxxi–xxxii, 17. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Magda Romanska (2014). The Routledge Companion to Dramaturgy. Routledge. pp. 94–95. ISBN 978-1-135-12289-8.
Daniel S. Burt (2008). The Literature 100: A Ranking of the Most Influential Novelists, Playwrights, and Poets of All Time. Infobase. p. 335. ISBN 978-1-4381-2706-4.
Tarla Mehta 1995, pp. xxiv, 19–20. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Emmie Te Nijenhuis 1974, pp. 1–25. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Sinha, Aakriti (2006). Let's know dances of India (1st ed.). New Delhi: Star Publications. ISBN 978-81-7650-097-5.
Chander, Prakash (1 January 2003). India: past & present. APH Publishing. p. 131. ISBN 978-81-7648-455-8. Retrieved 29 February 2012.
Narayan, Shovana (2005). Indian classical dances: "ekam sat vipraah bahudaa vadanti". Shubhi Publications. p. 5. ISBN 9781845571696.
Culture of India. The Rosen Publishing Group. 2010. p. 352. ISBN 978-1-61530-203-1.
Peter J. Claus; Sarah Diamond; Margaret Ann Mills (2003). South Asian Folklore: An Encyclopedia. Routledge. p. 136. ISBN 978-0-415-93919-5.
Richard Schechner (2010). Between Theater and Anthropology. University of Pennsylvania Press. pp. 65–66. ISBN 978-0-8122-0092-8.
Leslie C. Orr (2000). Donors, Devotees, and Daughters of God: Temple Women in Medieval Tamilnadu. Oxford University Press. pp. 11–13. ISBN 978-0-19-535672-4.
Mary Ellen Snodgrass (2016). The Encyclopedia of World Folk Dance. Rowman & Littlefield. pp. 165–168. ISBN 978-1-4422-5749-8.
Margaret E. Walker (2016). India's Kathak Dance in Historical Perspective. Routledge. pp. 94–98. ISBN 978-1-317-11737-7.
Anne-Marie Gaston (1992). Julia Leslie (ed.). Roles and Rituals for Hindu Women. Motilal Banarsidass. pp. 149–150, 170–171. ISBN 978-81-208-1036-5.
Zarrilli, Phillip B. (1984). The Kathakali complex: actor, performance & structure. Abhinav Publications. pp. 3–11. ISBN 978-81-7017-187-4. Retrieved 28 February 2012.
Peter J. Claus; Sarah Diamond; Margaret Ann Mills (2003). South Asian Folklore: An Encyclopedia. Routledge. pp. 332–333. ISBN 978-0-415-93919-5.
Richmond, Swann & Zarrilli 1993, pp. 317–318. Richmond, Farley P.; Swann, Darius L.; Zarrilli, Phillip B. (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9.
Reena Shah (2006). Movement in Stills: The Dance and Life of Kumudini Lakhia. Mapin. p. 8. ISBN 978-81-88204-42-7.
Massey 1999, p. 15. Massey, Reginald (1999). India's Kathak Dance - Past, Present, Future. Abhinav Publications. ISBN 978-81-7017-374-8.
Nalini Ghuman (2014). Resonances of the Raj: India in the English Musical Imagination, 1897-1947. Oxford University Press. pp. 97 footnote 72. ISBN 978-0-19-931489-8.
Reena Shah (2006). Movement in Stills: The Dance and Life of Kumudini Lakhia. Mapin. p. 9. ISBN 978-81-88204-42-7.
John H. Beck (2013). Encyclopedia of Percussion. Routledge. pp. 170–175. ISBN 978-1-317-74768-0.
Manohar Laxman Varadpande (1982). Krishna Theatre in India. Abhinav Publications. p. 133. ISBN 978-81-7017-151-5.
Sunil Kothari & Avinash Pasricha 2001, pp. 43–46, 80 footnote 8. Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: A-M. The Rosen Publishing Group. pp. 376–377. ISBN 978-0-8239-3179-8.
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998). The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent. Routledge. pp. 516–518. ISBN 978-0-8240-4946-1.
Martin Banham; James R. Brandon (1993). The Cambridge guide to Asian theatre. Cambridge University Press. p. 96. ISBN 978-0521588225.
Sunil Kothari & Avinash Pasricha 2001. Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
Richmond, Swann & Zarrilli 1993, p. 173. Richmond, Farley P.; Swann, Darius L.; Zarrilli, Phillip B. (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9.
Sunil Kothari & Avinash Pasricha 2001, pp. 43–45, 97–104, 117–121. Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
Cornelia Müller (2013). Body - Language - Communication. De Gruyter. pp. 310–319. ISBN 978-3-11-026131-8.
Sunil Kothari & Avinash Pasricha 2001, pp. 147–149. Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
Sunil Kothari & Avinash Pasricha 2001, pp. 20–21, 190–204. Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
Sunil Kothari; Avinash Pasricha (1990). Odissi, Indian classical dance art. Marg Publications. pp. 4–6, 41. ISBN 978-81-85026-13-8., Quote: "There are other temples too in Orissa where the maharis used to dance. Besides the temple of Lord Jagannatha, maharis were employed in temples dedicated to Shiva and Shakti."
Stephanie Arnold (2014). The Creative Spirit: An Introduction to Theatre. McGraw Hill. p. 9. ISBN 978-0-07-777389-2.
Sunil Kothari; Avinash Pasricha (1990). Odissi, Indian classical dance art. Marg Publications. pp. 1–4, 76–77. ISBN 978-81-85026-13-8.
Frank Burch Brown (2014). The Oxford Handbook of Religion and the Arts. Oxford University Press. pp. 193–195. ISBN 978-0-19-517667-4.
Shovana Narayan (2011). The Sterling Book of INDIAN CLASSICAL DANCE. Sterling Publishers. pp. 73–74. ISBN 978-81-207-9078-0.
Richmond, Swann & Zarrilli 1993, p. 22. Richmond, Farley P.; Swann, Darius L.; Zarrilli, Phillip B. (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9.
Lavanya Vemsani (2016). Krishna in History, Thought, and Culture: An Encyclopedia of the Hindu Lord of Many Names. ABC-CLIO. pp. 12–13. ISBN 978-1-61069-211-3.
Siyuan Liu (2016). Routledge Handbook of Asian Theatre. Routledge. pp. 19–21. ISBN 978-1-317-27886-3.
Maheswar Neog (1980). Early History of the Vaiṣṇava Faith and Movement in Assam: Śaṅkaradeva and His Times. Motilal Banarsidass. pp. 294–299. ISBN 978-81-208-0007-6.
James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: A-M. The Rosen Publishing Group. pp. 420–421. ISBN 978-0-8239-3179-8.
Saroj Nalini Parratt (1997). The pleasing of the gods: Meitei Lai Haraoba. Vikas Publishers. pp. 14–20, 42–46. ISBN 9788125904168.
Saryu Doshi 1989, pp. 19–20, 93–99. Saryu Doshi (1989). Dances of Manipur: The Classical Tradition. Marg Publications. ISBN 978-81-85026-09-1.
Richmond, Swann & Zarrilli 1993, pp. 174–175. Richmond, Farley P.; Swann, Darius L.; Zarrilli, Phillip B. (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9.
Bharati Shivaji; Avinash Pasricha (1986). The Art of Mohiniyāttam. Lancer Publishers. pp. 6, 44–48. ISBN 978-81-7062-003-7.
Siyuan Liu (2016). Routledge Handbook of Asian Theatre. Routledge. pp. 131–132. ISBN 978-1-317-27886-3.
Bharati Shivaji; Avinash Pasricha (1986). The Art of Mohiniyāttam. Lancer Publishers. pp. 79–90. ISBN 978-81-7062-003-7.
Hoiberg, Dale (2000). Students' Britannica India, Volume 2. Popular Prakashan. p. 392. ISBN 9780852297605.
Gupta, Shobhna (2005). Dances of India. Har-Anand Publications. ISBN 9788124108666.
Kathleen Kuiper (1 July 2010). The Culture of India. The Rosen Publishing Group. p. 284. ISBN 978-1-61530-203-1. Retrieved 29 February 2012.
Gopal, Sangita; Moorti, Sujata (2008). Global Bollywood: travels of Hindi song and dance (Illustrated ed.). U of Minnesota Press. p. 249. ISBN 978-0-8166-4579-4. Retrieved 6 February 2012.
Shreshthova, Sangita (2008). Between cinema and performance: Globalizing Bollywood dance. p. 372. ISBN 978-0-549-90081-8.^{[permanent dead link‍]}
Gopal, Sangita (2008). Global Bollywood: travels of Hindi song and dance. Minneapolis: University of Minnesota Press. ISBN 9780816645787.
Meyer, Michael (2009). Word & image in colonial and postcolonial literatures and cultures. Rodopi. p. 379. ISBN 978-90-420-2743-5.
Gokulsing; Dissanayake, Wimal (2009). K. Moti (ed.). Popular culture in a globalised India. London: Routledge. pp. 125–126. ISBN 978-0-415-47666-9.
Anne-Marie Gaston (1992). Julia Leslie (ed.). Roles and Rituals for Hindu Women. Motilal Banarsidass. pp. 150–152. ISBN 978-81-208-1036-5.
Ester Gallo (2016). Migration and Religion in Europe: Comparative Perspectives on South Asian Experiences. Routledge. pp. 32–33. ISBN 978-1-317-09637-5.
Studies in Indo-Asian art and culture, Volume 3. International Academy of Indian Culture. 1974. p. 131.
Shah, Purnima (2000). National dance festivals in India: public culture, social memory and identity. University of Wisconsin--Madison. Retrieved 20 August 2012.

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Mohini Attam, Encyclopædia Britannica (2016)

ccrtindia.gov.in

Centre for Cultural Resources and Training (CCRT);
"Guidelines for Sangeet Natak Akademi Ratna and Akademi Puraskar". Archived from the original on 14 October 2013. Retrieved 6 November 2013. Guidelines for Sangeet Natak Akademi Ratna and Akademi Puraskar

cnrs.fr

cas.ccsd.cnrs.fr

Margnac, G. Nalini. "Devī : female figure(s) in poetics of contemporary Bharata-nāṭyam : study of repertory plays in Tamil Nadu from 2000 to 2020". theses.fr. Retrieved 3 October 2024.

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"A Dance Recital of Bharatanatya". SPICMACAY chapter, Cornell university. Archived from the original on 17 June 2012. Retrieved 24 January 2012.

doi.org

Williams 2004, pp. 83–84, the other major classical Indian dances are: Bharatanatyam, Kathak, Odissi, Kathakali, Kuchipudi, Sattriya, Chhau, Manipuri, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Natalia Lidova 2014. Natalia Lidova (2014). Natyashastra. Oxford University Press. doi:10.1093/obo/9780195399318-0071.
Wallace Dace 1963, p. 249. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Williams 2004, pp. 83–84, the other major classical Indian dances are: Kathak, Kuchipudi, Odissi, Kathakali, Manipuri, Cchau, Satriya, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Williams 2004, p. 83. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.
O'Shea, Janet (2003). "At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter" (PDF). TDR. 47 (1): 176–186. doi:10.1162/105420403321250071. S2CID 17824898.

hindustantimes.com

"Danda Nacha: Folk Dance of Odisha". Hindustan Times. 25 April 2017. Retrieved 15 January 2019.

illinois.edu

jashm.press.illinois.edu

Williams 2004, pp. 83–84, the other major classical Indian dances are: Bharatanatyam, Kathak, Odissi, Kathakali, Kuchipudi, Sattriya, Chhau, Manipuri, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Williams 2004, pp. 83–84, the other major classical Indian dances are: Kathak, Kuchipudi, Odissi, Kathakali, Manipuri, Cchau, Satriya, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Williams 2004, p. 83. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.

jharkhandtourism.gov.in

"Welcome :: Jharkhand Tourism Development Corporation Ltd". jharkhandtourism.gov.in. Archived from the original on 5 August 2018. Retrieved 6 September 2018.

jstor.org

Wallace Dace 1963, p. 249. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.

nationalmuseumindia.gov.in

"Collections: Pre-History & Archaeology". National Museum, New Delhi. Archived from the original on 6 January 2019. Retrieved 30 December 2017.

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Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.

sangeetnatak.gov.in

Centre for Cultural Resources and Training (CCRT);
"Guidelines for Sangeet Natak Akademi Ratna and Akademi Puraskar". Archived from the original on 14 October 2013. Retrieved 6 November 2013. Guidelines for Sangeet Natak Akademi Ratna and Akademi Puraskar

semanticscholar.org

api.semanticscholar.org

Williams 2004, pp. 83–84, the other major classical Indian dances are: Bharatanatyam, Kathak, Odissi, Kathakali, Kuchipudi, Sattriya, Chhau, Manipuri, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Williams 2004, pp. 83–84, the other major classical Indian dances are: Kathak, Kuchipudi, Odissi, Kathakali, Manipuri, Cchau, Satriya, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Williams 2004, p. 83. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.
O'Shea, Janet (2003). "At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter" (PDF). TDR. 47 (1): 176–186. doi:10.1162/105420403321250071. S2CID 17824898.

surrey.ac.uk

epubs.surrey.ac.uk

O'Shea, Janet (2003). "At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter" (PDF). TDR. 47 (1): 176–186. doi:10.1162/105420403321250071. S2CID 17824898.

web.archive.org

Williams 2004, pp. 83–84, the other major classical Indian dances are: Bharatanatyam, Kathak, Odissi, Kathakali, Kuchipudi, Sattriya, Chhau, Manipuri, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
"Collections: Pre-History & Archaeology". National Museum, New Delhi. Archived from the original on 6 January 2019. Retrieved 30 December 2017.
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Williams 2004, pp. 83–84, the other major classical Indian dances are: Kathak, Kuchipudi, Odissi, Kathakali, Manipuri, Cchau, Satriya, Yaksagana and Bhagavata Mela. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
Williams 2004, p. 83. Williams, Drid (2004). "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing" (PDF). Visual Anthropology. 17 (1): 69–98. doi:10.1080/08949460490274013. S2CID 29065670. Archived from the original (PDF) on 4 March 2016. Retrieved 5 August 2016.
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