Daniel Lavoie (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Daniel Lavoie" in English language version.

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  • Dillon, Charlotte. "Daniel Lavoie". AllMusic. Retrieved 31 May 2018.

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  • Grenier, Line (1990). "Radio Broadcasting in Canada: The Case of 'Transformat' Music". Popular Music. 9 (2): 221–233. doi:10.1017/s0261143000003925. S2CID 162848602.
  • Ollivier, Michèle (2006). "Snobs and quétaines: Prestige and Boundaries in Popular Music in Quebec". Popular Music. 25 (1): 97–116. doi:10.1017/s0261143005000723. JSTOR 3877545. S2CID 144605610.p. 108, 115: "Artists whose prestige scores exhibit low standard deviations (below 1.5), and therefore the highest degree of consensus, are either highly respected and mostly male songwriters in quadrant I or low-prestige interpreters in quadrant IV. The former include songwriters Beau Dommage, Claude Dubois, Daniel Lavoie, Felix Leclerc, Gilles Vignault, Laurence Jalbert, Luc de Larochelliere, Marie Philippe, Michel Rivard, Offenbach, Paul Piche, Richard Seguin, and Robert Charlebois."

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  • Ollivier, Michèle (2006). "Snobs and quétaines: Prestige and Boundaries in Popular Music in Quebec". Popular Music. 25 (1): 97–116. doi:10.1017/s0261143005000723. JSTOR 3877545. S2CID 144605610.p. 108, 115: "Artists whose prestige scores exhibit low standard deviations (below 1.5), and therefore the highest degree of consensus, are either highly respected and mostly male songwriters in quadrant I or low-prestige interpreters in quadrant IV. The former include songwriters Beau Dommage, Claude Dubois, Daniel Lavoie, Felix Leclerc, Gilles Vignault, Laurence Jalbert, Luc de Larochelliere, Marie Philippe, Michel Rivard, Offenbach, Paul Piche, Richard Seguin, and Robert Charlebois."

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  • "Daniel Lavoie". NOTRE DAME DE PARIS - La Comédie Musicale (in French). Archived from the original on 27 October 2020. Retrieved 2 January 2019.

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  • "Notre-Dame De Paris". Oxford Music Online. Oxford University Press, 2007 – 2013. Retrieved 24 May 2013.

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  • Grenier, Line (1990). "Radio Broadcasting in Canada: The Case of 'Transformat' Music". Popular Music. 9 (2): 221–233. doi:10.1017/s0261143000003925. S2CID 162848602.
  • Ollivier, Michèle (2006). "Snobs and quétaines: Prestige and Boundaries in Popular Music in Quebec". Popular Music. 25 (1): 97–116. doi:10.1017/s0261143005000723. JSTOR 3877545. S2CID 144605610.p. 108, 115: "Artists whose prestige scores exhibit low standard deviations (below 1.5), and therefore the highest degree of consensus, are either highly respected and mostly male songwriters in quadrant I or low-prestige interpreters in quadrant IV. The former include songwriters Beau Dommage, Claude Dubois, Daniel Lavoie, Felix Leclerc, Gilles Vignault, Laurence Jalbert, Luc de Larochelliere, Marie Philippe, Michel Rivard, Offenbach, Paul Piche, Richard Seguin, and Robert Charlebois."

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