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Frederick M. Asher (1980). The Art of Eastern India: 300 - 800. University of Minnesota Press. p. 30. ISBN978-1-4529-1225-7., Quote: "(...) elegant Vishnu reclining on the coils of Sesha illustrated on the south side of the late fifth century or early sixth century Deogarh temple".
Meister, Michael W. (1974). "A Note on the Superstructure of the Marhia Temple". Artibus Asiae. 36 (1/2): 81–88. doi:10.2307/3249713. JSTOR3249713.
Meister, Michael W. (1988). "Prasada as Palace: Kutina Origins of the Nagara Temple". Artibus Asiae. 49 (3/4): 274 Figure 29 caption. doi:10.2307/3250039. JSTOR3250039.
jstor.org
Meister, Michael W. (1974). "A Note on the Superstructure of the Marhia Temple". Artibus Asiae. 36 (1/2): 81–88. doi:10.2307/3249713. JSTOR3249713.
Meister, Michael W. (1988). "Prasada as Palace: Kutina Origins of the Nagara Temple". Artibus Asiae. 49 (3/4): 274 Figure 29 caption. doi:10.2307/3250039. JSTOR3250039.
Lubotsky, Alexander (1996). "The Iconography of the Viṣṇu Temple at Deogarh and the Viṣṇudharmottarapurāṇa". Ars Orientalis. 26: 65–80. ISSN0571-1371. JSTOR4629500.
Lubotsky, Alexander (1996). "The Iconography of the Viṣṇu Temple at Deogarh and the Viṣṇudharmottarapurāṇa". Ars Orientalis. 26: 65–80. ISSN0571-1371. JSTOR4629500.