David (Michelangelo) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "David (Michelangelo)" in English language version.

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academia.edu

Coonin, Arnold Victor (2016). "How the Giant of Florence Became Michelangelo's David". In Bourne, Molly; Coonin, Arnold Victor (eds.). Encountering the Renaissance: Celebrating Gary M. Radke and 50 Years of the Syracuse University Graduate Program in Renaissance Art. WAPACC Organization. pp. 116–120. ISBN 978-0-9785461-2-0.
Corti, Giacomo; Costagliola, Pilario; Bonini, Marco; Benvenuti, Marco; Pecchioni, Elena; Vaiani, Alberto; Landucci, Francesco (January 2015). "Modelling the failure mechanisms of Michelangelo's David through small-scale centrifuge experiments" (PDF). Journal of Cultural Heritage. 16 (1): 26–31. doi:10.1016/j.culher.2014.03.001.
Pascale, Giovanni; Lolli, Antonio (1 November 2015). "Crack assessment in marble sculptures using ultrasonic measurements: Laboratory tests and application on the statue of David by Michelangelo" (PDF). Journal of Cultural Heritage. 16 (6): 820. doi:10.1016/j.culher.2015.02.005. ISSN 1296-2074.
Coonin, A. Victor (Spring 2016). "Bellotto's Blunder and Michelangelo's David" (PDF). Notes in the History of Art. 35 (3): 250. doi:10.1086/686711. S2CID 192817217.
Attanasio, Donato; Platania, Rosario; Rocchi, Paolo (September 2005). "The marble of the David of Michelangelo: A multi-method analysis of provenance". Journal of Archaeological Science. 32 (9): 1370, 1375, 1376. Bibcode:2005JArSc..32.1369A. doi:10.1016/j.jas.2005.03.013. Three samples (F17G, F18G, and F19G), weighing on the whole about 120 mg, were available for the measurements. They all originate from the second toe of the left foot of the David, partly destroyed by an act of vandalism that occurred in 1991 [...] The results of discriminant analysis carried out using the complete set of five variables, fully confirms these findings. The assignments of the David's marble to the Miseglia district and to the Fantiscritti quarries is supported by high values of the probability parameters, well above the thresholds set as limits of reliability.

archive.org

Lavin, Irving (1993). Past-Present: Essays on Historicism in Art from Donatello to Picasso. Berkeley : University of California Press. p. 52. ISBN 978-0-520-06816-2.
Scigliano, Eric (2005). Michelangelo's Mountain: The Quest For Perfection in the Marble Quarries of Carrara. New York : Free Press. p. 94. ISBN 978-0-7432-5477-9.
Pope-Hennessy, John Wyndham (1985). Italian High Renaissance and Baroque sculpture. New York : Vintage Books. p. 12. ISBN 978-0-394-72934-3.
Partridge, Loren W. (2009). Art of Renaissance Florence, 1400-1600. Berkeley : University of California Press. p. 116. ISBN 978-0-520-25773-3.

books.google.com

Paolucci, Antonio (2004). Bracci, Susanna; Falletti, Franca; Matteini, Mauro (eds.). Exploring David: Diagnostic Tests and State of Conservation. Giunti Editore. p. 12. ISBN 978-88-09-03325-2. The David in Florence's Accademia is young Michelangelo's masterpiece.
Buonarroti, Michelangelo; Paolucci, Antonio (2006). Michelangelo's David. Harry N. Abrams. p. 7. ISBN 978-1-903973-99-8. ...a masterpiece of throbbing vitality.
Pocock, John Greville Agard (2016) [1975]. The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition. Princeton University Press. p. 103. ISBN 978-1-4008-8351-6.
Seymour, Charles Jr. (1967). "Prehistory and Genesis". Michelangelo's David: A Search for Identity. University of Pittsburgh Press. p. 26.
Csikszentmihalyi, Mihaly (1988). "Systems view of creativity". In Sternberg, Robert J. (ed.). The Nature of Creativity: Contemporary Psychological Perspectives. Cambridge University Press. p. 335. ISBN 978-0-521-33892-9.
Bohm-Duchen, Monica (2001). The Private Life of a Masterpiece. University of California Press. pp. 12–13. ISBN 978-0-520-23378-2.
Coonin, Arnold Victor (2014). From Marble to Flesh: The Biography of Michelangelo's David. B'Gruppo. pp. 21–22. ISBN 978-88-97696-02-5.
Paoletti, John T. (2015). "The Commission and History of the David". Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. p. 67. ISBN 978-1-316-24013-7.
Seymour, Charles Jr. (1995). "Homo Magnus et Albus". In Wallace, William E. (ed.). Michelangelo, Selected Scholarship in English: Life and Early Works. Taylor & Francis. p. 283. ISBN 978-0-8153-1823-1.
Paoletti, John T. (2015). Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. p. 63. ISBN 978-1-316-24013-7.
Buonarroti, Michelangelo; Milanesi, Gaetano (1875). La lettere di Michelangelo Buonarroti. Successori Le Monnier. pp. 620–623.
Gaye, Giovanni (1840). Carteggio inedito d'artisti dei secoli 14., 15., 16. pubblicato ed illustrato con documenti pure inediti dal dott. Giovanni Gaye: 1500-1557. 2. G. Molini. pp. 454–455.
Poggi, Giovanni (1909). Il duomo di Firenze: documenti sulla decorazione della chiesa e del campanile tratti dall'archivio dell'opera (in Latin). B. Cassirer. p. 83.
Hodson, Rupert (1999). Michelangelo: Sculptor. Summerfield. p. 42. ISBN 978-88-8138-051-0.
Buonarroti, Michelangelo; Milanesi, Gaetano (1875). La lettere di Michelangelo Buonarroti. Successori Le Monnier. pp. 620–623. in Latin: Spectabiles etc. viri Consules Artis Lane una cum dominis Operariis adunati in Audentia dicte Opere, elegerunt in sculptorem dicte Opere dignum magistrum Michelangelum Lodovici Bonarroti, civem florentinum, ad faciendum et perficiendum et perfecte finiendum quendam hominem vocato Gigante abozatum, brachiorum novem ex marmore, existentem in dicta Opera, olim abozatum per magistrum Augustinum grande de Florentia, et male abozatum, pro tempore et termino annorum duorum proxime futurorum, incipiendorum kalendis septembris.
Unger, Miles J. (2015). Michelangelo: A Life in Six Masterpieces. Simon and Schuster. p. 90. ISBN 978-1-4516-7878-9.
Bambach, Carmen C.; Barry, Claire; Caglioti, Francesco; Elam, Caroline; Marongiu, Marcella; Mussolin, Mauro (2017). Michelangelo: Divine Draftsman and Designer. Metropolitan Museum of Art. p. 70. ISBN 978-1-58839-637-2.
Paoletti, John T. (2015). Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. pp. 96–97. ISBN 978-1-316-24013-7.
Vasari, Giorgio (1988). Lives of the Artists: Volume 1. Translated by Bull, George. Penguin Publishing Group. pp. 337–339. ISBN 978-0-14-044500-8.
Falletti, Franca (2004). Michelangelo's David: A Masterpiece Restored. Giunti Editore. pp. 9, 12. ISBN 978-88-09-03760-1.
Coates, Victoria C. Gardner (2016). David's Sling: A History of Democracy in Ten Works of Art. Encounter Books. p. 96. ISBN 978-1-59403-722-1.
Scigliano, Eric (2007). Michelangelo's Mountain: The Quest For Perfection in the Marble Quarries of Carrara. Simon and Schuster. pp. 48–49. ISBN 978-1-4165-9135-1.
Carradori, Francesco (2002). Elementary Instructions for Students of Sculpture. Getty Publications. p. 98. ISBN 978-0-89236-688-0.
Vasari, Giorgio (1907). Vasari on Technique: Being the Introduction to the Three Arts of Design, Architecture, Sculpture and Painting, Prefixed to the Lives of the Most Excellent Painters, Sculptors and Architects. Translated by Maclehose, Louisa S. J.M. Dent. p. 48. ISBN 978-0-486-20717-9.
Goffen 2002, p. 131. Goffen, Rona (2002). Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian. Yale University Press. ISBN 0300105894.
Gill, Anton (2013). Il Gigante: Michelangelo, Florence, and the David 1492–1504. Macmillan. p. 219. ISBN 978-1-4668-5504-5.
Wittkower, Rudolf (1977). Sculpture: Processes and Principles. Allen Lane. p. 86. ISBN 978-0-7139-0878-7.
Wallace, William E. (2017). "An Impossible Task". In Helmstutler Di Dio, Kelley (ed.). Making and Moving Sculpture in Early Modern Italy. Routledge. p. 47. ISBN 978-1-351-55951-5.
Poeschke, Joachim (1996). Michelangelo and His World: Sculpture of the Italian Renaissance. Harry N. Abrams. p. 41. ISBN 978-0-8109-4276-9.
Broude, Norma (2018). The Expanding Discourse: Feminism And Art History. Routledge. p. 217. ISBN 978-0-429-97246-1.
Paoletti, John T.; Radke, Gary M. (2005). Art in Renaissance Italy. Laurence King Publishing. ISBN 978-1-85669-439-1.
Goffen 2002, p. 130. Goffen, Rona (2002). Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian. Yale University Press. ISBN 0300105894.
Coonin, Arnold Victor (2014). From Marble to Flesh: The Biography of Michelangelo's David. B'Gruppo. pp. 90–94. ISBN 978-88-97696-02-5.
Zirpolo, Lilian H. (2020). Michelangelo: A Reference Guide to His Life and Works. Rowman & Littlefield. p. 20. ISBN 978-1-5381-2304-1.
Smithers, Tamara (2022). "Michelangelo's Suicidal Stone". The Cults of Raphael and Michelangelo: Artistic Sainthood and Memorials as a Second Life. Taylor & Francis. p. 219. ISBN 978-1-000-62438-0.
Paolucci, Antonio; Amendola, Aurelio; Buonarroti, Michelangelo (2006). Michelangelo's David: From Symbol to Myth. Harry N. Abrams. pp. 10–11. ISBN 978-1-903973-99-8.
Poeschke, Joachim (1996). Michelangelo and His World: Sculpture of the Italian Renaissance. Harry N. Abrams. pp. 85–86. ISBN 978-0-8109-4276-9.
Smithers, Tamara (2022). The Cults of Raphael and Michelangelo: Artistic Sainthood and Memorials as a Second Life. Taylor & Francis. p. 62. ISBN 978-1-000-62438-0.
Paoletti, John T. (2015). "Naked Men in Piazza". Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. p. 114. ISBN 978-1-316-24013-7.
De Tolnay, Charles (1995). "The Art and Thought of Michelangelo". In Wallace, William E. (ed.). Michelangelo, Selected Scholarship in English: Life and Early Works. Taylor & Francis. pp. 85–87. ISBN 978-0-8153-1823-1.
Hibbard, Howard (2018). Michelangelo. Routledge. p. 78. ISBN 978-0-429-97857-9.
Ellison, Daniel James (1908). Italy Through the Stereoscope: Journeys in and about Italian Cities. Underwood & Underwood. p. 449.
Wallace, William E. (2011). Michelangelo: The Artist, the Man and his Times. Cambridge University Press. p. 63. ISBN 978-1-139-50568-0.
Günther, Hubertus (2017). "Michelangelo's works in the eyes of his contemporaries". In Williams, Robert (ed.). The Beholder: The Experience of Art in Early Modern Europe. Routledge. pp. 62, 65. ISBN 978-1-351-54598-3.
Hibbard, Howard (2018). Michelangelo. Routledge. p. 174. ISBN 978-0-429-97857-9.
Barolsky, Paul (1997). Michelangelo's Nose: A Myth and Its Maker. John Wiley & Sons. ISBN 978-0-271-03272-6.
Forcellino, Antonio (2023). Michelangelo: A Tormented Life. John Wiley & Sons. p. 53. ISBN 978-1-5095-3997-0.
Steinberg, Leo (2018). Schwartz, Sheila (ed.). Michelangelo's Sculpture: Selected Essays. University of Chicago Press. p. 182. ISBN 978-0-226-48257-6.
Rubin, Patricia Lee; Rubin, Maurice (1995). Giorgio Vasari: Art and History. Yale University Press. p. 88. ISBN 978-0-300-04909-1.
Paoletti, John T. (2015). "Naked Men in Piazza". Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. p. 155. ISBN 978-1-316-24013-7.
Günther, Hubertus (2017). "Michelangelo's works in the eyes of his contemporaries". In Williams, Robert (ed.). The Beholder: The Experience of Art in Early Modern Europe. Routledge. pp. 62, 65. ISBN 978-1-351-54598-3.
Paoletti, John T. (2015). "Naked Men in Piazza". Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. pp. 180–181. ISBN 978-1-316-24013-7.
Paoletti, John T. (2015). "Naked Men in Piazza". Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. pp. 183, 197. ISBN 978-1-316-24013-7.
Paoletti, John T. (2015). Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. p. 104. ISBN 978-1-316-24013-7.
Scigliano, Eric (2007). Michelangelo's Mountain: The Quest For Perfection in the Marble Quarries of Carrara. Simon and Schuster. p. 105. ISBN 978-1-4165-9135-1.
Paoletti, John T. (2015). Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. p. 107. ISBN 978-1-316-24013-7.
Falletti, Franca (2004). Michelangelo's David: A Masterpiece Restored. Giunti Editore. p. 48. ISBN 978-88-09-03760-1.
Attanasio, Donato; Rocchi, Paolo; Platania, Rosario (2004). "The Fantiscritti provenance of the David's marble: new evidence supporting an old hypothesis". In Bracci, Susanna; Falletti, Franca; Matteini, Mauro; Scopigno, Roberto (eds.). Exploring David: Diagnostic Tests and State of Conservation. Giunti Editore. p. 133. ISBN 978-88-09-03325-2.
Munoz-Vinas, Salvador (2012). Contemporary Theory of Conservation. Routledge. pp. 139–140. ISBN 978-1-136-41453-4.
Giamello, Marco; Guasparri, Giovanni; Mugnaini, Sonia; Sabatini, Giuseppe; Meccheri, Marco; Dumas, Fiorenzo (2004). "Studies of the marble and the conservation environment | The meaning of the taroli on the marble surface of Michelangelo's David". In Bracci, Susanna; Falletti, Franca; Matteini, Mauro (eds.). Exploring David: Diagnostic Tests and State of Conservation. Giunti Editore. pp. 136–137. ISBN 978-88-09-03325-2.
Ragsdale, J. Donald (2020). Western European Museums and Visual Persuasion: Art, Edifice, and Social Influence. Cambridge Scholars Publishing. p. 96. ISBN 978-1-5275-5669-0.
Zirpolo, Lilian H. (2020). Michelangelo: A Reference Guide to His Life and Works. Rowman & Littlefield. p. 63. ISBN 978-1-5381-2304-1.
Coonin, Arnold Victor (2014). From Marble to Flesh: The Biography of Michelangelo's David. B'Gruppo. pp. 146–148. ISBN 978-88-97696-02-5.
Falletti, Franca (2004). "Historical research on the David 's state of conservation". Michelangelo's David: A Masterpiece Restored. Giunti Editore. p. 62. ISBN 978-88-09-03760-1.
Paoletti, John T. (2015). Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. pp. 77–78. ISBN 978-1-316-24013-7.
Barnes, Bernadine (2017). Michelangelo and the Viewer in His Time. Reaktion Books. pp. 51–52. ISBN 978-1-78023-788-6.
Paoletti, John T. (2015). Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press. p. 17. ISBN 978-1-316-24013-7.

cbsnews.com

Frances D'Emilio (24 May 2004). "Michelangelo's 'David' Gets a Bath". CBS News. Archived from the original on 16 November 2018. Retrieved 11 April 2023. Most of the cleaning involved distilled water, although mineral spirits were used to remove yellowish spots of centuries'-old beeswax. Parnigoni used plaster to fill considerable pitting on the marble's surface that was serving as dirt traps. Parnigoni also wielded a scalpel-like instrument to chip away at what looks like age spots – blotches of sulfate deposits that were first blamed by the experts on pollution but later attributed to restorations centuries ago.

doi.org

Manetti, Giacomo; Bellucci, Marco; Nitti, Carmela; Bagnoli, Luca (February 2023). "A study of Michelangelo's David from an accountability perspective: Antecedents of dialogic accounting in the early Florentine Renaissance". Accounting History. 28 (1): 30. doi:10.1177/10323732221132029. S2CID 253654919.
Paoletti, John T. (2015). "The David and Sculpture at the Cathedral". Michelangelo's David: Florentine History and Civic Identity. Cambridge University Press: 111–112. doi:10.1017/cbo9781107338784.004. ISBN 9781107338784.
Rusbult, Caryl; Finkel, Eli J.; Kumashiro, Madoka (1 December 2009). "The Michelangelo phenomenon" (PDF). Current Directions in Psychological Science. 18 (6): 307. doi:10.1111/j.1467-8721.2009.01657.x. S2CID 14417940.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 31–32. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 35, note 16. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
McHam, Sarah Blake (2001). "Donatello's Bronze David and Judith as Metaphors of Medici Rule in Florence". The Art Bulletin. 83 (1). doi:10.1080/00043079.2001.10786967 (inactive 1 November 2024). Retrieved 9 July 2023.{{cite journal}}: CS1 maint: DOI inactive as of November 2024 (link)
Borri, A. (2006). "Diagnostic analysis of the lesions and stability of Michelangelo's David". Journal of Cultural Heritage. 7 (4): 273–285. doi:10.1016/j.culher.2006.06.004.
Miccinesi, Lapo; Beni, Alessandra; Monchetti, Silvia; Betti, Michele; Borri, Claudio; Pieraccini, Massimiliano (26 March 2021). "Ground Penetrating Radar Survey of the Floor of the Accademia Gallery (Florence, Italy)" (PDF). Remote Sensing. 13 (7): 1273. Bibcode:2021RemS...13.1273M. doi:10.3390/rs13071273.
Corti, Giacomo; Costagliola, Pilario; Bonini, Marco; Benvenuti, Marco; Pecchioni, Elena; Vaiani, Alberto; Landucci, Francesco (January 2015). "Modelling the failure mechanisms of Michelangelo's David through small-scale centrifuge experiments" (PDF). Journal of Cultural Heritage. 16 (1): 26–31. doi:10.1016/j.culher.2014.03.001.
Pieraccini, Massimiliano; Betti, Michele; Forcellini, Davide; Dei, Devis; Papi, Federico; Bartoli, Gianni; Facchini, Luca; Corazzi, Riccardo; Kovacevic, Vladimir Cerisano (10 April 2017). "Radar detection of pedestrian-induced vibrations on Michelangelo's David". PLOS ONE. 12 (4): e0174480. Bibcode:2017PLoSO..1274480P. doi:10.1371/journal.pone.0174480. ISSN 1932-6203. PMC 5386262. PMID 28394932.
Pascale, Giovanni; Lolli, Antonio (1 November 2015). "Crack assessment in marble sculptures using ultrasonic measurements: Laboratory tests and application on the statue of David by Michelangelo" (PDF). Journal of Cultural Heritage. 16 (6): 820. doi:10.1016/j.culher.2015.02.005. ISSN 1296-2074.
Coonin, A. Victor (Spring 2016). "Bellotto's Blunder and Michelangelo's David" (PDF). Notes in the History of Art. 35 (3): 250. doi:10.1086/686711. S2CID 192817217.
Strauss, R. M.; Marzo-Ortega, H. (2002). "Michelangelo and medicine". J R Soc Med. 95 (10): 514–5. doi:10.1177/014107680209501014. PMC 1279184. PMID 12356979.
Butterfield, Andrew (January 1995). "New Evidence for the Iconography of David in Quattrocento Florence". I Tatti Studies in the Italian Renaissance. 6: 125–126. doi:10.2307/4603693. JSTOR 4603693.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 45–46. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Barolsky, Paul (2004). "Machiavelli, Michelangelo, and "David"". Source: Notes in the History of Art. 23 (3): 32–33. doi:10.1086/sou.23.3.23206849. JSTOR 23206849. S2CID 192941312.
Wright, Alison (February 2011). "'… con uno inbasamento et ornamento alto': The Rhetoric of the Pedestal c. 1430-1550" (PDF). Art History. 34 (1): 10–12. doi:10.1111/j.1467-8365.2010.00798.x.
Weil-Garris Brandt, Kathleen (1983). "On Pedestals: Michelangelo's David, Bandinelli's Hercules and Cacus and the Sculpture of the Piazza della Signoria". Römisches Jahrbuch der Bibliotheca Hertziana. 20: 379–384, 392–393. doi:10.11588/rjbh.1983.20.91932. ISSN 2702-7139.
Attanasio, Donato; Platania, Rosario; Rocchi, Paolo (September 2005). "The marble of the David of Michelangelo: A multi-method analysis of provenance". Journal of Archaeological Science. 32 (9): 1370, 1375, 1376. Bibcode:2005JArSc..32.1369A. doi:10.1016/j.jas.2005.03.013. Three samples (F17G, F18G, and F19G), weighing on the whole about 120 mg, were available for the measurements. They all originate from the second toe of the left foot of the David, partly destroyed by an act of vandalism that occurred in 1991 [...] The results of discriminant analysis carried out using the complete set of five variables, fully confirms these findings. The assignments of the David's marble to the Miseglia district and to the Fantiscritti quarries is supported by high values of the probability parameters, well above the thresholds set as limits of reliability.
That "typical examples of kitsch include fridge magnets showing Michelangelo’s David" is reported in the British Medical Journal. (J. Launer (5 March 2008). "Medical kitsch". Postgraduate Medical Journal. 84 (988): 111–112. doi:10.1136/PGMJ.2008.068031. S2CID 219198822.)

ebar.com

Flanagan, Michael (2019-09-25). "Finding Fe-Be's - Rediscovering the history of an iconic bar". Bay Area Reporter. Retrieved 2024-06-02.

ghostarchive.org

Pisa, Nick (16 August 2010). "Florence vs Italy: Michelangelo's David at centre of ownership row". The Daily Telegraph (London). Archived from the original on 2022-01-11. Retrieved 1 September 2010.

glbthistory.org

Cornu, Elisabeth. "Thirty Years of Collecting Art that Tells Our Stories". GLBT Historical Society. Retrieved 2024-06-02.

gold.ac.uk

research.gold.ac.uk

Rusbult, Caryl; Finkel, Eli J.; Kumashiro, Madoka (1 December 2009). "The Michelangelo phenomenon" (PDF). Current Directions in Psychological Science. 18 (6): 307. doi:10.1111/j.1467-8721.2009.01657.x. S2CID 14417940.

harpers.org

archive.harpers.org

Scigliano, Eric (August 2005). "Inglorious Restorations | Destroying old masterpieces in order to save them" (PDF). Harper's Magazine. p. 63.

harvard.edu

ui.adsabs.harvard.edu

Miccinesi, Lapo; Beni, Alessandra; Monchetti, Silvia; Betti, Michele; Borri, Claudio; Pieraccini, Massimiliano (26 March 2021). "Ground Penetrating Radar Survey of the Floor of the Accademia Gallery (Florence, Italy)" (PDF). Remote Sensing. 13 (7): 1273. Bibcode:2021RemS...13.1273M. doi:10.3390/rs13071273.
Pieraccini, Massimiliano; Betti, Michele; Forcellini, Davide; Dei, Devis; Papi, Federico; Bartoli, Gianni; Facchini, Luca; Corazzi, Riccardo; Kovacevic, Vladimir Cerisano (10 April 2017). "Radar detection of pedestrian-induced vibrations on Michelangelo's David". PLOS ONE. 12 (4): e0174480. Bibcode:2017PLoSO..1274480P. doi:10.1371/journal.pone.0174480. ISSN 1932-6203. PMC 5386262. PMID 28394932.
Attanasio, Donato; Platania, Rosario; Rocchi, Paolo (September 2005). "The marble of the David of Michelangelo: A multi-method analysis of provenance". Journal of Archaeological Science. 32 (9): 1370, 1375, 1376. Bibcode:2005JArSc..32.1369A. doi:10.1016/j.jas.2005.03.013. Three samples (F17G, F18G, and F19G), weighing on the whole about 120 mg, were available for the measurements. They all originate from the second toe of the left foot of the David, partly destroyed by an act of vandalism that occurred in 1991 [...] The results of discriminant analysis carried out using the complete set of five variables, fully confirms these findings. The assignments of the David's marble to the Miseglia district and to the Fantiscritti quarries is supported by high values of the probability parameters, well above the thresholds set as limits of reliability.

ias.edu

publications.ias.edu

Lavin, Irving (1967). "Bozzetti and Modelli | Notes on Sculptural Procedure from the Early Renaissance through Bernini" (PDF). Stil und Überlieferung in der Kunst des Abendlandes. III. Akten des 21. internationalen Kongresses für Kunstgeschichte in Bonn 1964: 93–94, 97–98.
Lavin, Irving (1990). "David's Sling and Michelangelo's Bow: a Sign of Freedom" (PDF). L'art et les révolutions: Conférences plénières | Tirage à part Strasbourg 1990 Congres International de histoire de l'art. Société alsacienne pour le développement de l'histoire de l'art. pp. 135, 137.

jstor.org

Frey, Karl (1909). "Studien zu Michelagniolo Buonarroti und zur Kunst seiner Zeit. III". Jahrbuch der Königlich Preussischen Kunstsammlungen. 30: 106. ISSN 1431-5955. JSTOR 25168702. In Latin: 1501 die II.o Julii. Prefati omnes operarii et per tres fabas nigras ex relatu consulum deliberaverunt etc. (sic), quod quidem homo ex marmarmore (sic), vocato Davit, male abbozzatum et resupinum existentem (sic) in curte dicte Opere, et desiderantes tam dicti consules quam operarii dictum talem gigantem erigi et elevari in altum per magistros dicte Opere et in pedes stare, ad hoc ut videatur per magistros in hoc expertos possit absolvi et finiri. (AOD. Del. 1498–1507 fol. 36 b. Milanesi) p. 620.
Hirst, Michael (2000). "Michelangelo in Florence: 'David' in 1503 and 'Hercules' in 1506". The Burlington Magazine. 142 (1169): 490. ISSN 0007-6287. JSTOR 888855.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 31–32. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 35, note 16. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Haitovsky, Dalia (1985). "The Sources of the Young David by Andrea del Castagno". Mitteilungen des Kunsthistorischen Institutes in Florenz. 29 (1): 174–182. ISSN 0342-1201. JSTOR 27653158.
Butterfield, Andrew (January 1995). "New Evidence for the Iconography of David in Quattrocento Florence". I Tatti Studies in the Italian Renaissance. 6: 125–126. doi:10.2307/4603693. JSTOR 4603693.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 45–46. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Barolsky, Paul (2004). "Machiavelli, Michelangelo, and "David"". Source: Notes in the History of Art. 23 (3): 32–33. doi:10.1086/sou.23.3.23206849. JSTOR 23206849. S2CID 192941312.

machinegraphics.com

Angier, Jeremy (7 May 2001). "The Process of Artistic Creation in Terms of the Non-finito". Archived from the original on 8 October 2007.

mdpi-res.com

Miccinesi, Lapo; Beni, Alessandra; Monchetti, Silvia; Betti, Michele; Borri, Claudio; Pieraccini, Massimiliano (26 March 2021). "Ground Penetrating Radar Survey of the Floor of the Accademia Gallery (Florence, Italy)" (PDF). Remote Sensing. 13 (7): 1273. Bibcode:2021RemS...13.1273M. doi:10.3390/rs13071273.

nerc.ac.uk

nora.nerc.ac.uk

Barron, A.J. (2018). "Carrara marble" (PDF). Mercian Geologist. 19 (3): 193–194.

nih.gov

ncbi.nlm.nih.gov

Pieraccini, Massimiliano; Betti, Michele; Forcellini, Davide; Dei, Devis; Papi, Federico; Bartoli, Gianni; Facchini, Luca; Corazzi, Riccardo; Kovacevic, Vladimir Cerisano (10 April 2017). "Radar detection of pedestrian-induced vibrations on Michelangelo's David". PLOS ONE. 12 (4): e0174480. Bibcode:2017PLoSO..1274480P. doi:10.1371/journal.pone.0174480. ISSN 1932-6203. PMC 5386262. PMID 28394932.
Strauss, R. M.; Marzo-Ortega, H. (2002). "Michelangelo and medicine". J R Soc Med. 95 (10): 514–5. doi:10.1177/014107680209501014. PMC 1279184. PMID 12356979.

pubmed.ncbi.nlm.nih.gov

Pieraccini, Massimiliano; Betti, Michele; Forcellini, Davide; Dei, Devis; Papi, Federico; Bartoli, Gianni; Facchini, Luca; Corazzi, Riccardo; Kovacevic, Vladimir Cerisano (10 April 2017). "Radar detection of pedestrian-induced vibrations on Michelangelo's David". PLOS ONE. 12 (4): e0174480. Bibcode:2017PLoSO..1274480P. doi:10.1371/journal.pone.0174480. ISSN 1932-6203. PMC 5386262. PMID 28394932.
Strauss, R. M.; Marzo-Ortega, H. (2002). "Michelangelo and medicine". J R Soc Med. 95 (10): 514–5. doi:10.1177/014107680209501014. PMC 1279184. PMID 12356979.

nytimes.com

Povoledo, Elisabetta (31 August 2010). "Who Owns Michelangelo's 'David'?". The New York Times. Retrieved 1 September 2010.
Riding, Alan (May 24, 2004). "Michelangelo's 'David' Gets Spruced Up for His 500th Birthday (Published 2004)". The New York Times. Archived from the original on October 2, 2020.

query.nytimes.com

"a man the police described as deranged, broke part of a toe with a hammer, saying a 16th century Venetian painter's model ordered him to do so." Cowell, Alan. "Michelangelo's David Is Damaged", New York Times, 1991-09-15. Retrieved on 2008-05-23.

semanticscholar.org

api.semanticscholar.org

Manetti, Giacomo; Bellucci, Marco; Nitti, Carmela; Bagnoli, Luca (February 2023). "A study of Michelangelo's David from an accountability perspective: Antecedents of dialogic accounting in the early Florentine Renaissance". Accounting History. 28 (1): 30. doi:10.1177/10323732221132029. S2CID 253654919.
Rusbult, Caryl; Finkel, Eli J.; Kumashiro, Madoka (1 December 2009). "The Michelangelo phenomenon" (PDF). Current Directions in Psychological Science. 18 (6): 307. doi:10.1111/j.1467-8721.2009.01657.x. S2CID 14417940.
Coonin, A. Victor (Spring 2016). "Bellotto's Blunder and Michelangelo's David" (PDF). Notes in the History of Art. 35 (3): 250. doi:10.1086/686711. S2CID 192817217.
Barolsky, Paul (2004). "Machiavelli, Michelangelo, and "David"". Source: Notes in the History of Art. 23 (3): 32–33. doi:10.1086/sou.23.3.23206849. JSTOR 23206849. S2CID 192941312.
That "typical examples of kitsch include fridge magnets showing Michelangelo’s David" is reported in the British Medical Journal. (J. Launer (5 March 2008). "Medical kitsch". Postgraduate Medical Journal. 84 (988): 111–112. doi:10.1136/PGMJ.2008.068031. S2CID 219198822.)

stanford.edu

graphics.stanford.edu

The height of the David was recorded incorrectly and the mistake proliferated through many art history publications (434 cm, e.g. by Pope-Hennessy 1996 and Poeschke 1992). The accurate height was only determined in 1998–99 when a team from Stanford University went to Florence to try out a project on digitally imaging large 3D objects by photographing sculptures by Michelangelo and found that the sculpture was considerably taller than any of the sources had indicated. See Levoy, Marc (March 28, 1999). "We finish scanning the David". and about the process "A 3D computer model of the head of Michelangelo's David".

accademia.stanford.edu

The height of the David was recorded incorrectly and the mistake proliferated through many art history publications (434 cm, e.g. by Pope-Hennessy 1996 and Poeschke 1992). The accurate height was only determined in 1998–99 when a team from Stanford University went to Florence to try out a project on digitally imaging large 3D objects by photographing sculptures by Michelangelo and found that the sculpture was considerably taller than any of the sources had indicated. See Levoy, Marc (March 28, 1999). "We finish scanning the David". and about the process "A 3D computer model of the head of Michelangelo's David".

tandfonline.com

McHam, Sarah Blake (2001). "Donatello's Bronze David and Judith as Metaphors of Medici Rule in Florence". The Art Bulletin. 83 (1). doi:10.1080/00043079.2001.10786967 (inactive 1 November 2024). Retrieved 9 July 2023.{{cite journal}}: CS1 maint: DOI inactive as of November 2024 (link)

telegraph.co.uk

Pisa, Nick (16 August 2010). "Florence vs Italy: Michelangelo's David at centre of ownership row". The Daily Telegraph (London). Archived from the original on 2022-01-11. Retrieved 1 September 2010.

theguardian.com

Giuffrida, Angela (19 February 2024). "'Dust is everywhere': rare glimpse of how Michelangelo's David is kept clean". The Guardian. Retrieved 20 February 2024.

ucl.ac.uk

discovery.ucl.ac.uk

Wright, Alison (February 2011). "'… con uno inbasamento et ornamento alto': The Rhetoric of the Pedestal c. 1430-1550" (PDF). Art History. 34 (1): 10–12. doi:10.1111/j.1467-8365.2010.00798.x.

uni-heidelberg.de

journals.ub.uni-heidelberg.de

Weil-Garris Brandt, Kathleen (1983). "On Pedestals: Michelangelo's David, Bandinelli's Hercules and Cacus and the Sculpture of the Piazza della Signoria". Römisches Jahrbuch der Bibliotheca Hertziana. 20: 379–384, 392–393. doi:10.11588/rjbh.1983.20.91932. ISSN 2702-7139.

vam.ac.uk

Staff. "The story of Michelangelo's David". Victoria and Albert Museum. Archived from the original on 28 September 2020. Retrieved 12 October 2023.

web.archive.org

Angier, Jeremy (7 May 2001). "The Process of Artistic Creation in Terms of the Non-finito". Archived from the original on 8 October 2007.
Riding, Alan (May 24, 2004). "Michelangelo's 'David' Gets Spruced Up for His 500th Birthday (Published 2004)". The New York Times. Archived from the original on October 2, 2020.
Frances D'Emilio (24 May 2004). "Michelangelo's 'David' Gets a Bath". CBS News. Archived from the original on 16 November 2018. Retrieved 11 April 2023. Most of the cleaning involved distilled water, although mineral spirits were used to remove yellowish spots of centuries'-old beeswax. Parnigoni used plaster to fill considerable pitting on the marble's surface that was serving as dirt traps. Parnigoni also wielded a scalpel-like instrument to chip away at what looks like age spots – blotches of sulfate deposits that were first blamed by the experts on pollution but later attributed to restorations centuries ago.
Staff. "The story of Michelangelo's David". Victoria and Albert Museum. Archived from the original on 28 September 2020. Retrieved 12 October 2023.

worldcat.org

search.worldcat.org

Frey, Karl (1909). "Studien zu Michelagniolo Buonarroti und zur Kunst seiner Zeit. III". Jahrbuch der Königlich Preussischen Kunstsammlungen. 30: 106. ISSN 1431-5955. JSTOR 25168702. In Latin: 1501 die II.o Julii. Prefati omnes operarii et per tres fabas nigras ex relatu consulum deliberaverunt etc. (sic), quod quidem homo ex marmarmore (sic), vocato Davit, male abbozzatum et resupinum existentem (sic) in curte dicte Opere, et desiderantes tam dicti consules quam operarii dictum talem gigantem erigi et elevari in altum per magistros dicte Opere et in pedes stare, ad hoc ut videatur per magistros in hoc expertos possit absolvi et finiri. (AOD. Del. 1498–1507 fol. 36 b. Milanesi) p. 620.
Hirst, Michael (2000). "Michelangelo in Florence: 'David' in 1503 and 'Hercules' in 1506". The Burlington Magazine. 142 (1169): 490. ISSN 0007-6287. JSTOR 888855.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 31–32. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 35, note 16. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Pieraccini, Massimiliano; Betti, Michele; Forcellini, Davide; Dei, Devis; Papi, Federico; Bartoli, Gianni; Facchini, Luca; Corazzi, Riccardo; Kovacevic, Vladimir Cerisano (10 April 2017). "Radar detection of pedestrian-induced vibrations on Michelangelo's David". PLOS ONE. 12 (4): e0174480. Bibcode:2017PLoSO..1274480P. doi:10.1371/journal.pone.0174480. ISSN 1932-6203. PMC 5386262. PMID 28394932.
Pascale, Giovanni; Lolli, Antonio (1 November 2015). "Crack assessment in marble sculptures using ultrasonic measurements: Laboratory tests and application on the statue of David by Michelangelo" (PDF). Journal of Cultural Heritage. 16 (6): 820. doi:10.1016/j.culher.2015.02.005. ISSN 1296-2074.
Haitovsky, Dalia (1985). "The Sources of the Young David by Andrea del Castagno". Mitteilungen des Kunsthistorischen Institutes in Florenz. 29 (1): 174–182. ISSN 0342-1201. JSTOR 27653158.
Levine, Saul (1974). "The Location of Michelangelo's David: The Meeting of January 25, 1504". The Art Bulletin. 56 (1): 45–46. doi:10.2307/3049194. ISSN 0004-3079. JSTOR 3049194.
Weil-Garris Brandt, Kathleen (1983). "On Pedestals: Michelangelo's David, Bandinelli's Hercules and Cacus and the Sculpture of the Piazza della Signoria". Römisches Jahrbuch der Bibliotheca Hertziana. 20: 379–384, 392–393. doi:10.11588/rjbh.1983.20.91932. ISSN 2702-7139.