Deftones (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Deftones" in English language version.

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  • "Deftones". Gunsrazorsknives.com. Archived from the original on July 11, 2011. Retrieved July 5, 2011.

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  • Pacheco, Fernando. "Mos Deftones". Honolulu Weekly. Archived from the original on June 26, 2015. Retrieved May 5, 2015.

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  • Chan, Cherylene. "Deftones' Abe Cunningham: "We just let things happen, for better or worse"". Insing.com. Archived from the original on July 5, 2017. Retrieved May 4, 2018.

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  • Sievers, Alex (February 2, 2021). "Deftones – Ohms". Kill Your Stereo. Retrieved March 24, 2021. ...it's trying to be a relevant and consistent record blending old and new sounds of their varying era for Deftones at this point into their lengthy career. To say it accomplishes those goals is an understatement, meeting all of my shoegaze, groovy, alt-metal and sensual expectations of their music.

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  • Guzman, Isaac (July 30, 2000). "The Bleaker Side of Metal". The Los Angeles Times. Archived from the original on February 19, 2023. Retrieved November 30, 2023. A lot of it has to do with the music I listened to growing up, from listening to Duran Duran and stuff like that. I don't know if anybody really looks back and listens to that stuff these days, but lyrically Simon [Le Bon] was a genius as far as I'm concerned. I love the way he wrote. The same with Robert Smith of the Cure. He was another big influence on the way I write.

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  • Williams, Mark (April 17, 2016). "Deftones - Gore". MusicOMH. Archived from the original on April 18, 2016. Retrieved April 23, 2016.

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  • Frere-Jones, Sasha (November 13, 2006). "Heavy Wather". The New Yorker. Archived from the original on October 12, 2016. Retrieved October 9, 2016.

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  • Dick, Jonathan (May 3, 2016). "Deftones' Chino Moreno On Surviving, Evolving And 'Gore'". npr.org. NPR. Retrieved June 3, 2016. From the trip-hop nuances of its self-titled album in 2003 to the bleak math metal tendencies of 2006's Saturday Night Wrist to the goth-rock tinged shoegaze of 2010's Diamond Eyes to the prog-rock flirting of 2012's Koi No Yokan, Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own.

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  • Farley, Christopher John (May 9, 2000). "Off to the Races". Time magazine. Archived from the original on December 3, 2007. Retrieved November 30, 2007.

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