Depiction of Jesus (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Depiction of Jesus" in English language version.

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  • Regarding the alternate NIV translation of 1 Corinthians 11:7, and in agreement with modern interpretations of the New Testament, Walvoord and Zuck note, "The alternate translation in the NIV margin, which interprets the man's covering as long hair, is largely based on the view that verse 15 equated the covering with long hair. It is unlikely, however, that this was the point of verse 4." John F. Walvoord and Roy B. Zuck, eds., The Bible Knowledge Commentary: New Testament, "1 Corinthians 11:4", (Wheaton: Victor Books, 1983)

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  • McKay, John; Hill, Bennett (2011). A History of World Societies, Combined Volume (9 ed.). United States: Macmillan. p. 166. ISBN 978-0-312-66691-0. Retrieved 5 August 2013.
  • The Shroud of Christ ("marks") by Paul Vignon, Paul Tice, (2002 – ISBN 1-885395-96-5)
  • The Shroud of Christ ("Constantinople") by Paul Vignon, Paul Tice, op. cit.
  • Institute for Classical Christian Studies (ICCS) and Thomas Oden, eds., The Ancient Christian Commentary Series, "1 Corinthians 1:4", (Westmont: Inter-Varsity Press, 2005), ISBN 0-8308-2492-8. Google Books
  • Lippy, Charles H. (1994). Being Religious, American Style: A History of Popular Religiosity in the United States. Greenwood Publishing Group. p. 185. ISBN 978-0-313-27895-2. Retrieved 30 April 2014. Of these one stands out as having deeply impressed itself of the American religious consciousness: the Head of Christ by artist Warner Sallman (1892–1968). Originally sketched in charcoal as a cover illustration for the Covenant Companion, the magazine of the Swedish Evangelical Mission Covenant of America denomination, and based on an image of Jesus in a painting by the French artist Leon Augustin Lhermitte, Sallman's Head of Christ was painted in 1940. In half a century, it had been produced more than five hundred million times in formats ranging from large-scale copies for use in churches to wallet-sized ones that individuals could carry with them at all times.
  • Blum, Edward J.; Harvey, Paul (2012). Color of Christ. UNC Press Books. p. 211. ISBN 978-0-8078-3737-5. Retrieved 30 April 2014. By the 1990s, Sallman's Head of Christ had been printed more than 500 million times and had achieved global iconic status.

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  • Zanker, pp. 299, note 48, and 300. [2]. See also Cartlidge and Elliott, 55–61.

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  • "The Early Church on the Aniconic Spectrum". The Westminster Theological Journal. 83 (1): 35–47. ISSN 0043-4388. Retrieved 2 March 2022.

jstor.org

  • Kitzinger, Ernst, "The Cult of Images in the Age before Iconoclasm", Dumbarton Oaks Papers, Vol. 8, (1954), pp. 83–150, Dumbarton Oaks, Trustees for Harvard University, JSTOR

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  • "The Early Church on the Aniconic Spectrum". The Westminster Theological Journal. 83 (1): 35–47. ISSN 0043-4388. Retrieved 2 March 2022.
  • Wells, Matt (27 March 2001). "Is this the real face of Jesus Christ?". The Guardian. London: Guardian. ISSN 0261-3077. OCLC 60623878. Retrieved 12 May 2011.
  • Fillon, Mike (7 December 2002). "The Real Face Of Jesus". Popular Mechanics. San Francisco: Hearst. ISSN 0032-4558. OCLC 3643271. Retrieved 12 May 2011.
  • Otto F.A. Meinardus, Ph.D. (Fall 1997). "Theological Issues of the Coptic Orthodox Inculturation in Western Society". Coptic Church Review. 18 (3). ISSN 0273-3269. An interesting case of inculturation occurred on Monday, November 11, 1991 when the 12-year-old Isaac Ayoub of Houston, Texas, suffering from leukemia, saw that the eyes of Jesus in the famous Sallman Head of Christ began moving and shedding an oily liquid like tears. On the same day, Fr. Ishaq Soliman, the Coptic priest of St. Mark's Coptic Church in Houston, testified to the miracles. On the following day, Dr. Atef Rizkalla, the family physician, examined the youth and certified that there were no traces of leukemia. Sallman's Head of Christ was exhibited in the Coptic Church and more than 50,000 people visited the church. Two Coptic bishops, Anbâ Tadros of Port Said and Anbâ Yuhanna of Cairo verified the story.

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