Digital art (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Digital art" in English language version.

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arstechnica.com

artnews.com

arts.ac.uk

ualresearchonline.arts.ac.uk

arxiv.org

  • Ramesh, Aditya; Pavlov, Mikhail; Goh, Gabriel; Gray, Scott; Voss, Chelsea; Radford, Alec; Chen, Mark; Sutskever, Ilya (2021-02-26). "Zero-Shot Text-to-Image Generation". arXiv:2102.12092 [cs.CV].
  • Cetinic, Eva; She, James (2022-02-16). "Understanding and Creating Art with AI: Review and Outlook". ACM Transactions on Multimedia Computing, Communications, and Applications. 18 (2): 66:1–66:22. arXiv:2102.09109. doi:10.1145/3475799. ISSN 1551-6857. S2CID 231951381.

blender.org

  • Foundation, Blender. "About". blender.org. Retrieved 2021-02-25.

britannica.com

clipstudio.net

coloradostatefair.com

creative-capital.org

digitalhumanities.org

doi.org

electronica.art

ars.electronica.art

g2.com

geekflare.com

google.co.ke

harvard.edu

ui.adsabs.harvard.edu

jingculturecommerce.com

moma.org

nih.gov

pubmed.ncbi.nlm.nih.gov

noahwf.com

npr.org

nyelizabeth.com

nytimes.com

observer.com

openai.com

  • Karpathy, Andrej; Abbeel, Pieter; Brockman, Greg; Chen, Peter; Cheung, Vicki; Duan, Rock; Goodfellow, Ian; Kingma, Durk; Ho, Jonathan; Houthooft, Rein; Salimans, Tim; Schulman, John; Sutskeyer, Ilya; Zaermba, Wojciech (2016-06-16). "Generative Models, OpenAI". OpenAI. Retrieved 2022-10-09.

pagetraffic.in

parblo.com

researchgate.net

scientificamerican.com

semanticscholar.org

api.semanticscholar.org

  • Sestino, Andrea; Guido, Gianluigi; Peluso, Alessandro M. (2022). Non-Fungible Tokens (NFTs). Examining the Impact on Consumers and Marketing Strategies. Palgrave. p. 26 f. doi:10.1007/978-3-031-07203-1. ISBN 978-3-031-07202-4. S2CID 250238540.
  • Kugler, Logan (2021). "Non-Fungible Tokens and the Future of Art". Communications of the ACM. 64 (9): 19–20. doi:10.1145/3474355. S2CID 237283169. There is nothing stopping someone online from viewing, copying, and sharing a digital art file, but thanks to NFTs, they cannot fake possession of the art. NFTs make it possible to have exclusive ownership of digital art — something that was previously impossible. Cf. Trautman, Lawrence J. (2022). "Virtual Art and Non-Fungible Tokens". Hofstra Law Review. 50 (361): 372 f. doi:10.2139/ssrn.3814087. S2CID 234830426. Trautman references Zittrain, Jonathan; Marks, Will (7 April 2021). "What Critics Don't Understand About NFTs. The complexity and arbitrariness of non-fungible tokens are a big part of their appeal". The Atlantic. Retrieved 11 January 2023. The buyer is not, however, acquiring anything that they alone can use. (...) an NFT buyer is not purchasing a work, but rather a publicly available token that links to a work. (...) The token itself is visible to all, as is the work to which it points, so anyone else can look at the work and download it. And most NFT transactions don't purport to convey copyright or other intellectual-property interests regarding the work in question (...) By these terms, many NFT purchases are akin to acquiring a piece of art that nevertheless remains in the gallery where it was sold, open all the time to members of the public, who may grab a free print of the work after their visit.
  • Trautman, Lawrence J. (2022). "Virtual Art and Non-Fungible Tokens". Hofstra Law Review. 50 (361): 371. doi:10.2139/ssrn.3814087. S2CID 234830426.
  • Cetinic, Eva; She, James (2022-02-16). "Understanding and Creating Art with AI: Review and Outlook". ACM Transactions on Multimedia Computing, Communications, and Applications. 18 (2): 66:1–66:22. arXiv:2102.09109. doi:10.1145/3475799. ISSN 1551-6857. S2CID 231951381.

snibbe.com

sothebys.com

theatlantic.com

  • Kugler, Logan (2021). "Non-Fungible Tokens and the Future of Art". Communications of the ACM. 64 (9): 19–20. doi:10.1145/3474355. S2CID 237283169. There is nothing stopping someone online from viewing, copying, and sharing a digital art file, but thanks to NFTs, they cannot fake possession of the art. NFTs make it possible to have exclusive ownership of digital art — something that was previously impossible. Cf. Trautman, Lawrence J. (2022). "Virtual Art and Non-Fungible Tokens". Hofstra Law Review. 50 (361): 372 f. doi:10.2139/ssrn.3814087. S2CID 234830426. Trautman references Zittrain, Jonathan; Marks, Will (7 April 2021). "What Critics Don't Understand About NFTs. The complexity and arbitrariness of non-fungible tokens are a big part of their appeal". The Atlantic. Retrieved 11 January 2023. The buyer is not, however, acquiring anything that they alone can use. (...) an NFT buyer is not purchasing a work, but rather a publicly available token that links to a work. (...) The token itself is visible to all, as is the work to which it points, so anyone else can look at the work and download it. And most NFT transactions don't purport to convey copyright or other intellectual-property interests regarding the work in question (...) By these terms, many NFT purchases are akin to acquiring a piece of art that nevertheless remains in the gallery where it was sold, open all the time to members of the public, who may grab a free print of the work after their visit.

thecvf.com

openaccess.thecvf.com

theguardian.com

theverge.com

uigarage.net

unesco.org

unesdoc.unesco.org

web.archive.org

worldcat.org

search.worldcat.org

wsj.com

youtube.com