Doubting Thomas (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Doubting Thomas" in English language version.

refsWebsite

Global rank English rank

11jstor.org

26^th place

20^th place

10books.google.com

3^rd place

6doi.org

2^nd place

4semanticscholar.org

11^th place

8^th place

1wikisource.org

27^th place

51^st place

1persee.fr

515^th place

1,261^st place

1worldcat.org

5^th place

1rochester.edu

2,691^st place

1,948^th place

1web.archive.org

1^st place

1machias.edu

low place

books.google.com

Schiller 1972, p. 188. Schiller, Gertrud (1972). Iconography of Christian Art: the Passion of Jesus Christ. Vol. 2. London: Lund Humphries.
Horne 1836, pp. 111–112. Horne, Thomas Hartwell (1836). An Introduction to the Critical Study and Knowledge of the Holy Scriptures. R. Carter.
Jacks & Caferro 2001, p. 159. Jacks, Philip J.; Caferro, William (2001). The Spinelli of Florence: Fortunes of a Renaissance Merchant Family. Penn State Press. ISBN 0271019247.
Monza no. 9, Bobbio no. 10, see Leroy 1959, p. 322 and Milburn 1988, p. 264 Leroy, Jules (1959). "Review of André Grabar Les Ampoules de Terre Sainte". Syria. Archéologie, Art et histoire (in French). 36. Milburn, Robert Leslie Pollington (1988). Early Christian Art and Architecture. University of California Press. ISBN 978-0-520-06326-6.
Schiller 1972, pp. 102, 116. Schiller, Gertrud (1972). Iconography of Christian Art: the Passion of Jesus Christ. Vol. 2. London: Lund Humphries.
Schiller 1972, p. 130. Schiller, Gertrud (1972). Iconography of Christian Art: the Passion of Jesus Christ. Vol. 2. London: Lund Humphries.
Schiller 1972, pp. 188–189, 202. Schiller, Gertrud (1972). Iconography of Christian Art: the Passion of Jesus Christ. Vol. 2. London: Lund Humphries.
Butterfield 1992, pp. 228–229 on Medici involvement in the commission, Butterfield 1992, pp. 230–232 on justice and Medici patronage of Thomas; for justice also see Jacks & Caferro 2001, pp. 160–161 Butterfield, Andrew (April 1992). "Verrocchio's Christ and St Thomas: Chronology, Iconography and Political Context". The Burlington Magazine. Vol. 134, no. 1069. pp. 225–233. JSTOR 885119. Butterfield, Andrew (April 1992). "Verrocchio's Christ and St Thomas: Chronology, Iconography and Political Context". The Burlington Magazine. Vol. 134, no. 1069. pp. 225–233. JSTOR 885119. Jacks, Philip J.; Caferro, William (2001). The Spinelli of Florence: Fortunes of a Renaissance Merchant Family. Penn State Press. ISBN 0271019247.
Scoville 2004, Ch. 2 is entirely about the treatment of Thomas Scoville, Chester Norman (2004). Saints and the Audience in Middle English Biblical Drama. University of Toronto Press. ISBN 978-0-8020-8944-1.
Jacks & Caferro 2001, pp. 157–158. Jacks, Philip J.; Caferro, William (2001). The Spinelli of Florence: Fortunes of a Renaissance Merchant Family. Penn State Press. ISBN 0271019247.

doi.org

Salisbury 2006, p. 95. Salisbury, Joyce E. (January 2006). "review of Doubting Thomas by Glen W. Most". The Catholic Historical Review. 92 (1). Catholic University of America Press: 95–96. doi:10.1353/cat.2006.0113. JSTOR 25027014. S2CID 161105370.
Soper 1938, p. 188 listing several other early occurrences Soper, Alexander Coburn (June 1938). "The Italo-Gallic School of Early Christian Art". The Art Bulletin. 20 (2): 145–192. doi:10.1080/00043079.1938.11408677. JSTOR 3046576.
Gurewich 1957, p. 358 but the same detail is seen in the early 5th-century ivory box with scenes of the passion in the British Museum Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546.
van Eck 1993, pp. 224–228. van Eck, Xander (1993). "From Doubt to Conviction: Clandestine Catholic Churches as Patrons of Dutch Caravaggesque Painting". Simiolus: Netherlands Quarterly for the History of Art. 22 (4): 217–234. doi:10.2307/3780813. ISSN 0037-5411. JSTOR 3780813.
Gurewich 1957, p. 362. Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546.
An eccentricity of Rubens, discussed in Gurewich 1957, p. 362, and more fully in Gurewich 1963, p. 358 Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546. Gurewich, Vladimir (1963). "Rubens and the Wound in Christ's Side. A Postscript". Journal of the Warburg and Courtauld Institutes. 26 (3/4). The Warburg Institute: 358. doi:10.2307/750501. JSTOR 750501. S2CID 194963813.

jstor.org

Salisbury 2006, p. 95. Salisbury, Joyce E. (January 2006). "review of Doubting Thomas by Glen W. Most". The Catholic Historical Review. 92 (1). Catholic University of America Press: 95–96. doi:10.1353/cat.2006.0113. JSTOR 25027014. S2CID 161105370.
Butterfield 1992, p. 232 and notes. Butterfield, Andrew (April 1992). "Verrocchio's Christ and St Thomas: Chronology, Iconography and Political Context". The Burlington Magazine. Vol. 134, no. 1069. pp. 225–233. JSTOR 885119.
Soper 1938, p. 188 listing several other early occurrences Soper, Alexander Coburn (June 1938). "The Italo-Gallic School of Early Christian Art". The Art Bulletin. 20 (2): 145–192. doi:10.1080/00043079.1938.11408677. JSTOR 3046576.
Gurewich 1957, p. 358 but the same detail is seen in the early 5th-century ivory box with scenes of the passion in the British Museum Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546.
Pickard 1916, p. 413. Pickard, John (August 1916). "The Doubting Thomas: The Bronze Group by Andrea del Verrocchio'". The American Magazine of Art. 7 (10): 410–414. JSTOR 20559503.
Butterfield 1992, pp. 228–229 on Medici involvement in the commission, Butterfield 1992, pp. 230–232 on justice and Medici patronage of Thomas; for justice also see Jacks & Caferro 2001, pp. 160–161 Butterfield, Andrew (April 1992). "Verrocchio's Christ and St Thomas: Chronology, Iconography and Political Context". The Burlington Magazine. Vol. 134, no. 1069. pp. 225–233. JSTOR 885119. Butterfield, Andrew (April 1992). "Verrocchio's Christ and St Thomas: Chronology, Iconography and Political Context". The Burlington Magazine. Vol. 134, no. 1069. pp. 225–233. JSTOR 885119. Jacks, Philip J.; Caferro, William (2001). The Spinelli of Florence: Fortunes of a Renaissance Merchant Family. Penn State Press. ISBN 0271019247.
van Eck 1993, pp. 224–228. van Eck, Xander (1993). "From Doubt to Conviction: Clandestine Catholic Churches as Patrons of Dutch Caravaggesque Painting". Simiolus: Netherlands Quarterly for the History of Art. 22 (4): 217–234. doi:10.2307/3780813. ISSN 0037-5411. JSTOR 3780813.
Gurewich 1957, p. 362. Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546.
An eccentricity of Rubens, discussed in Gurewich 1957, p. 362, and more fully in Gurewich 1963, p. 358 Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546. Gurewich, Vladimir (1963). "Rubens and the Wound in Christ's Side. A Postscript". Journal of the Warburg and Courtauld Institutes. 26 (3/4). The Warburg Institute: 358. doi:10.2307/750501. JSTOR 750501. S2CID 194963813.
Rylands 1977, p. 249. Rylands, Philip (April 1977). "Palma Vecchio's 'Assumption of the Virgin'". The Burlington Magazine. 119 (889): 244–250. JSTOR 878802.
O'Rahilly 1938, p. 191. O'Rahilly, Alfred (June 1938). "The Stigmata of Saint Francis". Studies: An Irish Quarterly Review. 27 (106). Irish Province of the Society of Jesus: 177–198. JSTOR 30097539.

machias.edu

"Chester, Play 20". Archived from the original on 23 February 2015. Retrieved 30 March 2013.

persee.fr

Monza no. 9, Bobbio no. 10, see Leroy 1959, p. 322 and Milburn 1988, p. 264 Leroy, Jules (1959). "Review of André Grabar Les Ampoules de Terre Sainte". Syria. Archéologie, Art et histoire (in French). 36. Milburn, Robert Leslie Pollington (1988). Early Christian Art and Architecture. University of California Press. ISBN 978-0-520-06326-6.

rochester.edu

lib.rochester.edu

Play 41, Doubting Thomas, Edited by Clifford Davidson, Originally Published in The York Corpus Christi Plays

semanticscholar.org

api.semanticscholar.org

Salisbury 2006, p. 95. Salisbury, Joyce E. (January 2006). "review of Doubting Thomas by Glen W. Most". The Catholic Historical Review. 92 (1). Catholic University of America Press: 95–96. doi:10.1353/cat.2006.0113. JSTOR 25027014. S2CID 161105370.
Gurewich 1957, p. 358 but the same detail is seen in the early 5th-century ivory box with scenes of the passion in the British Museum Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546.
Gurewich 1957, p. 362. Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546.
An eccentricity of Rubens, discussed in Gurewich 1957, p. 362, and more fully in Gurewich 1963, p. 358 Gurewich, Vladimir (1957). "Observations on the Iconography of the Wound in Christ's Side, with Special Reference to Its Position". Journal of the Warburg and Courtauld Institutes. 20 (3/4). Warburg Institute: 358–362. doi:10.2307/750787. JSTOR 50787. S2CID 192284546. Gurewich, Vladimir (1963). "Rubens and the Wound in Christ's Side. A Postscript". Journal of the Warburg and Courtauld Institutes. 26 (3/4). The Warburg Institute: 358. doi:10.2307/750501. JSTOR 750501. S2CID 194963813.

web.archive.org

"Chester, Play 20". Archived from the original on 23 February 2015. Retrieved 30 March 2013.

wikisource.org

en.wikisource.org

John 20:24–29

worldcat.org

search.worldcat.org

van Eck 1993, pp. 224–228. van Eck, Xander (1993). "From Doubt to Conviction: Clandestine Catholic Churches as Patrons of Dutch Caravaggesque Painting". Simiolus: Netherlands Quarterly for the History of Art. 22 (4): 217–234. doi:10.2307/3780813. ISSN 0037-5411. JSTOR 3780813.