Dynamic range compression (English Wikipedia)

Skovenborg, Esben (2012-04-26). "Loudness Range (LRA) - Design and Evaluation". Audio Engineering Society. Retrieved 2019-11-04 – via AES E-Library. {{cite journal}}: Cite journal requires |journal= (help)

archive.org

Reese, David E; Gross, Lynne S; Gross, Brian (2009). Audio Production Worktext: Concepts, Techniques, and Equipment. Focal Press. pp. 149. ISBN 978-0-240-81098-0. OCLC 1011721139 – via Internet Archive.

arxiv.org

Salamon, Justin; Bello, Juan Pablo (March 2017). "Deep Convolutional Neural Networks and Data Augmentation for Environmental Sound Classification". IEEE Signal Processing Letters. 24 (3): 279–283. arXiv:1608.04363. Bibcode:2017ISPL...24..279S. doi:10.1109/LSP.2017.2657381. ISSN 1070-9908. S2CID 3537408.
Serrà, J; Corral, A; Boguñá, M; Haro, M; Arcos, JL (26 July 2012). "Measuring the Evolution of Contemporary Western Popular Music". Scientific Reports. 2: 521. arXiv:1205.5651. Bibcode:2012NatSR...2E.521S. doi:10.1038/srep00521. PMC 3405292. PMID 22837813.

audiomasterclass.com

Mellor, David (2017-11-16). "Audio compressor controls: The threshold control". Audio Masterclass. Retrieved 2019-07-31.

books.google.com

Follansbee, Joe (2006). Hands-on Guide to Streaming Media: An Introduction to Delivering On-Demand Media (1 ed.). Focal Press. p. 84. ISBN 9780240808635. OCLC 1003326401 – via Google Books.

doi.org

Salamon, Justin; Bello, Juan Pablo (March 2017). "Deep Convolutional Neural Networks and Data Augmentation for Environmental Sound Classification". IEEE Signal Processing Letters. 24 (3): 279–283. arXiv:1608.04363. Bibcode:2017ISPL...24..279S. doi:10.1109/LSP.2017.2657381. ISSN 1070-9908. S2CID 3537408.
Deruty, Emmanuel; Tardieu, Damien (2014-02-03). "About Dynamic Processing in Mainstream Music". Journal of the Audio Engineering Society. 62 (1/2): 42–55. doi:10.17743/jaes.2014.0001.
Serrà, J; Corral, A; Boguñá, M; Haro, M; Arcos, JL (26 July 2012). "Measuring the Evolution of Contemporary Western Popular Music". Scientific Reports. 2: 521. arXiv:1205.5651. Bibcode:2012NatSR...2E.521S. doi:10.1038/srep00521. PMC 3405292. PMID 22837813.
Hjortkjær, Jens; Walther-Hansen, Mads (2014-02-03). "Perceptual Effects of Dynamic Range Compression in Popular Music Recordings". Journal of the Audio Engineering Society. 62 (1/2): 37–41. doi:10.17743/jaes.2014.0003.

ebu.ch

tech.ebu.ch

'EBU Mode' metering to supplement EBU R 128 loudness normalisation, Version 3.0, European Broadcasting Union, 2016-01-25, EBU Tech 3341, retrieved 2019-11-03
Loudness range: A measure to supplement EBU R 128 loudness normalisation, Version 3.0, Geneva: European Broadcasting Union, 2016-01-25, EBU Tech 3342

ebu.ch

"Loudness: France chooses EBU R128 to bolster audio laws". European Broadcasting Union. 25 October 2011. Retrieved 8 April 2020.

eventideaudio.com

"50th Flashback #3: The Omnipressor". Eventide Audio. 10 March 2021. Retrieved 17 May 2021.

harvard.edu

ui.adsabs.harvard.edu

Salamon, Justin; Bello, Juan Pablo (March 2017). "Deep Convolutional Neural Networks and Data Augmentation for Environmental Sound Classification". IEEE Signal Processing Letters. 24 (3): 279–283. arXiv:1608.04363. Bibcode:2017ISPL...24..279S. doi:10.1109/LSP.2017.2657381. ISSN 1070-9908. S2CID 3537408.
Serrà, J; Corral, A; Boguñá, M; Haro, M; Arcos, JL (26 July 2012). "Measuring the Evolution of Contemporary Western Popular Music". Scientific Reports. 2: 521. arXiv:1205.5651. Bibcode:2012NatSR...2E.521S. doi:10.1038/srep00521. PMC 3405292. PMID 22837813.

nih.gov

ncbi.nlm.nih.gov

Serrà, J; Corral, A; Boguñá, M; Haro, M; Arcos, JL (26 July 2012). "Measuring the Evolution of Contemporary Western Popular Music". Scientific Reports. 2: 521. arXiv:1205.5651. Bibcode:2012NatSR...2E.521S. doi:10.1038/srep00521. PMC 3405292. PMID 22837813.

pubmed.ncbi.nlm.nih.gov

Serrà, J; Corral, A; Boguñá, M; Haro, M; Arcos, JL (26 July 2012). "Measuring the Evolution of Contemporary Western Popular Music". Scientific Reports. 2: 521. arXiv:1205.5651. Bibcode:2012NatSR...2E.521S. doi:10.1038/srep00521. PMC 3405292. PMID 22837813.

pewpewtactical.com

"10 Best Shooting Ear Protection". 27 May 2020. Retrieved 2021-05-25. They are comfy for hours with their gel caps, have easily accessible button controls, great sound cutoff and compression, and allow for earplugs if the decent 22db NRR doesn't cut it.

pinsentmasons.com

"TV ads sound too loud and rules should change, says regulator". Out-Law News. Pinsent Masons. Retrieved 2019-11-03.

psu.edu

citeseerx.ist.psu.edu

Giannoulis, Dimitrios; Massberg, Michael; Reiss, Joshua D. (2012-07-09). "Digital Dynamic Range Compressor Design—A Tutorial and Analysis" (PDF). Journal of the Audio Engineering Society. 60 (6): 399–408. CiteSeerX 10.1.1.260.1340. Retrieved 2019-06-06.

qmul.ac.uk

eecs.qmul.ac.uk

Giannoulis, Dimitrios; Massberg, Michael; Reiss, Joshua D. (2012-07-09). "Digital Dynamic Range Compressor Design—A Tutorial and Analysis" (PDF). Journal of the Audio Engineering Society. 60 (6): 399–408. CiteSeerX 10.1.1.260.1340. Retrieved 2019-06-06.

ranecommercial.com

Jeffs, Rick; Holden, Scott; Bohn, Dennis (September 2005). "Dynamics Processors – Technology & Applications". RaneNote (155). Rane Corporation: 6–7. Retrieved 2012-12-21. There is no industry standard and different manufacturers define [release time] differently.

sageaudio.com

"What is Sidechaining". Sage Audio. Retrieved 12 May 2020.

semanticscholar.org

api.semanticscholar.org

Salamon, Justin; Bello, Juan Pablo (March 2017). "Deep Convolutional Neural Networks and Data Augmentation for Environmental Sound Classification". IEEE Signal Processing Letters. 24 (3): 279–283. arXiv:1608.04363. Bibcode:2017ISPL...24..279S. doi:10.1109/LSP.2017.2657381. ISSN 1070-9908. S2CID 3537408.

sfxmachine.com

Vickers, Earl (4–7 November 2010). The Loudness War: Background, Speculation and Recommendations (PDF). 129th AES Convention. San Francisco: Audio Engineering Society. Retrieved July 14, 2011.

sonicscoop.com

Colletti, Justin (2013-06-27). "Beyond The Basics: Sidechain Compression". SonicScoop. Retrieved 2015-03-16.

soundonsound.com

White, Paul (December 2000). "Advanced Compression Techniques". Sound On Sound. Archived from the original on 2015-09-24.
"Techniques For Vocal De-essing". Sound on Sound. May 2009. Retrieved 12 May 2010.
Senior, Mike (May 2009). "Techniques For Vocal De-essing". Sound Advice. Sound on Sound. Retrieved 2015-03-16.
TC Electronic Finalizer 96K, retrieved 2023-12-29
Deruty, Emmanuel (September 2011). "'Dynamic Range' & The Loudness War". Sound on Sound. Retrieved 2013-10-24.

stanford.edu

ccrma.stanford.edu

Kadis, Jay. "Dynamic Range Processing and Digital Effects" (PDF).Kadis, Jay. "Dynamic Range Processing and Digital Effects" (PDF).

svgeurope.org

Davies, David (9 December 2013). "Sky confirms formal adoption of R128 loudness specification". SVG Europe. Retrieved 8 April 2020.

tangible-technology.com

Ciletti, Eddie; Hill, David; Wolff, Paul (2008-04-19). "An Overview of Compressor/Limiters and Their Guts". www.tangible-technology.com. Retrieved 2019-11-03.

tcelectronic.com

Droney, Maureen; Massey, Howard (September 2001). Compression Applications (PDF). TC Electronic. Archived from the original (PDF) on 2010-12-31.

thebroadcastbridge.com

Bridge, The Broadcast (November 23, 2016). "Using Compression for Recorded and Live Audio - The Broadcast Bridge - Connecting IT to Broadcast". www.thebroadcastbridge.com.

thewhippinpost.co.uk

"Compression in Audio Music Mixing". The Whippinpost. Retrieved 2013-12-07.

uaudio.com

media.uaudio.com

"Model LA-2A Leveling Amplifier" (PDF). Universal Audio (Manual).
"Fairchild Tube Limiter Collection" (PDF). UAD Plug-Ins Manual (190724 ed.). Universal Audio. pp. 219–220.

uaudio.com

Berners, Dave (April 2006). "Compression Technology and Topology". Analog Obsession. Universal Audio WebZine. Vol. 4, no. 3. Universal Audio. Retrieved 2016-08-29.

waves.com

Waves – Linear-Phase MultiBand Software Audio Processor Users Guide (PDF), p. 3, retrieved 2021-11-08

web.archive.org

White, Paul (December 2000). "Advanced Compression Techniques". Sound On Sound. Archived from the original on 2015-09-24.
Droney, Maureen; Massey, Howard (September 2001). Compression Applications (PDF). TC Electronic. Archived from the original (PDF) on 2010-12-31.

worldcat.org

search.worldcat.org

Follansbee, Joe (2006). Hands-on Guide to Streaming Media: An Introduction to Delivering On-Demand Media (1 ed.). Focal Press. p. 84. ISBN 9780240808635. OCLC 1003326401 – via Google Books.
Reese, David E; Gross, Lynne S; Gross, Brian (2009). Audio Production Worktext: Concepts, Techniques, and Equipment. Focal Press. pp. 149. ISBN 978-0-240-81098-0. OCLC 1011721139 – via Internet Archive.
Sabin, William E.; Schoenike, Edgar O., eds. (1998). HF radio systems & circuits (2nd ed.). Atlanta: Noble Pub. pp. 13–25, 271–290. ISBN 9781613530740. OCLC 842936687.
Sandlin, Robert E. (2000). The textbook of hearing aid amplification (2nd ed.). San Diego, California: Singular Thomson Learning. ISBN 1565939972. OCLC 42475568.
Salamon, Justin; Bello, Juan Pablo (March 2017). "Deep Convolutional Neural Networks and Data Augmentation for Environmental Sound Classification". IEEE Signal Processing Letters. 24 (3): 279–283. arXiv:1608.04363. Bibcode:2017ISPL...24..279S. doi:10.1109/LSP.2017.2657381. ISSN 1070-9908. S2CID 3537408.