Electronic music (English Wikipedia)

Krause 2002 abstract. Krause, Manfred (2002), "AES Convention 112 (April)", The Legendary 'Magnetophon' of AEG, Audio Engineering Society E-Library., paper number 5605. Abstract.

allmusic.com

Harris 2018. Harris, Craig (2018), Tom Dissevelt: Biography, Allmusic.com
John Bush. "Biography – Mother Mallard's Portable Masterpiece Co". AllMusic. AllMusic, Netaktion LLC. Retrieved 19 February 2023.
Maginnis 2011 Maginnis, Tom (2011), The Man Who Dies Every Day: Ultravox: Song Review, Allmusic.com, archived from the original on 11 March 2011 (at webcitation.org)
Anonymous 2010. Anonymous (2010), "Synthpop", AllMusic, archived from the original on 4 May 2012, retrieved 7 March 2021 (archive on 10 March 2011)
"Indie Electronic Music Genre Overview". AllMusic. Retrieved 9 September 2023.

archive.org

"Electronically produced music is part of the mainstream of popular culture. Musical concepts that were once considered radical—the use of environmental sounds, ambient music, turntable music, digital sampling, computer music, the electronic modification of acoustic sounds, and music made from fragments of speech-have now been subsumed by many kinds of popular music. Record store genres including new age, rap, hip-hop, electronica, techno, jazz, and popular song all rely heavily on production values and techniques that originated with classic electronic music" (Holmes 2002, p. 1). "By the 1990s, electronic music had penetrated every corner of musical life. It extended from ethereal sound-waves played by esoteric experimenters to the thumping syncopation that accompanies every pop record" (Lebrecht 1996, p. 106). Holmes, Thomas B. (2002), Electronic and Experimental Music: Pioneers in Technology and Composition (2nd ed.), London: Routledge Music/Songbooks, ISBN 0-415-93643-8, (cloth) (pbk) Lebrecht, Norman (1996), The Companion to 20th-Century Music, Da Capo Press., ISBN 0-306-80734-3
Holmes 2012, p. 18 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 21 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 33; Lee De Forest (1950), Father of radio: the autobiography of Lee de Forest, Wilcox & Follett, pp. 306–307 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 24 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 26 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 28 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 34 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 45 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 46 Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
"Musique Concrete was created in Paris in 1948 from edited collages of everyday noise" (Lebrecht 1996, p. 107). Lebrecht, Norman (1996), The Companion to 20th-Century Music, Da Capo Press., ISBN 0-306-80734-3
(Lebrecht 1996, p. 75): "... at Northwest German Radio in Cologne (1953), where the term 'electronic music' was coined to distinguish their pure experiments from musique concrete..." Lebrecht, Norman (1996), The Companion to 20th-Century Music, Da Capo Press., ISBN 0-306-80734-3
Glinsky 2000, p. 286. Glinsky, Albert (2000), Theremin: Ether Music and Espionage, Music in American Life, foreword by Robert Moog., Urbana and Chicago: University of Illinois Press, ISBN 0-252-02582-2
Holmes 2012, p. 457. Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Holmes 2012, p. 468. Holmes, Thom (2012). Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). New York: Routledge. ISBN 978-0-415-89646-7. (cloth); ISBN 978-0-415-89636-8 (pbk); ISBN 978-0-203-12842-8 (ebook).
Toop, David (1995). Ocean of Sound. Serpent's Tail. p. 115. ISBN 978-1-85242-382-7.
Vladimir Bogdanov; Jason Ankeny (2001). All Music Guide to Electronica: The Definitive Guide to Electronic Music (4th ed.). Backbeat Books. p. 634. ISBN 0-87930-628-9.

armadamusic.com

EDM – Electronic Dance Music, Armada Music

artssf.com

Hertelendy 2008. Hertelendy, Paul (2008), Spatial Sound's Longest Running One-Man Show, artssf.com, archived from the original on 7 July 2011, retrieved 3 March 2011

atpm.com

Ozab 2000 [2]. Ozab, David (2000), Beyond the Barline: One Down, Two to Go, ATPM (About This Particular Macintosh) website, retrieved 13 January 2010

audium.org

Loy 1985, pp. 41–48. Loy, Gareth (Summer 1985), "About Audium—A Conversation with Stanley Shaff", Computer Music Journal, 9 (2): 41–48, doi:10.2307/3679656, JSTOR 3679656, archived from the original on 24 June 2017, retrieved 3 March 2011
[1] Audium Archives Music Journal, January 1977.

bbc.co.uk

"The Top 40 Best-Selling Studio Albums of All Time". BBC. 2018. Retrieved 29 May 2019.
"BBC – Radio 1 – Keeping It Peel – 06/05/1980 A Flock of Seagulls". BBC Radio 1. Retrieved 12 June 2018.

news.bbc.co.uk

Fildes 2008 Fildes, Jonathan (2008), "'Oldest' Computer Music Unveiled", BBC News, no. 17 June

berlinloveparade.com

"Berlin Love Parade. What happened to the World's Greatest Party?". www.berlinloveparade.com. Retrieved 23 September 2022.

bl.uk

blogs.bl.uk

"Restoring the first recording of computer music – Sound and vision blog". British Library. 13 September 2016. Retrieved 28 August 2017.

books.google.com

Jones, Barrie (3 June 2014). The Hutchinson Concise Dictionary of Music. Routledge. ISBN 978-1-135-95018-7.
Rhea 1980, p. 64. Rhea, Tom (1980), "The RCA Synthesizer & Its Synthesists", Contemporary Keyboard, vol. 6, no. 10 (October), GPI Publications, pp. 64ff, retrieved 5 June 2011^{[full citation needed]}
Palmieri, Robert (2004). The Piano: An Encyclopedia. Encyclopedia of keyboard instruments (2nd ed.). Routledge. p. 406. ISBN 978-1-135-94963-1. the development [and release] in 1959 of an all-transistor Electone electronic organ, first in a successful series of Yamaha electronic instruments. It was a milestone for Japan's music industry.. Note: the first model by Yamaha was "D-1" in 1959."
Russell Hartenberger (2016), The Cambridge Companion to Percussion, p. 84, Cambridge University Press
Matt Dean (2011), The Drum: A History, page 390, Scarecrow Press
The World of DJs and the Turntable Culture, page 43, Hal Leonard Corporation, 2003
Billboard, 21 May 1977, page 140
Trevor Pinch, Karin Bijsterveld, The Oxford Handbook of Sound Studies, page 515, Oxford University Press
Veal, Michael (2013). "Electronic Music in Jamaica". Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Wesleyan University Press. pp. 26–44. ISBN 978-0-8195-7442-8.
Nicholas Collins, Margaret Schedel, Scott Wilson (2013), Electronic Music: Cambridge Introductions to Music, page 20, Cambridge University Press
Nicholas Collins, Julio d' Escrivan Rincón (2007), The Cambridge Companion to Electronic Music, page 49, Cambridge University Press
Andrew Brown (2012), Computers in Music Education: Amplifying Musicality, page 127, Routledge
Friedmann, Jonathan L. (2018). Musical Aesthetics: An Introduction to Concepts, Theories, and Functions. Cambridge Scholars Publishing. p. 112. ISBN 978-1-5275-0940-5. Retrieved 17 February 2022.
Licht, Alan; Oldham, Will (3 April 2012). Will Oldham on Bonnie 'Prince' Billy. Faber & Faber. ISBN 978-0-571-27191-7. Retrieved 17 February 2022.
Mattingly, Rick (2002). The Techno Primer: The Essential Reference for Loop-based Music Styles. Hal Leonard Corporation. p. 38. ISBN 0-634-01788-8. Retrieved 1 April 2013.
Nicholas Collins, Margaret Schedel, Scott Wilson (2013), Electronic Music: Cambridge Introductions to Music, page 105, Cambridge University Press
Jenkins 2007, pp. 133–34 Jenkins, Mark (2007), Analog Synthesizers: Understanding, Performing, Buying: From the Legacy of Moog to Software Synthesis, Amsterdam: Elsevier, ISBN 978-0-240-52072-8
Zussman 1982, pp. 1, 5. Zussman, John Unger (1982), "Jazzing It Up at the NCC: Hancock and Apple II Make Music Together", InfoWorld, vol. 4, no. 26 (5 July), pp. 1, 5
Martin Russ, Sound Synthesis and Sampling, page 29 Archived 21 October 2017 at the Wayback Machine, CRC Press
Anonymous 1979. Anonymous (1979), "Artists and Producers Strive for Inroads Overseas", Billboard, no. 26 May, pp. J–14, J–31
"Sound International". Sound International (33–40): 147. 1981. Retrieved 21 June 2011.
Richard James Burgess (2014), The History of Music Production, page 115, Oxford University Press

brainwashed.com

Cosey Fanni Tutti. "Throbbing Gristle Personnel: Cosey Fanni Tutti" (extract from Throbbing Gristle's 1986 album CD1. Brainwashed.com. Retrieved 21 April 2021.

cbc.ca

Anderson 2008. Anderson, Jason (2008), Slaves to the Rhythm: Kanye West Is the Latest to Pay Tribute to a Classic Drum Machine, CBC News website, retrieved 5 June 2011

collectionscanada.gc.ca

"Item Display – RPM – Library and Archives Canada". Collectionscanada.gc.ca. Archived from the original on 13 January 2012. Retrieved 8 August 2011.

crodaorganservice.com

"クロダオルガン修理" [Croda Organ Repair]. CrodaOrganService.com (in Japanese). May 2017. クロダオルガン株式会社(昭和30年 [1955] 創業、2007年に解散)は約50年の歴史のあいだに自社製造のクロダトーン...の販売、設置をおこなってきましたが、[2007]クロダオルガン株式会社廃業... [Kuroda Organ Co., Ltd. (founded in 1955, dissolved in 2007) has been selling and installing its own manufactured Kurodatone ... during about 50 years of history, but [in 2007] the Croda Organ closed business...]

csounds.com

Vercoe 2000, pp. xxviii–xxix. Vercoe, Barry (2000), "Forward", in Richard Boulanger (ed.), The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming, Cambridge, Massachusetts: MIT Press, pp. xxvii–xxx, ISBN 0-262-52261-6, archived from the original on 30 January 2010, retrieved 30 June 2008

cyndustries.com

Sofer & Lynner 1977, p. 23 "Yes, I used [ Moog modular equipment ] until I went with Herbie (Hancock) in 1970. Then I used a [ ARP ] 2600 because I couldn't use the Moog on stage. It was too big and cranky; every time we transported it, we would have to pull a module out, and I knew I couldn't do that on the road, so I started using ARP's." Sofer, Danny; Lynner, Doug (1977), "Pat Gleeson interview", Synapse: The Electronic Music Magazine, 1 (5 (January–February)): 21–24, 35

dancingastronaut.com

"Dancing Astronaut – EDM, trap, techno, deep house, dubstep". Dancing Astronaut.

dartmouth.edu

digitalmusics.dartmouth.edu

"History of Masters Program in Digital Musics". Dartmouth College. Archived from the original on 12 October 2009.

delia-derbyshire.net

"Delia Derbyshire Audiological Chronology".

didierdanse.net

"Electronic music". didierdanse.net. Retrieved 10 June 2019.

digitaltrends.com

Mettler, Mike (17 June 2016). "Gary Barlow didn't just meet his '80s heroes, he made a retro album with them". Digital Trends. Retrieved 4 October 2024.

discogs.com

doi.org

Neill, Ben (2002). "Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music". Leonardo Music Journal. 12: 3–6. doi:10.1162/096112102762295052. S2CID 57562349.
Eimert 1972, p. 349. Eimert, Herbert (1972), "How Electronic Music Began", The Musical Times, 113 (1550 (April)): 347–349, doi:10.2307/954658, JSTOR 954658 (First published in German in Melos 39 (January–February 1972): 42–44.)
Luening 1968, p. 136. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
Luening 1968, p. 48. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
Luening 1968, p. 49. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
Fujii 2004, pp. 64–66. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
Fujii 2004, p. 66. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
Fujii 2004, pp. 66–67. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
Fujii 2004, p. 64. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
Fujii 2004, p. 65. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
Loubet 1997, p. 11 Loubet, Emmanuelle (1997), "The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s", Computer Music Journal, 21 (4), translated by Brigitte Robindoré and Curtis Roads: 11–22, doi:10.2307/3681132, JSTOR 3681132
Gluck 2005, pp. 164–165. Gluck, Robert J (2005), "Fifty Years of Electronic Music in Israel", Organised Sound, 10 (2): 163–180, doi:10.1017/S1355771805000798, S2CID 54996026
Bayly 1982–1983, p. 150. Bayly, Richard (Fall 1982 – Summer 1983), "Ussachevsky on Varèse: An Interview April 24, 1979 at Goucher College", Perspectives of New Music, 21 (1/2): 145–151, doi:10.2307/832872, JSTOR 832872
Loy 1985, pp. 41–48. Loy, Gareth (Summer 1985), "About Audium—A Conversation with Stanley Shaff", Computer Music Journal, 9 (2): 41–48, doi:10.2307/3679656, JSTOR 3679656, archived from the original on 24 June 2017, retrieved 3 March 2011
Doornbusch, Paul (2017). "Early Computer Music Experiments in Australia and England". Organised Sound. 22 (2). Cambridge University Press: 297–307 [11]. doi:10.1017/S1355771817000206.
Kembrew McLeod (2001). "Genres, Subgenres, Sub-Subgenres and More: Musical and Social Difference Within Electronic/Dance Music Communities" (PDF). Journal of Popular Music Studies. 13: 59–75. doi:10.1111/j.1533-1598.2001.tb00013.x.
Collins 2003. Collins, Nick (2003), "Generative Music and Laptop Performance", Contemporary Music Review, 22 (4): 67–79, doi:10.1080/0749446032000156919, S2CID 62735944
Chadabe 2004, pp. 5–6. Chadabe, Joel (2004), "Electronic Music and Life", Organised Sound, 9 (1): 3–6, doi:10.1017/s1355771804000020, S2CID 62189224

espacenet.com

worldwide.espacenet.com

US patent 3651241, Ikutaro Kakehashi (Ace Electronics Industries, Inc.), "Automatic Rhythm Performance Device", issued 1972-03-21

etheroneph.com

Журнал «Техника — молодёжи», № 3 за 1960 год. Автор: Б.Орлов In Russian

factmag.com

"The 14 drum machines that shaped modern music". 22 September 2016.
Dubbing Is A Must: A Beginner's Guide To Jamaica's Most Influential Genre, Fact.

francisrouth.net

Francis Routh. 'Four Electronic Music Concerts

gamemusic4all.com

"This element of embracing errors is at the centre of Circuit Bending, it is about creating sounds that are not supposed to happen and not supposed to be heard (Gard 2004). In terms of musicality, as with electronic art music, it is primarily concerned with timbre and takes little regard for pitch and rhythm in a classical sense. ... . In a similar vein to Cage's aleatoric music, the art of Bending is dependent on chance, when a person prepares to bend they have no idea of the outcome" (Yabsley 2007). Gard, Stephen (2004), Nasty Noises: 'Error' as a Compositional Element, Sydney Conservatorium of Music, Sydney eScholarship Repository Yabsley, Alex (2007), Back to the 8 Bit: A Study of Electronic Music Counter-Culture, Gamemusic4all.com, retrieved 5 June 2011

ghostarchive.org

Beato, Rick (28 April 2019), What Makes This Song Great? Ep. 61 Van Halen (#2), archived from the original on 11 December 2021, retrieved 24 June 2019

google.ms

"Automatic rhythm instrument".

hku.nl

knorretje.hku.nl

van Schutterhoef 2007 "Sogitec 4X". Archived from the original on 4 November 2013. Retrieved 13 January 2010.. van Schutterhoef, Arie (2007), Sogitec 4X, Knorretje, een Nederlandse Wiki over muziek, geluid, soft- en hardware., archived from the original on 4 November 2013, retrieved 13 January 2010

huffingtonpost.com

"House Music: How It Sneaked Its Way Into Mainstream Pop" by Kia Makarechi, The Huffington Post, 11 August 2011

joseftal.org

"Improved scans – Israel State Archives" (PDF).
"Improved scans – Israel State Archives" (PDF).

jstor.org

Eimert 1972, p. 349. Eimert, Herbert (1972), "How Electronic Music Began", The Musical Times, 113 (1550 (April)): 347–349, doi:10.2307/954658, JSTOR 954658 (First published in German in Melos 39 (January–February 1972): 42–44.)
Luening 1968, p. 136. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
Luening 1968, p. 48. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
Luening 1968, p. 49. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
Loubet 1997, p. 11 Loubet, Emmanuelle (1997), "The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s", Computer Music Journal, 21 (4), translated by Brigitte Robindoré and Curtis Roads: 11–22, doi:10.2307/3681132, JSTOR 3681132
Bayly 1982–1983, p. 150. Bayly, Richard (Fall 1982 – Summer 1983), "Ussachevsky on Varèse: An Interview April 24, 1979 at Goucher College", Perspectives of New Music, 21 (1/2): 145–151, doi:10.2307/832872, JSTOR 832872
Loy 1985, pp. 41–48. Loy, Gareth (Summer 1985), "About Audium—A Conversation with Stanley Shaff", Computer Music Journal, 9 (2): 41–48, doi:10.2307/3679656, JSTOR 3679656, archived from the original on 24 June 2017, retrieved 3 March 2011

kobe-u.ac.jp

lib.kobe-u.ac.jp

Before the Second World War in Japan, several "electrical" instruments seem already to have been developed (see ja:電子音楽#黎明期), and in 1935 a kind of "electronic" musical instrument, the Yamaha Magna Organ, was developed. It seems to be a multi-timbral keyboard instrument based on electrically blown free reeds with pickups, possibly similar to the electrostatic reed organs developed by Frederick Albert Hoschke in 1934 then manufactured by Everett and Wurlitzer until 1961.
- 一時代を画する新楽器完成浜松の青年技師山下氏 [An epoch-defining new musical instrument was developed by a young engineer Mr.Yamashita in Hamamatsu]. Hochi Shimbun (in Japanese). 8 June 1935. Archived from the original on 12 March 2012. Retrieved 30 December 2011.
korg.co.jp
- "Donca-Matic (1963)". Korg Museum. Korg. Archived from the original on 3 September 2005. Retrieved 2 May 2017.
kqed.org
- Craig Miller (14 November 2016). "How a Sound Guru Got From Synthesizers to the Music of Nature". KQED. KQED Inc. Retrieved 19 February 2023. Yes, as in Doctor Bernie Krause, best known today as the dean of the emerging field of soundscape ecology, and one of the chief curators of nature's own music. Few today remember that he also played a seminal role ushering in the synthesizer age. Krause and his music partner, Paul Beaver, turned out to be pioneers in the musical genre that we now call "electronica."
lvc.edu
csunix1.lvc.edu
- Snyder 1998. Snyder, Jeff (1998), Pierre Schaeffer: Inventor of Musique Concrete, archived from the original on 15 May 2008
magneticmag.com
- Branco, Holly (8 August 2022). "Indie Music: The Complete Breakdown Of The Most Diverse and Well-Loved Genres Of Music". Magnetic Magazine. Retrieved 9 September 2023.
mirf.ru
- Советская электронная музыка. In Russian
mixonline.com
- Anonymous 2006. Anonymous (2006), "1935 AEG Magnetophon Tape Recorder", Mix Online, archived from the original on 8 February 2013, retrieved 5 June 2011
musikkons.dk
- Smirnov 2014, "Russian Electroacoustic Music from the 1930s–2000s" Smirnov, Andrey (2014), Russian Electroacoustic Music from the 1930s–2000s (PDF), archived from the original (PDF) on 3 January 2017, retrieved 30 June 2016
newizv.ru
- Забытая мелодия. В архивах фирмы грамзаписи обнаружена музыка, приговорённая сорок лет назад к уничтожению. Баканов Константин. Новые Известия July 2005 Archived 5 February 2017 at the Wayback Machine. In Russian
neworder.com
- "Movement 'Definitive Edition'". New Order. 19 December 2018. Archived from the original on 13 September 2019. Retrieved 26 January 2020.
nowtoronto.com
- Rancic, Michael (29 August 2018). "Analog synth pioneer Suzanne Ciani reflects on her life in waves". NOW Magazine. Toronto. Archived from the original on 21 April 2021. Retrieved 21 April 2021.
olats.org
- Nicolas Schöffer (December 1983). "Variations sur 600 Structures Sonores – Une nouvelle méthode de composition musicale sur l'ordinateur 4X". Leonardo On-Line (in French). Leonardo/International Society for the Arts, Sciences and Technology (ISAST). Archived from the original on 17 April 2012. L'ordinateur nous permet de franchir une nouvelle étape quant à la définition et au codage des sons, et permet de créer des partitions qui dépassent en complexité et en précision les possibilités d'antan. La methode de composition que je propose comporte plusieurs phases et nécessite l'emploi d'une terminologie simple que nous définirons au fur et à mesure : Trames, paves, briques et modules.
pkzsk.info
- Татьяна Анциферова: «У меня не было желания покорять мир...». In Russian
popmatters.com
- Theodore Stone (2 May 2018). "The United States of America and the Start of an Electronic Revolution". PopMatters. Retrieved 5 October 2020.
redbullmusicacademy.com
daily.redbullmusicacademy.com
- "Synthedelia: Psychedelic Electronic Music in the 1960s".
reverb.com
- "History of the Record Player Part II: The Rise and Fall". Reverb.com. October 2015. Retrieved 5 June 2016.
richardhess.com
- Engel 2006, pp. 4 and 7 Engel, Friedrich Karl (2006), Walter Weber's Technical Innovation at the Reichs-Rundfunk-Gesellschaft (PDF), Richardhess.com, retrieved 18 June 2010
- Engel & Hammar 2006, p. 6. Engel, Friedrich Karl; Hammar, Peter (2006), A Selected History of Magnetic Recording (PDF), further editing by Richard L. Hess, Richardhess.com, retrieved 18 June 2010
sacreddm.net
- Paige, Betty (31 January 1981). "This Year's Mode(L)". Sounds. Archived from the original on 24 July 2011.
scu.edu
- Snell 2006, scu.edu Snell, Karen Crocker (2006), "The Man Behind The Sound", Santa Clara Magazine, no. Summer, Santa Clara University, retrieved 13 January 2010
semanticscholar.org
api.semanticscholar.org
- Neill, Ben (2002). "Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music". Leonardo Music Journal. 12: 3–6. doi:10.1162/096112102762295052. S2CID 57562349.
- Luening 1968, p. 136. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
- Luening 1968, p. 48. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
- Luening 1968, p. 49. Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–142, 145, doi:10.2307/3392376, JSTOR 3392376, S2CID 143454942
- Fujii 2004, pp. 64–66. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
- Fujii 2004, p. 66. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
- Fujii 2004, pp. 66–67. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
- Fujii 2004, p. 64. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
- Fujii 2004, p. 65. Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093, S2CID 62553919
- Gluck 2005, pp. 164–165. Gluck, Robert J (2005), "Fifty Years of Electronic Music in Israel", Organised Sound, 10 (2): 163–180, doi:10.1017/S1355771805000798, S2CID 54996026
- Collins 2003. Collins, Nick (2003), "Generative Music and Laptop Performance", Contemporary Music Review, 22 (4): 67–79, doi:10.1080/0749446032000156919, S2CID 62735944
- Chadabe 2004, pp. 5–6. Chadabe, Joel (2004), "Electronic Music and Life", Organised Sound, 9 (1): 3–6, doi:10.1017/s1355771804000020, S2CID 62189224
shindig-magazine.com
- Shindig (11 June 2022). "Fifty Foot Hose – If Not This Time". Shindig Magazine. Shindig! Media Ltd & Silverback Publishing. Retrieved 26 February 2023.
siriusxm.com
- "Electric Area". SiriusXM. 21 September 2023.
soundonsound.com
- Reid, Gordon (2004), "The History Of Roland Part 1: 1930–1978", Sound on Sound (November), retrieved 19 June 2011
- "Classic Tracks: The Doors 'Strange Days'". www.soundonsound.com. Retrieved 19 November 2023.
- Tom Doyle (October 2010). "Silver Apples: Early Electronica". Sound on Sound. SOS Publications Group. Retrieved 5 October 2020.
stanford.edu
otl.stanford.edu
- Eric Grunwald (Summer 1994). "Bell Tolls for FM Patent, but Yamaha Sees "New Beginning"" (PDF). Stanford Technology Brainstorm. Vol. 3, no. 2. Office of Technology Licensing (OTL), Stanford University. Archived from the original (PDF) on 5 May 2017. Retrieved 6 October 2017. The technique for synthesizing electronic music, invented by Music Professor John Chowning, brought in over $20 million through an exclusive license to Yamaha Corporation of Japan, which used the technology in its DX-7 synthesizer, enormously popular in the 1980s.
stereogum.com
- "The Number Ones: Vangelis' "Chariots Of Fire"". Stereogum. 1 June 2020. Retrieved 14 November 2022.
telegraph.co.uk
- Green, Thomas H. (27 March 2008). "Oxygene: ba-boo-boo beew". The Daily Telegraph. London, England. Retrieved 14 March 2009.
theguardian.com
- "First recording of computer-generated music – created by Alan Turing – restored". The Guardian. 26 September 2016. Retrieved 28 August 2017.
- Alexis Petridis (9 September 2020). "Silver Apples' Simeon Coxe: visionary who saw music's electronic future". The Guardian. Retrieved 5 October 2020.
- Adam Sweeting (21 September 2016). "Gilli Smyth obituary". The Guardian. Guardian News & Media Limited. Retrieved 26 February 2023. The singer and poet Gilli Smyth, who has died aged 83, co-founded the band Gong in 1967 with her partner Daevid Allen. Smith's pitch-leaping, free-form, often atonal vocal style, which she described as "musical landscaping", became an integral component of Gong's cosmic sound, and over time proved influential on electronica and techno music.
- "Why Kraftwerk are still the world's most influential band". the Guardian. 27 January 2013. Retrieved 14 November 2022.
- Vine 2011. Vine, Richard (15 June 2011), "Tadao Kikumoto Invents the Roland TB-303", The Guardian, no. 14 June, London, retrieved 23 December 2011
- Aitken 2011. Aitken, Stuart (10 May 2011), "Charanjit Singh on How He Invented Acid House ... by Mistake", The Guardian, no. 10 May, London
theoryandpractice.ru
- «АНС», шумофон и терменвокс: как зарождалась советская электронная музыка Archived 10 February 2022 at the Wayback Machine. In Russian
theverge.com
- Deahl, Dani (14 September 2018). "Hacking a Furby in the name of music". The Verge. Retrieved 11 July 2020.
thewire.co.uk
- Young 2007, p. 24 Young, Rob (2007), "Once Upon a Time: In Cairo", The Wire, 277 (March 2007): 24, retrieved 30 December 2011.
- "Electronic India 1969–73 revisited – The Wire". The Wire Magazine – Adventures In Modern Music.
ugent.be
computing-conference.ugent.be
- "Algorhythmic Listening 1949–1962 Auditory Practices of Early Mainframe Computing". AISB/IACAP World Congress 2012. Archived from the original on 7 November 2017. Retrieved 18 October 2017.
uiowa.edu
ir.uiowa.edu
- Kembrew McLeod (2001). "Genres, Subgenres, Sub-Subgenres and More: Musical and Social Difference Within Electronic/Dance Music Communities" (PDF). Journal of Popular Music Studies. 13: 59–75. doi:10.1111/j.1533-1598.2001.tb00013.x.
unimelb.edu.au
csse.unimelb.edu.au
- Doornbusch, Paul. "The Music of CSIRAC". Melbourne School of Engineering, Department of Computer Science and Software Engineering. Archived from the original on 18 January 2012.
usyd.edu.au
ses.library.usyd.edu.au
- "This element of embracing errors is at the centre of Circuit Bending, it is about creating sounds that are not supposed to happen and not supposed to be heard (Gard 2004). In terms of musicality, as with electronic art music, it is primarily concerned with timbre and takes little regard for pitch and rhythm in a classical sense. ... . In a similar vein to Cage's aleatoric music, the art of Bending is dependent on chance, when a person prepares to bend they have no idea of the outcome" (Yabsley 2007). Gard, Stephen (2004), Nasty Noises: 'Error' as a Compositional Element, Sydney Conservatorium of Music, Sydney eScholarship Repository Yabsley, Alex (2007), Back to the 8 Bit: A Study of Electronic Music Counter-Culture, Gamemusic4all.com, retrieved 5 June 2011
utexas.edu
lib.utexas.edu
- "In 1969, a portable version of the studio Moog called the Minimoog Model D, became the most widely used synthesizer in both popular music and electronic art music" Montanaro 2004, p. 8. Montanaro, Larisa Katherine (2004), "A Singer's Guide to Performing Works for Voice and Electronics" (PDF), DMA thesis, Austin: The University of Texas at Austin, archived from the original (PDF) on 11 September 2008, retrieved 28 June 2008
web.archive.org
- Smirnov 2014, "Russian Electroacoustic Music from the 1930s–2000s" Smirnov, Andrey (2014), Russian Electroacoustic Music from the 1930s–2000s (PDF), archived from the original (PDF) on 3 January 2017, retrieved 30 June 2016
- Anonymous 2006. Anonymous (2006), "1935 AEG Magnetophon Tape Recorder", Mix Online, archived from the original on 8 February 2013, retrieved 5 June 2011
- Snyder 1998. Snyder, Jeff (1998), Pierre Schaeffer: Inventor of Musique Concrete, archived from the original on 15 May 2008
- «АНС», шумофон и терменвокс: как зарождалась советская электронная музыка Archived 10 February 2022 at the Wayback Machine. In Russian
- Забытая мелодия. В архивах фирмы грамзаписи обнаружена музыка, приговорённая сорок лет назад к уничтожению. Баканов Константин. Новые Известия July 2005 Archived 5 February 2017 at the Wayback Machine. In Russian
- Before the Second World War in Japan, several "electrical" instruments seem already to have been developed (see ja:電子音楽#黎明期), and in 1935 a kind of "electronic" musical instrument, the Yamaha Magna Organ, was developed. It seems to be a multi-timbral keyboard instrument based on electrically blown free reeds with pickups, possibly similar to the electrostatic reed organs developed by Frederick Albert Hoschke in 1934 then manufactured by Everett and Wurlitzer until 1961.
  - 一時代を画する新楽器完成浜松の青年技師山下氏 [An epoch-defining new musical instrument was developed by a young engineer Mr.Yamashita in Hamamatsu]. Hochi Shimbun (in Japanese). 8 June 1935. Archived from the original on 12 March 2012. Retrieved 30 December 2011.
  - Frankenstein 1964. Frankenstein, Alfred (1964), "Space-Sound Continuum in Total Darkness", San Francisco Chronicle, no. 17 October (Excerpt exist on History of Experimental Music in Northern California)
  - Loy 1985, pp. 41–48. Loy, Gareth (Summer 1985), "About Audium—A Conversation with Stanley Shaff", Computer Music Journal, 9 (2): 41–48, doi:10.2307/3679656, JSTOR 3679656, archived from the original on 24 June 2017, retrieved 3 March 2011
  - Begault 1994, p. 208, online reprint Archived 10 August 2012 at the Wayback Machine. Begault, Durand R. (1994), 3-D Sound for Virtual Reality and Multimedia, Boston: Academic Press, 1994, ISBN 978-0-12-084735-8 (Online reprint Archived 10 August 2012 at the Wayback Machine, NASA Ames Research Center Technical Memorandum facsimile 2000.
  - Hertelendy 2008. Hertelendy, Paul (2008), Spatial Sound's Longest Running One-Man Show, artssf.com, archived from the original on 7 July 2011, retrieved 3 March 2011
  - "Algorhythmic Listening 1949–1962 Auditory Practices of Early Mainframe Computing". AISB/IACAP World Congress 2012. Archived from the original on 7 November 2017. Retrieved 18 October 2017.
  - Doornbusch, Paul. "The Music of CSIRAC". Melbourne School of Engineering, Department of Computer Science and Software Engineering. Archived from the original on 18 January 2012.
  - Rancic, Michael (29 August 2018). "Analog synth pioneer Suzanne Ciani reflects on her life in waves". NOW Magazine. Toronto. Archived from the original on 21 April 2021. Retrieved 21 April 2021.
  - "Donca-Matic (1963)". Korg Museum. Korg. Archived from the original on 3 September 2005. Retrieved 2 May 2017.
  - "Item Display – RPM – Library and Archives Canada". Collectionscanada.gc.ca. Archived from the original on 13 January 2012. Retrieved 8 August 2011.
  - Paige, Betty (31 January 1981). "This Year's Mode(L)". Sounds. Archived from the original on 24 July 2011.
  - "Movement 'Definitive Edition'". New Order. 19 December 2018. Archived from the original on 13 September 2019. Retrieved 26 January 2020.
  - Anonymous 2010. Anonymous (2010), "Synthpop", AllMusic, archived from the original on 4 May 2012, retrieved 7 March 2021 (archive on 10 March 2011)
  - van Schutterhoef 2007 "Sogitec 4X". Archived from the original on 4 November 2013. Retrieved 13 January 2010.. van Schutterhoef, Arie (2007), Sogitec 4X, Knorretje, een Nederlandse Wiki over muziek, geluid, soft- en hardware., archived from the original on 4 November 2013, retrieved 13 January 2010
  - Nicolas Schöffer (December 1983). "Variations sur 600 Structures Sonores – Une nouvelle méthode de composition musicale sur l'ordinateur 4X". Leonardo On-Line (in French). Leonardo/International Society for the Arts, Sciences and Technology (ISAST). Archived from the original on 17 April 2012. L'ordinateur nous permet de franchir une nouvelle étape quant à la définition et au codage des sons, et permet de créer des partitions qui dépassent en complexité et en précision les possibilités d'antan. La methode de composition que je propose comporte plusieurs phases et nécessite l'emploi d'une terminologie simple que nous définirons au fur et à mesure : Trames, paves, briques et modules.
  - Vercoe 2000, pp. xxviii–xxix. Vercoe, Barry (2000), "Forward", in Richard Boulanger (ed.), The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming, Cambridge, Massachusetts: MIT Press, pp. xxvii–xxx, ISBN 0-262-52261-6, archived from the original on 30 January 2010, retrieved 30 June 2008
  - "In 1969, a portable version of the studio Moog called the Minimoog Model D, became the most widely used synthesizer in both popular music and electronic art music" Montanaro 2004, p. 8. Montanaro, Larisa Katherine (2004), "A Singer's Guide to Performing Works for Voice and Electronics" (PDF), DMA thesis, Austin: The University of Texas at Austin, archived from the original (PDF) on 11 September 2008, retrieved 28 June 2008
  - "History of Masters Program in Digital Musics". Dartmouth College. Archived from the original on 12 October 2009.
  - Eric Grunwald (Summer 1994). "Bell Tolls for FM Patent, but Yamaha Sees "New Beginning"" (PDF). Stanford Technology Brainstorm. Vol. 3, no. 2. Office of Technology Licensing (OTL), Stanford University. Archived from the original (PDF) on 5 May 2017. Retrieved 6 October 2017. The technique for synthesizing electronic music, invented by Music Professor John Chowning, brought in over $20 million through an exclusive license to Yamaha Corporation of Japan, which used the technology in its DX-7 synthesizer, enormously popular in the 1980s.
  - Martin Russ, Sound Synthesis and Sampling, page 29 Archived 21 October 2017 at the Wayback Machine, CRC Press
  - Anonymous 2009—Best Audio Editing Software of the Year—1st Abelton Live, 4th Reason. Best Audio DJ Software of the Year—Abelton Live. Anonymous (2009), 23rd Annual International Dance Music Awards Nominees & Winners, Winter Music Conference, archived from the original on 18 February 2009
  webcitation.org
  - Maginnis 2011 Maginnis, Tom (2011), The Man Who Dies Every Day: Ultravox: Song Review, Allmusic.com, archived from the original on 11 March 2011 (at webcitation.org)
  wikipedia.org
  ja.wikipedia.org
  - Before the Second World War in Japan, several "electrical" instruments seem already to have been developed (see ja:電子音楽#黎明期), and in 1935 a kind of "electronic" musical instrument, the Yamaha Magna Organ, was developed. It seems to be a multi-timbral keyboard instrument based on electrically blown free reeds with pickups, possibly similar to the electrostatic reed organs developed by Frederick Albert Hoschke in 1934 then manufactured by Everett and Wurlitzer until 1961.
    一時代を画する新楽器完成浜松の青年技師山下氏 [An epoch-defining new musical instrument was developed by a young engineer Mr.Yamashita in Hamamatsu]. Hochi Shimbun (in Japanese). 8 June 1935. Archived from the original on 12 March 2012. Retrieved 30 December 2011.
    "Vicotor Company of Japan, Ltd.". Diamond's Japan Business Directory (in Japanese). Diamond Lead Company. 1993. p. 752. ISBN 978-4-924360-01-3. [JVC] Developed Japan's first electronic organ, 1958. Note: the first model by JVC was "EO-4420" in 1958. See also the Japanese Wikipedia article: "w:ja:ビクトロン#機種".
    wintermusicconference.com
    Anonymous 2009—Best Audio Editing Software of the Year—1st Abelton Live, 4th Reason. Best Audio DJ Software of the Year—Abelton Live. Anonymous (2009), 23rd Annual International Dance Music Awards Nominees & Winners, Winter Music Conference, archived from the original on 18 February 2009
    wired.com
    Six Machines That Changed The Music World, Wired, May 2002
    Blashill 2002, p. ^{[page needed]} Blashill, Pat (2002), "Six Machines That Changed The Music World", Wired, vol. 10, no. 5, pp. ^{&#91, page needed&#93,}
    yorku.ca
    cse.yorku.ca
    Begault 1994, p. 208, online reprint Archived 10 August 2012 at the Wayback Machine. Begault, Durand R. (1994), 3-D Sound for Virtual Reality and Multimedia, Boston: Academic Press, 1994, ISBN 978-0-12-084735-8 (Online reprint Archived 10 August 2012 at the Wayback Machine, NASA Ames Research Center Technical Memorandum facsimile 2000.
    youtube.com
    Beato, Rick (28 April 2019), What Makes This Song Great? Ep. 61 Van Halen (#2), archived from the original on 11 December 2021, retrieved 24 June 2019
2020-2023
CC BY-SA 4.0
Terms of use

BestRef.net (ver. 1.02)

BestRef shows popularity and reliability scores for sources in references of Wikipedia articles in different languages. Data extraction based on complex method using Wikimedia dumps. To find the most popular and reliable sources we used information about over 300 million references of Wikipedia articles. More details...

Usefull links

Wikipedia Wikidata DBpedia

Go to top

In Wikipedia verifiability we trust

Electronic music (English Wikipedia)

academia.edu

aes.org

allmusic.com

archive.org

armadamusic.com

artssf.com

atpm.com

audium.org

bbc.co.uk

bbc.co.uk

news.bbc.co.uk

berlinloveparade.com

bl.uk

blogs.bl.uk

books.google.com

brainwashed.com

cbc.ca

collectionscanada.gc.ca

crodaorganservice.com

csounds.com

cyndustries.com

dancingastronaut.com

dartmouth.edu

digitalmusics.dartmouth.edu

delia-derbyshire.net

didierdanse.net

digitaltrends.com

discogs.com

doi.org

espacenet.com

worldwide.espacenet.com

etheroneph.com

factmag.com

francisrouth.net

gamemusic4all.com

ghostarchive.org

google.ms

hku.nl

knorretje.hku.nl

huffingtonpost.com

joseftal.org

jstor.org

kobe-u.ac.jp

lib.kobe-u.ac.jp

korg.co.jp

kqed.org

lvc.edu

csunix1.lvc.edu

magneticmag.com

mirf.ru

mixonline.com

musikkons.dk

newizv.ru

neworder.com

nowtoronto.com

olats.org

pkzsk.info

popmatters.com

redbullmusicacademy.com

daily.redbullmusicacademy.com

reverb.com

richardhess.com

sacreddm.net

scu.edu

semanticscholar.org

api.semanticscholar.org

shindig-magazine.com

siriusxm.com

soundonsound.com

stanford.edu

otl.stanford.edu

stereogum.com

telegraph.co.uk

theguardian.com

theoryandpractice.ru

theverge.com

thewire.co.uk

ugent.be

computing-conference.ugent.be