Equal temperament (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Equal temperament" in English language version.

refsWebsite

Global rank English rank

9web.archive.org

1^st place

3doi.org

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3worldcat.org

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1oeis.org

742^nd place

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1books.google.com

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1uchicago.edu

230^th place

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1arxiv.org

69^th place

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1harvard.edu

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1semanticscholar.org

11^th place

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1jstor.org

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1cnki.com.cn

3,946^th place

6,960^th place

1utexas.edu

916^th place

706^th place

1philresound.co.uk

low place

1sunstar.com.ph

3,702^nd place

2,018^th place

1xentonic.org

low place

1archive.org

6^th place

1online.fr

9,851^st place

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1telia.com

low place

1wanfangdata.com.cn

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1ilib.cn

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1tonalsoft.com

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1wikispaces.com

7,429^th place

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1wolframalpha.com

4,660^th place

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1wendycarlos.com

low place

archive.org

Partch, Harry (1979). Genesis of a Music (2nd ed.). Da Capo Press. p. 134. ISBN 0-306-80106-X.

arxiv.org

Varieschi, Gabriele U.; Gower, Christina M. (2010). "Intonation and compensation of fretted string instruments". American Journal of Physics. 78 (1): 47–55. arXiv:0906.0127. Bibcode:2010AmJPh..78...47V. doi:10.1119/1.3226563. S2CID 20827087.

books.google.com

Sethares (2005), fig. 4.6, p. 58 Sethares, William A. (2005). Tuning, Timbre, Spectrum, Scale (2nd ed.). London, UK: Springer-Verlag. ISBN 1-85233-797-4.

cnki.com.cn

en.cnki.com.cn

Cho, Gene J. (February 2010). "The significance of the discovery of the musical equal temperament in the cultural history". Journal of Xinghai Conservatory of Music. ISSN 1000-4270. Archived from the original on 15 March 2012.

doi.org

Varieschi, Gabriele U.; Gower, Christina M. (2010). "Intonation and compensation of fretted string instruments". American Journal of Physics. 78 (1): 47–55. arXiv:0906.0127. Bibcode:2010AmJPh..78...47V. doi:10.1119/1.3226563. S2CID 20827087.
Kuttner, Fritz A. (May 1975). "Prince Chu Tsai-Yü's life and work: A re-evaluation of his contribution to equal temperament theory". Ethnomusicology. 19 (2): 163–206. doi:10.2307/850355. JSTOR 850355.
Milne, A.; Sethares, W.A.; Plamondon, J. (Winter 2007). "Isomorphic controllers and dynamic tuning: Invariant fingerings across a tuning continuum". Computer Music Journal. 31 (4): 15–32. doi:10.1162/comj.2007.31.4.15. ISSN 0148-9267. Online: ISSN 1531-5169

harvard.edu

ui.adsabs.harvard.edu

Varieschi, Gabriele U.; Gower, Christina M. (2010). "Intonation and compensation of fretted string instruments". American Journal of Physics. 78 (1): 47–55. arXiv:0906.0127. Bibcode:2010AmJPh..78...47V. doi:10.1119/1.3226563. S2CID 20827087.

ilib.cn

scholar.ilib.cn

七平均律"琐谈--兼及旧式均孔曲笛制作与转调 [abstract of About "Seven- equal- tuning System"] (in Chinese). Archived from the original on 2007-09-30. Retrieved 2007-06-25.

jstor.org

Kuttner, Fritz A. (May 1975). "Prince Chu Tsai-Yü's life and work: A re-evaluation of his contribution to equal temperament theory". Ethnomusicology. 19 (2): 163–206. doi:10.2307/850355. JSTOR 850355.

oeis.org

OEIS sequences that contain divisions of the octave that provide improving approximations of just intervals:
(sequence A060528 in the OEIS) — 3:2

(sequence A054540 in the OEIS) — 3:2 and 4:3, 5:4 and 8:5, 6:5 and 5:3

(sequence A060525 in the OEIS) — 3:2 and 4:3, 5:4 and 8:5

(sequence A060526 in the OEIS) — 3:2 and 4:3, 5:4 and 8:5, 7:4 and 8:7

(sequence A060527 in the OEIS) — 3:2 and 4:3, 5:4 and 8:5, 7:4 and 8:7, 16:11 and 11:8

(sequence A060233 in the OEIS) — 4:3 and 3:2, 5:4 and 8:5, 6:5 and 5:3, 7:4 and 8:7, 16:11 and 11:8, 16:13 and 13:8

(sequence A061920 in the OEIS) — 3:2 and 4:3, 5:4 and 8:5, 6:5 and 5:3, 9:8 and 16:9, 10:9 and 9:5, 16:15 and 15:8, 45:32 and 64:45

(sequence A061921 in the OEIS) — 3:2 and 4:3, 5:4 and 8:5, 6:5 and 5:3, 9:8 and 16:9, 10:9 and 9:5, 16:15 and 15:8, 45:32 and 64:45, 27:20 and 40:27, 32:27 and 27:16, 81:64 and 128:81, 256:243 and 243:128

(sequence A061918 in the OEIS) — 5:4 and 8:5

(sequence A061919 in the OEIS) — 6:5 and 5:3

(sequence A060529 in the OEIS) — 6:5 and 5:3, 7:5 and 10:7, 7:6 and 12:7

(sequence A061416 in the OEIS) — 11:8 and 16:11

online.fr

aredem.online.fr

Cordier, Serge. "Le tempérament égal à quintes justes". aredem.online.fr (in French). Association pour la Recherche et le Développement de la Musique. Retrieved 2010-06-02.

philresound.co.uk

"Resound – corruption of music". Philresound.co.uk. Archived from the original on 2012-03-24. Retrieved 2012-03-20.

semanticscholar.org

api.semanticscholar.org

Varieschi, Gabriele U.; Gower, Christina M. (2010). "Intonation and compensation of fretted string instruments". American Journal of Physics. 78 (1): 47–55. arXiv:0906.0127. Bibcode:2010AmJPh..78...47V. doi:10.1119/1.3226563. S2CID 20827087.

sunstar.com.ph

"Spinacino 1507a: Thematic Index". Appalachian State University. Archived from the original on 25 July 2011. Retrieved 14 June 2012.

telia.com

web.telia.com

Surjodiningrat, Sudarjana & Susanto (1972) Surjodiningrat, W.; Sudarjana, P.J.; Susanto, A. (1972). Tone measurements of outstanding Javanese gamelans in Jogjakarta and Surakarta. Jogjakarta, IN: Gadjah Mada University Press. As cited by "The gamelan pelog scale of Central Java as an example of a non-harmonic musical scale". telia.com. Neuroscience of Music. Archived from the original on 27 January 2005. Retrieved 19 May 2006.

tonalsoft.com

Monzo, Joe (2005). "Equal-temperament". Tonalsoft Encyclopedia of Microtonal Music Theory. Joe Monzo. Retrieved 26 February 2019.

uchicago.edu

people.cs.uchicago.edu

O'Donnell, Michael. "Perceptual Foundations of Sound". Retrieved 11 March 2017.

utexas.edu

uts.cc.utexas.edu

"Quantifying ritual: Political cosmology, courtly music, and precision mathematics in seventeenth-century China". uts.cc.utexas.edu. Roger Hart Departments of History and Asian Studies, University of Texas, Austin. Archived from the original on 2012-03-05. Retrieved 2012-03-20.

wanfangdata.com.cn

有关"七平均律"新文献著作的发现 [Findings of new literatures concerning the hepta – equal temperament] (in Chinese). Archived from the original on 2007-10-27.

web.archive.org

Cho, Gene J. (February 2010). "The significance of the discovery of the musical equal temperament in the cultural history". Journal of Xinghai Conservatory of Music. ISSN 1000-4270. Archived from the original on 15 March 2012.
"Quantifying ritual: Political cosmology, courtly music, and precision mathematics in seventeenth-century China". uts.cc.utexas.edu. Roger Hart Departments of History and Asian Studies, University of Texas, Austin. Archived from the original on 2012-03-05. Retrieved 2012-03-20.
"Resound – corruption of music". Philresound.co.uk. Archived from the original on 2012-03-24. Retrieved 2012-03-20.
"Spinacino 1507a: Thematic Index". Appalachian State University. Archived from the original on 25 July 2011. Retrieved 14 June 2012.
Stevin, Simon (30 June 2009) [c. 1605]. Rasch, Rudolf (ed.). Van de Spiegheling der singconst. The Diapason Press. Archived from the original on 17 July 2011. Retrieved 20 March 2012 – via diapason.xentonic.org.
Surjodiningrat, Sudarjana & Susanto (1972) Surjodiningrat, W.; Sudarjana, P.J.; Susanto, A. (1972). Tone measurements of outstanding Javanese gamelans in Jogjakarta and Surakarta. Jogjakarta, IN: Gadjah Mada University Press. As cited by "The gamelan pelog scale of Central Java as an example of a non-harmonic musical scale". telia.com. Neuroscience of Music. Archived from the original on 27 January 2005. Retrieved 19 May 2006.
有关"七平均律"新文献著作的发现 [Findings of new literatures concerning the hepta – equal temperament] (in Chinese). Archived from the original on 2007-10-27.
七平均律"琐谈--兼及旧式均孔曲笛制作与转调 [abstract of About "Seven- equal- tuning System"] (in Chinese). Archived from the original on 2007-09-30. Retrieved 2007-06-25.
"665 edo". xenoharmonic (microtonal wiki). Archived from the original on 2015-11-18. Retrieved 2014-06-18.

wendycarlos.com

Carlos, Wendy. "Three Asymmetric Divisions of the Octave". wendycarlos.com. Serendip LLC. Retrieved 2016-09-01.

wikispaces.com

xenharmonic.wikispaces.com

"665 edo". xenoharmonic (microtonal wiki). Archived from the original on 2015-11-18. Retrieved 2014-06-18.

wolframalpha.com

"convergents log2(3), 10". WolframAlpha. Retrieved 2014-06-18.

worldcat.org

search.worldcat.org

Cho, Gene J. (February 2010). "The significance of the discovery of the musical equal temperament in the cultural history". Journal of Xinghai Conservatory of Music. ISSN 1000-4270. Archived from the original on 15 March 2012.
Milne, A.; Sethares, W.A.; Plamondon, J. (Winter 2007). "Isomorphic controllers and dynamic tuning: Invariant fingerings across a tuning continuum". Computer Music Journal. 31 (4): 15–32. doi:10.1162/comj.2007.31.4.15. ISSN 0148-9267. Online: ISSN 1531-5169

worldcat.org

Milne, A.; Sethares, W.A.; Plamondon, J. (Winter 2007). "Isomorphic controllers and dynamic tuning: Invariant fingerings across a tuning continuum". Computer Music Journal. 31 (4): 15–32. doi:10.1162/comj.2007.31.4.15. ISSN 0148-9267. Online: ISSN 1531-5169

xentonic.org

diapason.xentonic.org

Stevin, Simon (30 June 2009) [c. 1605]. Rasch, Rudolf (ed.). Van de Spiegheling der singconst. The Diapason Press. Archived from the original on 17 July 2011. Retrieved 20 March 2012 – via diapason.xentonic.org.