Eugenia Tadolini (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Eugenia Tadolini" in English language version.

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15books.google.com

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2web.archive.org

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1leeds.ac.uk

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The notice, or epigrafia, was published in the name of Maria Tadolini, the bridegroom's sister and her husband, Luigi Bottrigari. It is reproduced in Rambelli (1853), p. 92 Rambelli, Giovanni Francesco (1853). Trattato di epigrafia italiana (in Italian). Societa tipografica bolognese. p. 92.
Original Italian: "soave, robusta, simpatica e perfettamente intonata" Regli (1860), p. 517. Regli, Francesco (1860). "Tadolini, Eugenia". Dizionario biografico dei più celebri poeti ed artisti melodrammatici, tragici e comici, maestri, concertisti, coreografi, mimi, ballerini, scenografi, giornalisti, impresarii, ecc. ecc. che fiorirono in Italia dal 1800 al 1860 (in Italian). E. Dalmazzo. p. 517.
Anon. (1830), p. 352.
Ashbrook (1983), p. 641. Ashbrook, William (1983). Donizetti and His Operas. Cambridge University Press. ISBN 0-521-27663-2.
Gaetano Donizetti quoted in Ashbrook (1983), p. 498 Ashbrook, William (1983). Donizetti and His Operas. Cambridge University Press. ISBN 0-521-27663-2.
Giuseppina Strepponi quoted in Ashbrook (1983), p. 641 Ashbrook, William (1983). Donizetti and His Operas. Cambridge University Press. ISBN 0-521-27663-2.
Rosenberg (2006). See also Riggs (2003), p. 192. Rosenberg, Jesse (14 July 2006). Positive Valuations of Visual and Aural Ugliness in the Prima Donna: An Aesthetic Paradox. Symposium Staging the Feminine: the arts of the prima donna 1720–1920. University of Leeds. Archived from the original on 9 June 2011. Retrieved 3 September 2009. Riggs, Geoffrey S. (2003). The Assoluta Voice in Opera, 1797–1847. McFarland. ISBN 0-7864-1401-4.
Casaglia (2005) and Riggs (2003), p. 170 Riggs, Geoffrey S. (2003). The Assoluta Voice in Opera, 1797–1847. McFarland. ISBN 0-7864-1401-4.
See for example, Martinez (1845), pp. 242–249 and Jahn (2004), p. 34 Martinez, Andrea (1845). "La Tadolini nella Sonnambula". Museo di Letteratura e Filosofia (in Italian). 8. Gatti and Rossi: 242–249. Jahn, Michael [in German] (2004). Die Wiener Hofoper von 1836 bis 1848 (in German). Verlag Der Apfel.
Anon. (1848), p. 306 Anon. (1848). The Musical World. Vol. 23. J. Alfredo Novello.
Rosselli (1992), p. 175. Rosselli, John (1992). Singers of Italian Opera: The History of a Profession. Cambridge University Press. pp. 152, 174–175. ISBN 0-521-42697-9.
Anon. 1848, p. 339. Anon. (1848). The Musical World. Vol. 23. J. Alfredo Novello.
Eugenia Tadolini's letter to her brother quoted in Rosselli (1992), p. 175. Rosselli, John (1992). Singers of Italian Opera: The History of a Profession. Cambridge University Press. pp. 152, 174–175. ISBN 0-521-42697-9.
Tadolini's exact date of death and her performances during this period are from Casaglia (2005). The remainder of the account of her final days in Naples and Paris is based on Rosselli (1992), p. 175, which is in turn based on Tadolini's correspondence preserved in the Piancastelli collection at the Biblioteca Civica di Forlì, and Battaglia (1979), pp. 151–163. Rosselli, John (1992). Singers of Italian Opera: The History of a Profession. Cambridge University Press. pp. 152, 174–175. ISBN 0-521-42697-9. Battaglia, Fernando (1979). L'arte del canto in Romagna: i cantanti lirici romagnoli dell'Ottocento e del Novecento (in Italian). Bongiovanni. ISBN 1-135-18688-X.
The list is not necessarily exhaustive and was compiled from Casaglia (2005); Anon. (1848), p. 306; and OperaGlass Anon. (1848). The Musical World. Vol. 23. J. Alfredo Novello.

leeds.ac.uk

Rosenberg (2006). See also Riggs (2003), p. 192. Rosenberg, Jesse (14 July 2006). Positive Valuations of Visual and Aural Ugliness in the Prima Donna: An Aesthetic Paradox. Symposium Staging the Feminine: the arts of the prima donna 1720–1920. University of Leeds. Archived from the original on 9 June 2011. Retrieved 3 September 2009. Riggs, Geoffrey S. (2003). The Assoluta Voice in Opera, 1797–1847. McFarland. ISBN 0-7864-1401-4.

playbillarts.com

Giuseppe Verdi quoted in Gossett (2007) Gossett, Philip (5 November 2007). "Verdi and His Macbeth". Playbill. Archived from the original on 20 November 2008. Retrieved 3 September 2009.

web.archive.org

Rosenberg (2006). See also Riggs (2003), p. 192. Rosenberg, Jesse (14 July 2006). Positive Valuations of Visual and Aural Ugliness in the Prima Donna: An Aesthetic Paradox. Symposium Staging the Feminine: the arts of the prima donna 1720–1920. University of Leeds. Archived from the original on 9 June 2011. Retrieved 3 September 2009. Riggs, Geoffrey S. (2003). The Assoluta Voice in Opera, 1797–1847. McFarland. ISBN 0-7864-1401-4.
Giuseppe Verdi quoted in Gossett (2007) Gossett, Philip (5 November 2007). "Verdi and His Macbeth". Playbill. Archived from the original on 20 November 2008. Retrieved 3 September 2009.

wikipedia.org

de.wikipedia.org

See for example, Martinez (1845), pp. 242–249 and Jahn (2004), p. 34 Martinez, Andrea (1845). "La Tadolini nella Sonnambula". Museo di Letteratura e Filosofia (in Italian). 8. Gatti and Rossi: 242–249. Jahn, Michael [in German] (2004). Die Wiener Hofoper von 1836 bis 1848 (in German). Verlag Der Apfel.