Eurydice (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Eurydice" in English language version.

refsWebsite

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13worldcat.org

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3doi.org

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2books.google.com

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2semanticscholar.org

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1tufts.edu

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1interestingliterature.com

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1latimes.com

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1reptarium.cz

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1reptile-database.org

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1thegamer.com

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books.google.com

Clark, Matthew. 2012. "The Judgment of Paris." Pp. 97–111 in Exploring Greek Myths. Chichester: Blackwell Publishing. p. 106.
Whenham, John. 1986. Claudio Monteverdi, Orfeo. Cambridge University Press. ISBN 0-521-28477-5. p. xi.

broadway.com

"Hadestown cast". Broadway.com. Retrieved 26 June 2023.

cambridge.org

Rutherford, Susan (2016). "Living, Loving and Dying in Song Gluck, 'Che farò senza Euridice' (Orfeo), Orfeo ed Euridice , Act III". Cambridge Opera Journal. 28 (2): 133–136. doi:10.1017/S0954586716000100. ISSN 0954-5867. S2CID 193655162.

cbr.com

"Hades: How to Reunite Orpheus & Eurydice". CBR. 2021-01-25. Retrieved 2021-09-07.

doi.org

Knoblauch, Tom (2022). ""This is How You See Me?": Collisions of Influence and Feminocentric Canon Building in Celine Sciamma's Portrait of a Lady on Fire". Film & History. 52 (2): 24–34. doi:10.1353/flm.2022.0016. ISSN 1548-9922. S2CID 255149298.
Rutherford, Susan (2016). "Living, Loving and Dying in Song Gluck, 'Che farò senza Euridice' (Orfeo), Orfeo ed Euridice , Act III". Cambridge Opera Journal. 28 (2): 133–136. doi:10.1017/S0954586716000100. ISSN 0954-5867. S2CID 193655162.

dx.doi.org

Knoblauch, Tom (2022). ""This is How You See Me?": Collisions of Influence and Feminocentric Canon Building in Celine Sciamma's Portrait of a Lady on Fire". Film & History. 52 (2): 24–34. doi:10.1353/flm.2022.0016. ISSN 1548-9922. S2CID 255149298.

interestingliterature.com

"The First Epic Poem: The Descent of Inanna". Interesting Literature. May 11, 2018.

inverse.com

Lunning, Just (10 December 2020). "2020's most beautiful video game makes diversity divine". Inverse. Retrieved 2021-09-11.

jstor.org

Coronis, Athena (2013). "Sarah Ruhl's "Eurydice": A Dramatic Study of the Orpheus Myth in Reverse". Bulletin of the Institute of Classical Studies. Supplement (126): 299–315. ISSN 2398-3264. JSTOR 44215423.

latimes.com

Cariaga, Daniel (February 12, 1995). "MUSIC AND DANCE NEWS : Morris and Hogwood Collaborate on Gluck's 'Orfeo'". Los Angeles Times. Retrieved 17 August 2022.

nytimes.com

Tommasini, Anthony (February 3, 2020). "Review: Eurydice, a New Opera, Looks Back All Too Tamely". The New York Times. Retrieved 4 February 2020.

reptarium.cz

reptile-database.reptarium.cz

Species Gerrhopilus eurydice at The Reptile Database www.reptile-database.org.

reptile-database.org

Species Gerrhopilus eurydice at The Reptile Database www.reptile-database.org.

semanticscholar.org

api.semanticscholar.org

Knoblauch, Tom (2022). ""This is How You See Me?": Collisions of Influence and Feminocentric Canon Building in Celine Sciamma's Portrait of a Lady on Fire". Film & History. 52 (2): 24–34. doi:10.1353/flm.2022.0016. ISSN 1548-9922. S2CID 255149298.
Rutherford, Susan (2016). "Living, Loving and Dying in Song Gluck, 'Che farò senza Euridice' (Orfeo), Orfeo ed Euridice , Act III". Cambridge Opera Journal. 28 (2): 133–136. doi:10.1017/S0954586716000100. ISSN 0954-5867. S2CID 193655162.

thegamer.com

"Hades: All Voice Actors From The Game & Who They Play". TheGamer. 2021-08-19. Retrieved 2021-09-07.

tufts.edu

perseus.tufts.edu

Symposium 179d-e.

vogue.com

Read, Bridget (2019-06-06). "The Liberating, Radical Politics of Hadestown". Vogue. Retrieved 2021-09-11.

vox.com

Dhanesha, Neel (2022-02-12). "Hades tells a love story through song and side quest". Vox. Retrieved 2022-02-12.

wikimedia.org

species.wikimedia.org

Beolens, Bo; Watkins, Michael; Grayson, Michael (2011). The Eponym Dictionary of Reptiles. Baltimore: Johns Hopkins University Press. xiii + 296 pp. ISBN 978-1-4214-0135-5. ("Eurydice", p. 86).

worldcat.org

search.worldcat.org

Stevens, John (1986). Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, 1050-1350. Cambridge [Cambridgeshire]: Cambridge University Press. p. 397. ISBN 0-521-24507-9. OCLC 12724249.
Friedman, John Block (2000). Orpheus in the Middle Ages (1st ed.). Syracuse, N.Y.: Syracuse University Press. p. 89. ISBN 0-8156-2825-0. OCLC 42690124. Fulgentius provided the first and most widely imitated etymological interpretation of the legend in his Mitologiae, a reference work which undertook to describe and explain the chief figures of Greco-Roman myth. He derived the name Orpheus from oraia phone, "that is, best voice," and Eurydice from eur dice, or "profound judgement." [...] By seeing in the names of his characters certain abstract qualities, Fulgentius was able to make Orpheus and Eurydice stand for those qualities.
Cavarero, Adriana (2014). Relating Narratives : Storytelling and Selfhood. Hoboken: Taylor and Francis. p. 104. ISBN 978-1-317-83528-8. OCLC 871224431.
Bane, Theresa (2013). Encyclopedia of fairies in world folklore and mythology. Jefferson, North Carolina. p. 39. ISBN 978-0-7864-7111-9. OCLC 844308768.{{cite book}}: CS1 maint: location missing publisher (link)
Impelluso, Lucia (2002). Gods and heroes in art. Stefano Zuffi, Thomas Michael Hartmann. Los Angeles: J. Paul Getty Museum. pp. 91–92. ISBN 0-89236-702-4. OCLC 50447697.
Knoblauch, Tom (2022). ""This is How You See Me?": Collisions of Influence and Feminocentric Canon Building in Celine Sciamma's Portrait of a Lady on Fire". Film & History. 52 (2): 24–34. doi:10.1353/flm.2022.0016. ISSN 1548-9922. S2CID 255149298.
Rutherford, Susan (2016). "Living, Loving and Dying in Song Gluck, 'Che farò senza Euridice' (Orfeo), Orfeo ed Euridice , Act III". Cambridge Opera Journal. 28 (2): 133–136. doi:10.1017/S0954586716000100. ISSN 0954-5867. S2CID 193655162.
Coronis, Athena (2013). "Sarah Ruhl's "Eurydice": A Dramatic Study of the Orpheus Myth in Reverse". Bulletin of the Institute of Classical Studies. Supplement (126): 299–315. ISSN 2398-3264. JSTOR 44215423.

worldcat.org

Stevens, John (1986). Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, 1050-1350. Cambridge [Cambridgeshire]: Cambridge University Press. p. 397. ISBN 0-521-24507-9. OCLC 12724249.
Friedman, John Block (2000). Orpheus in the Middle Ages (1st ed.). Syracuse, N.Y.: Syracuse University Press. p. 89. ISBN 0-8156-2825-0. OCLC 42690124. Fulgentius provided the first and most widely imitated etymological interpretation of the legend in his Mitologiae, a reference work which undertook to describe and explain the chief figures of Greco-Roman myth. He derived the name Orpheus from oraia phone, "that is, best voice," and Eurydice from eur dice, or "profound judgement." [...] By seeing in the names of his characters certain abstract qualities, Fulgentius was able to make Orpheus and Eurydice stand for those qualities.
Cavarero, Adriana (2014). Relating Narratives : Storytelling and Selfhood. Hoboken: Taylor and Francis. p. 104. ISBN 978-1-317-83528-8. OCLC 871224431.
Bane, Theresa (2013). Encyclopedia of fairies in world folklore and mythology. Jefferson, North Carolina. p. 39. ISBN 978-0-7864-7111-9. OCLC 844308768.{{cite book}}: CS1 maint: location missing publisher (link)
Impelluso, Lucia (2002). Gods and heroes in art. Stefano Zuffi, Thomas Michael Hartmann. Los Angeles: J. Paul Getty Museum. pp. 91–92. ISBN 0-89236-702-4. OCLC 50447697.