Analysis of information sources in references of the Wikipedia article "Evangelion: 2.0 You Can (Not) Advance" in English language version.
ヱヴァンゲリヲン 新劇場版：破 （ クロックワークス + カラー ） 2008/12/予定 | 【予告編】 | 【レビュー&インタビュー】 | 【公式サイト】
{{cite web}}: CS1 maint: numeric names: authors list (link)ヱヴァンゲリヲン 新劇場版：破 （ クロックワークス + カラー ） 2008/12/予定 | 【予告編】 | 【レビュー&インタビュー】 | 【公式サイト】
Trying to comprehend the jargon-rife storylines and high-minded philosophical talk is a demanding task when the pace is so unforgiving, which suggests that this new concentrated "Evangelion" might best be appreciated by those who remember the psychological nuances of the small-screen version. Amid the eye-popping bursts of spirographic CGI imagery there are dramatically interesting kernels, though, like the character of gung-ho pilot Asuka, and dehumanizing issues surrounding high-tech warfare.
Trying to comprehend the jargon-rife storylines and high-minded philosophical talk is a demanding task when the pace is so unforgiving, which suggests that this new concentrated "Evangelion" might best be appreciated by those who remember the psychological nuances of the small-screen version. Amid the eye-popping bursts of spirographic CGI imagery there are dramatically interesting kernels, though, like the character of gung-ho pilot Asuka, and dehumanizing issues surrounding high-tech warfare.
Trying to comprehend the jargon-rife storylines and high-minded philosophical talk is a demanding task when the pace is so unforgiving, which suggests that this new concentrated "Evangelion" might best be appreciated by those who remember the psychological nuances of the small-screen version. Amid the eye-popping bursts of spirographic CGI imagery there are dramatically interesting kernels, though, like the character of gung-ho pilot Asuka, and dehumanizing issues surrounding high-tech warfare.
ヱヴァンゲリヲン 新劇場版：破 （ クロックワークス + カラー ） 2008/12/予定 | 【予告編】 | 【レビュー&インタビュー】 | 【公式サイト】
{{cite web}}: CS1 maint: numeric names: authors list (link)Trying to comprehend the jargon-rife storylines and high-minded philosophical talk is a demanding task when the pace is so unforgiving, which suggests that this new concentrated "Evangelion" might best be appreciated by those who remember the psychological nuances of the small-screen version. Amid the eye-popping bursts of spirographic CGI imagery there are dramatically interesting kernels, though, like the character of gung-ho pilot Asuka, and dehumanizing issues surrounding high-tech warfare.