Ewan MacColl (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Ewan MacColl" in English language version.

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bbc.co.uk

  • In a BBC radio documentary about “Dirty Old Town”, Professor Ben Harker (author of Class Act: The Cultural and Political Life of Ewan MacColl, 2007, Pluto Press) explains that although MacColl later claimed the song was written as an interlude "to cover an awkward scene change", studying the script of the play Landscape with Chimneys reveals the song occurs at the beginning and end of the play. Harker argues the song is important to the play because “it captures the movement from dreamy optimism and romance to militancy, frustration and anger. That’s the trajectory of the song and of the play.”Mike Sweeney (6 July 2024). "Dirty Old Town at 75". BBC Sounds. Retrieved 10 July 2024.
  • "Sold on Song – Song Library – Scarborough Fair". www.bbc.co.uk. Retrieved 14 November 2020.
  • Lester, Paul (15 July 2010). "Difficult second album syndrome neatly avoided by north London indie kids". BBC. Retrieved 12 October 2010.

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  • See Mudcat Cafe. Seeger's note to the song reads:

    Ewan wrote a number of songs like this in his early years, alongside more subtle texts like "Dirty Old Town" and "Stalinvarosh." There is no doubt that Joseph Stalin was a brilliant wartime leader and that many of his reforms ... were correct and productive. Idolisation of Stalin by the left wing the world over continued until the 20th Congress of the Russian Communist Party (1956), when he was posthumously denounced by Khrushchev for his "personality cult" and his human rights crimes. Disillusioned and subsequently turning to China for political role models, Ewan stopped singing this song or even referring to it. He would not have included it in the main body of such a book as this unless it were for reasons similar to mine: (1) as a sample of the old politics, which viewed the earth as mere clay out of which man fashions a world for man and (2) as a sample of his early work, highly dogmatic and low on finesse. It exhibits a lack of economy, an excess of cliches and filler lines, many awkward terms and an errant chronological flow. It has many of the characteristics of political songs of its time and is virtually a political credo set into verse and put to a tune. It is just that. – The Essential Ewan MacColl Songbook, Appendix IV. p. 388 (quoted in Mudcat Cafe)

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