Expressionism (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Expressionism" in English language version.

refsWebsite
Global rank English rank
3rd place
3rd place
6th place
6th place
low place
low place
1st place
1st place
5th place
5th place
low place
low place
3,619th place
2,621st place
983rd place
751st place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
40th place
58th place
26th place
20th place
4,262nd place
3,504th place
2nd place
2nd place
11th place
8th place
117th place
145th place

archive.org

  • Gombrich, E.H. (1995). The Story of Art (16. ed. (rev., expanded and redesigned). ed.). London: Phaidon. pp. 563–568. ISBN 978-0714832470.
  • Ragon, Michel (1968). Expressionism. Heron. ISBN 9780900948640. There is no doubt that Expressionism is Baroque in essence
  • Benjamin, Walter (1998). Origin of German Tragic Drama. London: Verso. ISBN 978-1-85984-899-9.
  • Maria Pramaggiore; Tom Wallis (2005). Film: A Critical Introduction. Laurence King Publishing. pp. 88–90. ISBN 978-1-85669-442-1. Retrieved 29 May 2018.
  • John Lincoln Stewart (1991). Ernst Krenek: The Man and His Music. University of California Press. p. 82. ISBN 978-0-520-07014-1. Retrieved 29 May 2018.

bocamuseum.org

books.google.com

britannica.com

  • "Der Sturm.". Encyclopædia Britannica Online. Encyclopædia Britannica Inc. 2012. Retrieved 21 January 2012.

denstoredanske.dk

doi.org

  • Cowan, Michael (2007). "Die Tücke Des Körpers: Taming The Nervous Body In Alfred Döblin's 'Die Ermordung Einer Butterblume' And 'Die Tänzerin Und Der Leib'". Seminar: A Journal of Germanic Studies. 43 (4): 482–498. doi:10.3138/seminar.43.4.482. S2CID 197837029.

ecoledeparis.org

  • "Alexandre FRENEL". Bureau d’art Ecole de Paris. 2019-01-02. Retrieved 2023-11-19.
  • "Marc CHAGALL". Bureau d’art Ecole de Paris. 2019-01-02. Retrieved 2023-11-19.

jstor.org

  • Fulton, A. R. (1944). "Expressionism: Twenty Years After". The Sewanee Review. 52 (3): 398–399. JSTOR 27537525.

k-larevue.com

  • "The Jewish painters of l'École de Paris-from the Holocaust to today". Jews, Europe, the XXIst century. 2021-11-25. Retrieved 2023-11-19. " l'École de Paris is a term coined by the art critic André Warnod in 1925, in the magazine Comœdia, to define the group formed by foreign painters in Paris. The École de Paris does not designate a movement or a school in the academic sense of the term, but a historical fact. In Warnod's mind, this term was intended to counter a latent xenophobia rather than to establish a theoretical approach.

libraweb.net

  • Pedullà, Gabriele; Arbasino, Alberto (2003). "Sull'albero di ciliegie – Conversando di letteratura e di cinema con Alberto Arbasino" [On the cherry tree – Conversations on literature and cinema with Alberto Arbasino]. CONTEMPORANEA Rivista di studi sulla letteratura e sulla comunicazione. L'espressionismo non rifugge dall'effetto violentemente sgradevole, mentre invece il barocco lo fa. L'espressionismo tira dei tremendi «vaffanculo», il barocco no. Il barocco è beneducato (Expressionism doesn't shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific "Fuck yous", Baroque doesn't. Baroque is well-mannered.)

metmuseum.org

  • Note the parallel French movement Fauvism and the English Vorticism: "The Fauvist movement has been compared to German Expressionism, both projecting brilliant colors and spontaneous brushwork, and indebted to the same late nineteenth-century sources, especially Van Gogh." Sabine Rewald, "Fauvism", In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/fauv/hd_fauv.htm (October 2004); and "Vorticism can be thought of as English Expressionism." Sherrill E. Grace, Regression and Apocalypse: Studies in North American Literary Expressionism. Toronto: University of Toronto Press, 1989, p. 26.

msn.com

encarta.msn.com

nga.gov.au

semanticscholar.org

api.semanticscholar.org

  • Cowan, Michael (2007). "Die Tücke Des Körpers: Taming The Nervous Body In Alfred Döblin's 'Die Ermordung Einer Butterblume' And 'Die Tänzerin Und Der Leib'". Seminar: A Journal of Germanic Studies. 43 (4): 482–498. doi:10.3138/seminar.43.4.482. S2CID 197837029.

ucsc.edu

media.ucsc.edu

visual-arts-cork.com

web.archive.org

worldcat.org

worldcatlibraries.org