Flesh and Sand (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Flesh and Sand" in English language version.

refsWebsite

Global rank English rank

12web.archive.org

1^st place

3festival-cannes.com

603^rd place

514^th place

1ft.com

210^th place

157^th place

1theasc.com

3,373^rd place

1,989^th place

1indiewire.com

93^rd place

73^rd place

1telegraph.co.uk

30^th place

24^th place

1tagesspiegel.de

458^th place

1,945^th place

1variety.com

13^th place

12^th place

1deadline.com

10^th place

9^th place

1fondazioneprada.org

low place

1ascmag.com

7,050^th place

4,041^st place

1lacma.org

low place

9,007^th place

ascmag.com (Global: 7,050^th place; English: 4,041^st place)

"Carne y Arena part 2 - Notes on VR Cinema Design - The American Society of Cinematographers". ascmag.com. Archived from the original on August 13, 2023. Retrieved November 5, 2017.

deadline.com (Global: 10^th place; English: 9^th place)

Utichi, Joe (May 21, 2017). "The Birth Of An Art Form: How Alejandro G. Iñárritu And Emmanuel Lubezki Learned To Master Virtual Reality – Cannes". Deadline. Archived from the original on August 13, 2023. Retrieved November 4, 2017.

festival-cannes.com (Global: 603^rd place; English: 514^th place)

"The 2017 Official Selection". Cannes. April 13, 2017. Archived from the original on April 17, 2017. Retrieved April 13, 2017.
"Carne Y Arena (Virtually Present, Physically Invisible)". Festival de Cannes. Festival de Cannes. Archived from the original on August 13, 2023. Retrieved November 4, 2017.
"CARNE Y ARENA (VIRTUALLY PRESENT, PHYSICALLY INVISIBLE) - Festival de Cannes 2017". Festival de Cannes 2017. Archived from the original on August 13, 2023. Retrieved November 4, 2017.

fondazioneprada.org (Global: low place; English: low place)

"ALEJANDRO G. IÑÁRRITU: CARNE y ARENA – Fondazione Prada". www.fondazioneprada.org. Archived from the original on August 13, 2023. Retrieved November 5, 2017.

ft.com (Global: 210^th place; English: 157^th place)

Peter Aspden, "Carne y Arena: Alejandro Iñárritu’s virtual reality project", Financial Times, August 11, 2017

indiewire.com (Global: 93^rd place; English: 73^rd place)

"2017 Cannes Film Festival Announces Lineup: Todd Haynes, Sofia Coppola, 'Twin Peaks' and More". IndieWire. April 13, 2017. Archived from the original on April 13, 2017. Retrieved April 13, 2017.

lacma.org (Global: low place; English: 9,007^th place)

"Alejandro G. Iñárritu: CARNE y ARENA (Virtually present, Physically invisible) | LACMA". www.lacma.org. Archived from the original on August 13, 2023. Retrieved November 5, 2017.

tagesspiegel.de (Global: 458^th place; English: 1,945^th place)

Peter von Becker, "Sturm an der Grenze" Archived August 13, 2023, at the Wayback Machine, Tagesspiegel, July 21, 2017 : "So ist hier das bislang wuchtigste, bewegendste Kunstprojekt wider Trump und alle anderen Formen mitleidloser Abschottungspolitik gelungen", Eng: "So we have here the currently strongest, most moving art project against Trump and all other instances of ruthless rejection politics."

telegraph.co.uk (Global: 30^th place; English: 24^th place)

Tim Robey, "Carne y Arena: the harrowing Cannes VR installation that Donald Trump needs to see" Archived August 13, 2023, at the Wayback Machine, The Telegraph, May 19, 2017: "It’s not cinema as we’ve ever known it, that’s for sure. ″It’s its own medium,” Iñárritu likes to say. Just as those early film viewers freaked out when the Lumière Brothers premiered ″L'Arrivée d'un Train en Gare de La Ciotat″ in 1896, it ambushes your sensibilities as the first thing of its kind."

theasc.com (Global: 3,373^rd place; English: 1,989^th place)

"Carne y Arena part 1 - VR by Alejandro G. Iñárritu with Emmanuel Lubezki, ASC, AMC - The American Society of Cinematographers". theasc.com. Archived from the original on August 13, 2023. Retrieved November 5, 2017.

variety.com (Global: 13^th place; English: 12^th place)

Tapley, Khristopher (October 29, 2017). "Oscars: Alejandro G. Inarritu's Virtual Reality Installation Carne y Arena to Receive Special Award". Variety. Archived from the original on August 13, 2023. Retrieved December 28, 2017.

web.archive.org (Global: 1^st place; English: 1^st place)

"Carne y Arena part 1 - VR by Alejandro G. Iñárritu with Emmanuel Lubezki, ASC, AMC - The American Society of Cinematographers". theasc.com. Archived from the original on August 13, 2023. Retrieved November 5, 2017.
"The 2017 Official Selection". Cannes. April 13, 2017. Archived from the original on April 17, 2017. Retrieved April 13, 2017.
"2017 Cannes Film Festival Announces Lineup: Todd Haynes, Sofia Coppola, 'Twin Peaks' and More". IndieWire. April 13, 2017. Archived from the original on April 13, 2017. Retrieved April 13, 2017.
Tim Robey, "Carne y Arena: the harrowing Cannes VR installation that Donald Trump needs to see" Archived August 13, 2023, at the Wayback Machine, The Telegraph, May 19, 2017: "It’s not cinema as we’ve ever known it, that’s for sure. ″It’s its own medium,” Iñárritu likes to say. Just as those early film viewers freaked out when the Lumière Brothers premiered ″L'Arrivée d'un Train en Gare de La Ciotat″ in 1896, it ambushes your sensibilities as the first thing of its kind."
Peter von Becker, "Sturm an der Grenze" Archived August 13, 2023, at the Wayback Machine, Tagesspiegel, July 21, 2017 : "So ist hier das bislang wuchtigste, bewegendste Kunstprojekt wider Trump und alle anderen Formen mitleidloser Abschottungspolitik gelungen", Eng: "So we have here the currently strongest, most moving art project against Trump and all other instances of ruthless rejection politics."
Tapley, Khristopher (October 29, 2017). "Oscars: Alejandro G. Inarritu's Virtual Reality Installation Carne y Arena to Receive Special Award". Variety. Archived from the original on August 13, 2023. Retrieved December 28, 2017.
"Carne Y Arena (Virtually Present, Physically Invisible)". Festival de Cannes. Festival de Cannes. Archived from the original on August 13, 2023. Retrieved November 4, 2017.
Utichi, Joe (May 21, 2017). "The Birth Of An Art Form: How Alejandro G. Iñárritu And Emmanuel Lubezki Learned To Master Virtual Reality – Cannes". Deadline. Archived from the original on August 13, 2023. Retrieved November 4, 2017.
"ALEJANDRO G. IÑÁRRITU: CARNE y ARENA – Fondazione Prada". www.fondazioneprada.org. Archived from the original on August 13, 2023. Retrieved November 5, 2017.
"Carne y Arena part 2 - Notes on VR Cinema Design - The American Society of Cinematographers". ascmag.com. Archived from the original on August 13, 2023. Retrieved November 5, 2017.
"CARNE Y ARENA (VIRTUALLY PRESENT, PHYSICALLY INVISIBLE) - Festival de Cannes 2017". Festival de Cannes 2017. Archived from the original on August 13, 2023. Retrieved November 4, 2017.
"Alejandro G. Iñárritu: CARNE y ARENA (Virtually present, Physically invisible) | LACMA". www.lacma.org. Archived from the original on August 13, 2023. Retrieved November 5, 2017.

Flesh and Sand (English Wikipedia)

ascmag.com (Global: 7,050th place; English: 4,041st place)

deadline.com (Global: 10th place; English: 9th place)

festival-cannes.com (Global: 603rd place; English: 514th place)

fondazioneprada.org (Global: low place; English: low place)

ft.com (Global: 210th place; English: 157th place)

indiewire.com (Global: 93rd place; English: 73rd place)

lacma.org (Global: low place; English: 9,007th place)

tagesspiegel.de (Global: 458th place; English: 1,945th place)

telegraph.co.uk (Global: 30th place; English: 24th place)

theasc.com (Global: 3,373rd place; English: 1,989th place)

variety.com (Global: 13th place; English: 12th place)

web.archive.org (Global: 1st place; English: 1st place)