Analysis of information sources in references of the Wikipedia article "Forced Entertainment" in English language version.
She goes on to suggest that contemporary theatre groups such as Shefeld-based Forced Entertainment (founded 1984), Chicago-based Goat Island (1987-2009), and New York-based Elevator Repair Service (founded 1991) have used and constructed failure as an integral part of their performances.
NRLA Honorary Associates: Robert Ayers, Neil Bartlett, Mary Brennan, Forced Entertainment, Paul Hough, Lois Keidan, Richard Layzell, Alastair MacLennan, Michael Mayhew, Stephen Partridge, Geraldine Pilgrim, Anne Seagrave, Ian Smith.
The British Library holds a large collection of video and audio material documenting the performances and talks of Forced Entertainment.
Foremost amongst such groups to emerge during the 1980s was Forced Entertainment which in the context of the urban landscape, confronted contemporary cultural mythology. The company was founded in 1984 and based in Sheffield. Its first "show" was Jessica in the room of Lights (1984). This was followed by Set-up and Nighthawks (1985), Let the Water Run its Course To the Sea That Made the Promise (1986) and The Day that Serenity Returned to the Ground (1986), 200% and Bloody Thirsty (1987) and Some Confusions in the Law About Love (1989)
Deborah has written about performance and contemporary culture for a number of anthologies and media, including texts for Forced Entertainment's Marathon Lexicon of Performance (2003)
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion. Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectives on the destabilizing of conventional ideas of the art "object" and the theatrical "text".
2. nagroda Quizoola! Tima Etchellsa w reż. zespołowej, Forced Entertainment z Sheffield;
She goes on to suggest that contemporary theatre groups such as Shefeld-based Forced Entertainment (founded 1984), Chicago-based Goat Island (1987-2009), and New York-based Elevator Repair Service (founded 1991) have used and constructed failure as an integral part of their performances.
The best group of stage actors in Britain are Robin Arthur, Richard Lowdon, Claire Marshall, Cathy Naden and Terry O'Connor.
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance.
Die Show mit den verrücktesten Leuten, verrücktesten Klamotten und der verrücktesten Musik/The show with the craziest people, craziest clothes and craziest music: Forced Entertainment & Tarek Atoui: The Last Adventures
She goes on to suggest that contemporary theatre groups such as Shefeld-based Forced Entertainment (founded 1984), Chicago-based Goat Island (1987-2009), and New York-based Elevator Repair Service (founded 1991) have used and constructed failure as an integral part of their performances.
Their experimental style has been dismissed as too messy and chaotic by some – wilfully baffling by others – but British theatre company Forced Entertainment have produced some of the most exciting and challenging theatre of the past few decades
Struggling to Perform: Radical Amateurism and Forced Entertainment by Sara Jane Bailes
Die Show mit den verrücktesten Leuten, verrücktesten Klamotten und der verrücktesten Musik/The show with the craziest people, craziest clothes and craziest music: Forced Entertainment & Tarek Atoui: The Last Adventures
