His birthplace is now a museum. Throughout his life, he claimed to be Magyar, rather than German, and referred to Hungary as his homeland. When later in his life he gave charity concerts in Hungary, he sometimes appeared wearing national dress.(Walker 1987, p. 48) Walker, Alan (1987). Franz Liszt, The Virtuoso Years, 1811–1847 (revised ed.). Cornell University Press. ISBN0801494214. OL2394803M.
Davison 2006, pp. 38–39. Davison, Alan (Autumn 2006). "Franz Liszt and the Development of 19th-Century Pianism". The Musical Times. 147 (1896): 33–43. doi:10.2307/25434402. JSTOR25434402.
Francis 2014, pp. 140–141. Francis, Suzanne Marie (June 2014). "Liszt at the Piano: The Impact of Iconography on mid-Nineteenth Century Musicology". Studia Musicologica. 55 (1–2): 131–144. doi:10.1556/6.2014.55.1-2.9. JSTOR24898486.
Davison 2006, pp. 37–38. Davison, Alan (Autumn 2006). "Franz Liszt and the Development of 19th-Century Pianism". The Musical Times. 147 (1896): 33–43. doi:10.2307/25434402. JSTOR25434402.
Davison 2006, pp. 39–40. Davison, Alan (Autumn 2006). "Franz Liszt and the Development of 19th-Century Pianism". The Musical Times. 147 (1896): 33–43. doi:10.2307/25434402. JSTOR25434402.
Gould 2005, pp. 62–63. Gould, John (2005). "What Did They Play?: The Changing Repertoire of the Piano Recital from the Beginnings to 1980". The Musical Times. 146 (1893): 61–76. doi:10.2307/30044125. JSTOR30044125.
Gould 2005, pp. 63–64. Gould, John (2005). "What Did They Play?: The Changing Repertoire of the Piano Recital from the Beginnings to 1980". The Musical Times. 146 (1893): 61–76. doi:10.2307/30044125. JSTOR30044125.
Keeling 1992, pp. 400–401. Keeling, Geraldine (1992). "Concert Announcements, Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847". Studia Musicologica Academiae Scientiarum Hungaricae. 34 (3/4): 397–404. doi:10.2307/902290. JSTOR902290.
Gould 2005, p. 67. Gould, John (2005). "What Did They Play?: The Changing Repertoire of the Piano Recital from the Beginnings to 1980". The Musical Times. 146 (1893): 61–76. doi:10.2307/30044125. JSTOR30044125.
Johns 1993, p. 13. Johns, Keith T. (1993). "Franz Liszt's Symphonic Poems and the Press: The Reception of the First Performances 1850–1861". Revista de Musicología. 16 (6): 3531–3542. doi:10.2307/20796952. JSTOR20796952.
Johns 1993, pp. 17–18, 19, 22. Johns, Keith T. (1993). "Franz Liszt's Symphonic Poems and the Press: The Reception of the First Performances 1850–1861". Revista de Musicología. 16 (6): 3531–3542. doi:10.2307/20796952. JSTOR20796952.
Forte 1987, p. 220. Forte, Allen (1987). "Liszt's Experimental Idiom and Music of the Early Twentieth Century". 19th-Century Music. 10 (3): 209–228. doi:10.2307/746436. JSTOR746436.
Davison 2006, pp. 38–39. Davison, Alan (Autumn 2006). "Franz Liszt and the Development of 19th-Century Pianism". The Musical Times. 147 (1896): 33–43. doi:10.2307/25434402. JSTOR25434402.
Francis 2014, pp. 140–141. Francis, Suzanne Marie (June 2014). "Liszt at the Piano: The Impact of Iconography on mid-Nineteenth Century Musicology". Studia Musicologica. 55 (1–2): 131–144. doi:10.1556/6.2014.55.1-2.9. JSTOR24898486.
Davison 2006, pp. 37–38. Davison, Alan (Autumn 2006). "Franz Liszt and the Development of 19th-Century Pianism". The Musical Times. 147 (1896): 33–43. doi:10.2307/25434402. JSTOR25434402.
Mishra 2016, p. 13. Mishra, Jennifer (June–July 2016). "Playing from Memory: Development of a 19th-century performance practice". American Music Teacher. 65 (6): 12–16. JSTOR26385978.
Davison 2006, pp. 39–40. Davison, Alan (Autumn 2006). "Franz Liszt and the Development of 19th-Century Pianism". The Musical Times. 147 (1896): 33–43. doi:10.2307/25434402. JSTOR25434402.
Gould 2005, pp. 62–63. Gould, John (2005). "What Did They Play?: The Changing Repertoire of the Piano Recital from the Beginnings to 1980". The Musical Times. 146 (1893): 61–76. doi:10.2307/30044125. JSTOR30044125.
Gould 2005, pp. 63–64. Gould, John (2005). "What Did They Play?: The Changing Repertoire of the Piano Recital from the Beginnings to 1980". The Musical Times. 146 (1893): 61–76. doi:10.2307/30044125. JSTOR30044125.
Keeling 1992, pp. 400–401. Keeling, Geraldine (1992). "Concert Announcements, Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847". Studia Musicologica Academiae Scientiarum Hungaricae. 34 (3/4): 397–404. doi:10.2307/902290. JSTOR902290.
Gould 2005, p. 67. Gould, John (2005). "What Did They Play?: The Changing Repertoire of the Piano Recital from the Beginnings to 1980". The Musical Times. 146 (1893): 61–76. doi:10.2307/30044125. JSTOR30044125.
Johns 1993, p. 13. Johns, Keith T. (1993). "Franz Liszt's Symphonic Poems and the Press: The Reception of the First Performances 1850–1861". Revista de Musicología. 16 (6): 3531–3542. doi:10.2307/20796952. JSTOR20796952.
Johns 1993, pp. 17–18, 19, 22. Johns, Keith T. (1993). "Franz Liszt's Symphonic Poems and the Press: The Reception of the First Performances 1850–1861". Revista de Musicología. 16 (6): 3531–3542. doi:10.2307/20796952. JSTOR20796952.
Forte 1987, p. 220. Forte, Allen (1987). "Liszt's Experimental Idiom and Music of the Early Twentieth Century". 19th-Century Music. 10 (3): 209–228. doi:10.2307/746436. JSTOR746436.
Suttoni 1979, passim. Suttoni, Charles (1979). "Franz Liszt's Published Correspondence: An Annotated Bibliography". Fontes Artis Musicae. 26 (3): 191–234. ISSN0015-6191. JSTOR23505430.
His birthplace is now a museum. Throughout his life, he claimed to be Magyar, rather than German, and referred to Hungary as his homeland. When later in his life he gave charity concerts in Hungary, he sometimes appeared wearing national dress.(Walker 1987, p. 48) Walker, Alan (1987). Franz Liszt, The Virtuoso Years, 1811–1847 (revised ed.). Cornell University Press. ISBN0801494214. OL2394803M.
Ramann 1882, p. 60. Ramann, Lina (1882). Franz Liszt, Artist and Man: 1811–1840. Translated by Cowdery, E. London: W. H. Allen & Co. OL7103128M.
Sitwell 1967, p. 57. Sitwell, Sacheverell (1967). Liszt (revised ed.). New York: Dover. OL21091397M.
Ramann 1882, pp. 67–69. Ramann, Lina (1882). Franz Liszt, Artist and Man: 1811–1840. Translated by Cowdery, E. London: W. H. Allen & Co. OL7103128M.
Sitwell 1967, pp. 10–11. Sitwell, Sacheverell (1967). Liszt (revised ed.). New York: Dover. OL21091397M.
Walker 1970, p. 20. Walker, Alan (1970). "Liszt and the Twentieth Century". In Walker, Alan (ed.). Franz Liszt: The Man And His Music. New York: Taplinger. pp. 350–364. OL26352341M.
Ramann 1882, p. 62. Ramann, Lina (1882). Franz Liszt, Artist and Man: 1811–1840. Translated by Cowdery, E. London: W. H. Allen & Co. OL7103128M.
Searle 1995, p. 30. Searle, Humphrey (1995). "Liszt, Franz". In Sadie, Stanley (ed.). The New Grove Dictionary of Music and Musicians. Vol. 11. London: Macmillan. pp. 28–74. OL18342085M.
Searle 1995, p. 31. Searle, Humphrey (1995). "Liszt, Franz". In Sadie, Stanley (ed.). The New Grove Dictionary of Music and Musicians. Vol. 11. London: Macmillan. pp. 28–74. OL18342085M.
Schmalhausen 2002, pp. 14, 16. Schmalhausen, Lina (2002). Walker, Alan (ed.). The Death of Franz Liszt: based on the unpublished diary of his pupil Lina Schmalhausen. Ithaca: Cornell University Press. ISBN9780801440762. OL17068266M.
Schmalhausen 2002, pp. 2, 192. Schmalhausen, Lina (2002). Walker, Alan (ed.). The Death of Franz Liszt: based on the unpublished diary of his pupil Lina Schmalhausen. Ithaca: Cornell University Press. ISBN9780801440762. OL17068266M.
Schmalhausen 2002, pp. 1, 15. Schmalhausen, Lina (2002). Walker, Alan (ed.). The Death of Franz Liszt: based on the unpublished diary of his pupil Lina Schmalhausen. Ithaca: Cornell University Press. ISBN9780801440762. OL17068266M.
Schmalhausen 2002, pp. 151, 166, 181. Schmalhausen, Lina (2002). Walker, Alan (ed.). The Death of Franz Liszt: based on the unpublished diary of his pupil Lina Schmalhausen. Ithaca: Cornell University Press. ISBN9780801440762. OL17068266M.
Hall-Swadley & Liszt 2011, pp. 31–32. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, pp. 30–33. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, pp. 17–18. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, pp. 33–34. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Grey 2008, p. xxi. Grey, Thomas Spencer (2008). The Cambridge Companion to Wagner. New York: Cambridge University Press. ISBN9780521642996. OL10436070M.
Grey 2008, p. xx. Grey, Thomas Spencer (2008). The Cambridge Companion to Wagner. New York: Cambridge University Press. ISBN9780521642996. OL10436070M.
Grey 2008, p. 47. Grey, Thomas Spencer (2008). The Cambridge Companion to Wagner. New York: Cambridge University Press. ISBN9780521642996. OL10436070M.
Schmalhausen 2002, p. 2. Schmalhausen, Lina (2002). Walker, Alan (ed.). The Death of Franz Liszt: based on the unpublished diary of his pupil Lina Schmalhausen. Ithaca: Cornell University Press. ISBN9780801440762. OL17068266M.
Hamilton 2008, p. 242. Hamilton, Kenneth (2008). After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. OL10133750M.
Hamilton 2008, pp. 225, 229. Hamilton, Kenneth (2008). After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. OL10133750M.
Hamilton 2008, p. 250. Hamilton, Kenneth (2008). After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. OL10133750M.
Ramann 1882, pp. 80–81. Ramann, Lina (1882). Franz Liszt, Artist and Man: 1811–1840. Translated by Cowdery, E. London: W. H. Allen & Co. OL7103128M.
Hamilton 2008, pp. 228, 234–235. Hamilton, Kenneth (2008). After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. OL10133750M.
Hamilton 2008, pp. 234–235. Hamilton, Kenneth (2008). After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. OL10133750M.
Hamilton 2008, pp. 235–236. Hamilton, Kenneth (2008). After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. OL10133750M.
Hamilton 2008, pp. 242–243. Hamilton, Kenneth (2008). After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. OL10133750M.
Pocknell 2000, p. 68. Pocknell, Pauline, ed. (2000). Franz Liszt and Agnes Street-Klindworth: A Correspondence, 1854–1886. Hillsdale: Pendragon. ISBN9781576470060. OL12238972M.
Searle 1954, p. 1. Searle, Humphrey (1954). The Music of Liszt. London: Williams & Norgate. OL6157654M.
Searle 1995, p. 46. Searle, Humphrey (1995). "Liszt, Franz". In Sadie, Stanley (ed.). The New Grove Dictionary of Music and Musicians. Vol. 11. London: Macmillan. pp. 28–74. OL18342085M.
Hall-Swadley & Liszt 2011, pp. 4–11. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, p. 17. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, p. 18. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, pp. 18, 30. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, pp. 18–19. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, pp. 19, 41. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Hall-Swadley & Liszt 2011, p. 19. Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.). The Collected Writings of Franz Liszt. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. OL25076988M.
Walker 1970, pp. 362–363. Walker, Alan (1970). "Liszt and the Twentieth Century". In Walker, Alan (ed.). Franz Liszt: The Man And His Music. New York: Taplinger. pp. 350–364. OL26352341M.
Walker 1970, p. 364. Walker, Alan (1970). "Liszt and the Twentieth Century". In Walker, Alan (ed.). Franz Liszt: The Man And His Music. New York: Taplinger. pp. 350–364. OL26352341M.
Walker 1970, pp. 351–352. Walker, Alan (1970). "Liszt and the Twentieth Century". In Walker, Alan (ed.). Franz Liszt: The Man And His Music. New York: Taplinger. pp. 350–364. OL26352341M.
Engel & Siegmeister 1973, p. 222. Engel, Carl; Siegmeister, Elie (1973). "Franz Liszt". In Siegmeister, Elie (ed.). The New Music Lover's Handbook. Irvington-on-Hudson: Harvey House. pp. 220–222. OL5447957M.
Walker 1970, pp. 360–361. Walker, Alan (1970). "Liszt and the Twentieth Century". In Walker, Alan (ed.). Franz Liszt: The Man And His Music. New York: Taplinger. pp. 350–364. OL26352341M.