Fred Wilson (artist) (English Wikipedia)

"Fred Wilson: Works 2004-2011". ClevelandArt. Cleveland Museum of Art. Archived from the original on 11 August 2022. Retrieved 27 December 2022.
"To Die Upon a Kiss". ClevelandArt. Cleveland Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

cmog.org

"To Die Upon a Kiss". CMOG. Corning Museum of Glass. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"I Saw Othello's Visage in His Mind". CMOG. Corning Museum of Glass. Archived from the original on 27 December 2022.

currier.org

collections.currier.org

"Iago's Desdemona". Currier. Currier Museum of Art. Retrieved 27 December 2022.

denverartmuseum.org

"The Way the Moon's in Love with the Dark". Denver Art Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

desmoinesartcenter.org

emuseum.desmoinesartcenter.org

"Iago's Mirror". Des Moines Art Center. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

doi.org

Graham, Mark A. (September 2007). "An Interview with Artist Fred Wilson". Journal of Museum Education. 32 (3): 209–217. doi:10.1080/10598650.2007.11510571. ISSN 1059-8650. S2CID 191544890.
Frankel, Noralee (July 1993). "Mining the Museum Fred Wilson". The Public Historian. 15 (3): 105–108. doi:10.2307/3378741. JSTOR 3378741.
Erickson, Peter (2016). "Concluding Othello: Contrasting Endings by Shakespeare and Fred Wilson". Shakespeare Bulletin. 34 (2): 277–293. doi:10.1353/shb.2016.0030. ISSN 1931-1427. S2CID 194532816.
Erel, Tuçe (2018-09-02). "Istanbul Biennial 2018: A Good Neighbour". Journal of Visual Art Practice. 17 (2–3): 227–229. doi:10.1080/14702029.2018.1435058. ISSN 1470-2029. S2CID 150197137.

duke.edu

emuseum.nasher.duke.edu

"Colonial Collection". Nasher. Duke University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Dark Day, Dark Night". Nasher. Duke University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

emuseum.com

blockmuseum.emuseum.com

"Untitled (Venice Biennale)". BlockMuseum. Northwestern University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

fivecolleges.edu

museums.fivecolleges.edu

"Untitled". Five Colleges Museums. Smith College. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

fredwilsonindy.org

"Archived copy". Archived from the original on 2012-02-08. Retrieved 2012-01-14.{{cite web}}: CS1 maint: archived copy as title (link)

glasstress.org

"Fred Wilson". Glasstress. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

harvardartmuseums.org

"Untitled". Harvard Art Museums. Harvard University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

high.org

"Speak of Me as I Am: Chandelier Mori". High. High Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

jstor.org

Frankel, Noralee (July 1993). "Mining the Museum Fred Wilson". The Public Historian. 15 (3): 105–108. doi:10.2307/3378741. JSTOR 3378741.

mdhistory.org

Albot, Damon (10 October 2013). "Return of the Whipping Post: Mining the Museum". MDHistory. Maryland Center for History and Culture. Archived from the original on 28 July 2021. Retrieved 27 December 2022.

mdhs.org

Maryland Historical Society Library Department. "Return of the Whipping Post: Mining the Museum". Maryland Historical Society. Underbelly, n.d. Web. October 13, 2013.

metmuseum.org

"Convocation". MetMuseum. Metropolitan Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"X". MetMuseum. Metropolitan Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

metropictures.com

"Fred Wilson". MetroPictures. Metro Pictures Gallery. Archived from the original on 27 November 2022. Retrieved 27 December 2022.

mfa.org

collections.mfa.org

"Iago's Mirror". MFA. Museum of Fine Arts, Boston. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

mfah.org

emuseum.mfah.org

"To Die Upon a Kiss". MFAH. Museum of Fine Arts, Houston. Archived from the original on 4 October 2021. Retrieved 27 December 2022.

moma.org

"Arise!". MoMA. Museum of Modern Art. Archived from the original on 24 May 2022. Retrieved 27 December 2022.
"To Die Upon a Kiss". MoMA. Museum of Modern Art. Archived from the original on 30 November 2021. Retrieved 27 December 2022.

msu.edu

Garfield, Donald. "MAKING THE MUSEUM MINE: AN INTERVIEW WITH FRED WILSON", Museum News, May 1993: 47-49+90. Web. November 11, 2014.

nelson-atkins.org

art.nelson-atkins.org

"The Ominous Glut". Nelson-Atkins. Nelson-Atkins Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

nga.gov

"Arise!". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Convocation". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"We Are All in the Gutter, But Some of Us are Looking at the Stars". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Pssst!". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

ngv.vic.gov.au

"NGV Triennial 2020". NGV. National Gallery of Victoria. Archived from the original on 24 December 2022. Retrieved 27 December 2022.
"The Mete of the Muse". NGV. National Gallery of Victoria. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"To Die Upon a Kiss". NGV. National Gallery of Victoria. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

noma.org

"The Mete of the Muse". NOMA. New Orleans Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

nymag.com

The Shock of the Familiar, New York Metro, 2003.

nytimes.com

Vogel, Carol. "Lauder Steps Down as Whitney Museum Chairman." The New York Times, May 27, 2008. [1]

oberlin.edu

allenartcollection.oberlin.edu

"LIBERATION". Allen Art Collection. Oberlin College. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Grinding Souls". Allen Art Collection. Oberlin College. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

oxfordartonline.com

Fitzpatrick, Tracy. "Wilson, Fred". Oxford Art Online. Oxford University Press. Retrieved 2017-01-17.

pacegallery.com

"Pace Gallery - Fred Wilson". Pace Gallery. Retrieved 2019-03-30.

pbs.org

PBS art:21 biography.

queensmuseum.org

"A New Way to Travel: Delta Airlines X Queens Museum". Queens Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

renabranstengallery.com

resume at Rena Bransten Gallery
"Rena Bransten Gallery articles". Archived from the original on 2019-04-14. Retrieved 2016-02-08.

ridinghouse.co.uk

"Fred Wilson: A Critical Reader". Ridinghouse.

semanticscholar.org

api.semanticscholar.org

Graham, Mark A. (September 2007). "An Interview with Artist Fred Wilson". Journal of Museum Education. 32 (3): 209–217. doi:10.1080/10598650.2007.11510571. ISSN 1059-8650. S2CID 191544890.
Erickson, Peter (2016). "Concluding Othello: Contrasting Endings by Shakespeare and Fred Wilson". Shakespeare Bulletin. 34 (2): 277–293. doi:10.1353/shb.2016.0030. ISSN 1931-1427. S2CID 194532816.
Erel, Tuçe (2018-09-02). "Istanbul Biennial 2018: A Good Neighbour". Journal of Visual Art Practice. 17 (2–3): 227–229. doi:10.1080/14702029.2018.1435058. ISSN 1470-2029. S2CID 150197137.

sfmoma.org

"Me and It". SFMoMA. San Francisco Museum of Modern Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

si.edu

americanart.si.edu

"I Saw Othello's Visage in His Mind". SAAM. Smithsonian Institution. Archived from the original on 16 May 2022. Retrieved 27 December 2022.

studiomuseum.org

"Atlas". StudioMuseum. Studio Museum in Harlem. 18 December 2018. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"We Are All In the Gutter, but Some of Us Are Looking at the Stars". StudioMuseum. Studio Museum in Harlem. 14 May 2020. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

tate.org.uk

"Grey Area". Tate. Archived from the original on 8 August 2022. Retrieved 27 December 2022.
"Ota Benga". Tate. Archived from the original on 6 July 2022. Retrieved 27 December 2022.
"Flag". Tate. Archived from the original on 21 October 2022. Retrieved 27 December 2022.

thejewishmuseum.org

"Queen Esther/Harriet Tubman". Jewish Museum. Retrieved 27 December 2022.

toledomuseum.org

emuseum.toledomuseum.org

"Arise". ToledoMuseum. Toledo Museum of Art. Retrieved 27 December 2022.
"Convocation". Toledo Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"We Are All in The Gutter, But Some of Us Are Looking At The Stars". ToledoMuseum. Toledo Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Iago's Mirror". ToledoMuseum. Toledo Museum of Art. Archived from the original on 21 February 2020. Retrieved 27 December 2022.

umbc.edu

cadvc.umbc.edu

"Fred Wilson: Objects and Installations, 1979-2000". CADVC. University of Maryland, Baltimore County. Archived from the original on 4 July 2022. Retrieved 27 December 2022.

web.archive.org

"Rena Bransten Gallery articles". Archived from the original on 2019-04-14. Retrieved 2016-02-08.
"Archived copy". Archived from the original on 2012-02-08. Retrieved 2012-01-14.{{cite web}}: CS1 maint: archived copy as title (link)
"Fred Wilson". MetroPictures. Metro Pictures Gallery. Archived from the original on 27 November 2022. Retrieved 27 December 2022.
Albot, Damon (10 October 2013). "Return of the Whipping Post: Mining the Museum". MDHistory. Maryland Center for History and Culture. Archived from the original on 28 July 2021. Retrieved 27 December 2022.
"Fred Wilson: Objects and Installations, 1979-2000". CADVC. University of Maryland, Baltimore County. Archived from the original on 4 July 2022. Retrieved 27 December 2022.
Harris, Lindsay (Summer 2003). "Re-focus: Fred Wilson at the 50th Venice Biennale". The Brooklyn Rail. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Fred Wilson: Works 2004-2011". ClevelandArt. Cleveland Museum of Art. Archived from the original on 11 August 2022. Retrieved 27 December 2022.
"1993 Whitney Biennial". Whitney. Whitney Museum. Archived from the original on 26 September 2022. Retrieved 27 December 2022.
"Fred Wilson". Biennial. Liverpool Biennial. Archived from the original on 4 July 2022. Retrieved 27 December 2022.
"Fred Wilson". Glasstress. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"NGV Triennial 2020". NGV. National Gallery of Victoria. Archived from the original on 24 December 2022. Retrieved 27 December 2022.
"Colonial Collection". Nasher. Duke University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Guarded View". Whitney. Whitney Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Untitled". ArtBMA. Baltimore Museum of Art. Archived from the original on 18 June 2022. Retrieved 27 December 2022.
"Untitled". Harvard Art Museums. Harvard University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Grey Area". Tate. Archived from the original on 8 August 2022. Retrieved 27 December 2022.
"Mine/Yours". Whitney. Whitney Museum. Archived from the original on 27 December 2022.
"Atlas". StudioMuseum. Studio Museum in Harlem. 18 December 2018. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Me and It". SFMoMA. San Francisco Museum of Modern Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Speak of Me as I Am: Chandelier Mori". High. High Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Untitled (Venice Biennale)". BlockMuseum. Northwestern University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Untitled". Five Colleges Museums. Smith College. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"The Wanderer". BAMPFA. University of California, Berkeley. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Arise!". British Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Arise!". MoMA. Museum of Modern Art. Archived from the original on 24 May 2022. Retrieved 27 December 2022.
"Arise!". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Convocation". MetMuseum. Metropolitan Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Convocation". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Convocation". Toledo Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"We Are All in the Gutter, But Some of Us are Looking at the Stars". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"We Are All In the Gutter, but Some of Us Are Looking at the Stars". StudioMuseum. Studio Museum in Harlem. 14 May 2020. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"We Are All in The Gutter, But Some of Us Are Looking At The Stars". ToledoMuseum. Toledo Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"X from Exit Art Portfolio". BAMPFA. University of California, Berkeley. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"X". MetMuseum. Metropolitan Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Project X". Whitney. Whitney Museum. Archived from the original on 5 July 2022. Retrieved 27 December 2022.
"Pssst!". NGA. National Gallery of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Dark Day, Dark Night". Nasher. Duke University. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"The Mete of the Muse". NGV. National Gallery of Victoria. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"The Mete of the Muse". NOMA. New Orleans Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"The Ominous Glut". Nelson-Atkins. Nelson-Atkins Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Ota Benga". Tate. Archived from the original on 6 July 2022. Retrieved 27 December 2022.
"Flag". Tate. Archived from the original on 21 October 2022. Retrieved 27 December 2022.
"Iago's Mirror". Des Moines Art Center. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Iago's Mirror". MFA. Museum of Fine Arts, Boston. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Iago's Mirror". ToledoMuseum. Toledo Museum of Art. Archived from the original on 21 February 2020. Retrieved 27 December 2022.
"To Die Upon a Kiss". ClevelandArt. Cleveland Museum of Art. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"To Die Upon a Kiss". CMOG. Corning Museum of Glass. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"To Die Upon a Kiss". MFAH. Museum of Fine Arts, Houston. Archived from the original on 4 October 2021. Retrieved 27 December 2022.
"To Die Upon a Kiss". MoMA. Museum of Modern Art. Archived from the original on 30 November 2021. Retrieved 27 December 2022.
"To Die Upon a Kiss". NGV. National Gallery of Victoria. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"LIBERATION". Allen Art Collection. Oberlin College. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"I Saw Othello's Visage in His Mind". CMOG. Corning Museum of Glass. Archived from the original on 27 December 2022.
"I Saw Othello's Visage in His Mind". SAAM. Smithsonian Institution. Archived from the original on 16 May 2022. Retrieved 27 December 2022.
"Act V. Scene II—Exeunt Omnes". WAM. Wichita Art Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Grinding Souls". Allen Art Collection. Oberlin College. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"The Way the Moon's in Love with the Dark". Denver Art Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"A New Way to Travel: Delta Airlines X Queens Museum". Queens Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

whitney.org

"1993 Whitney Biennial". Whitney. Whitney Museum. Archived from the original on 26 September 2022. Retrieved 27 December 2022.
"Guarded View". Whitney. Whitney Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.
"Mine/Yours". Whitney. Whitney Museum. Archived from the original on 27 December 2022.
"Project X". Whitney. Whitney Museum. Archived from the original on 5 July 2022. Retrieved 27 December 2022.

wichitaartmuseum.org

"Act V. Scene II—Exeunt Omnes". WAM. Wichita Art Museum. Archived from the original on 27 December 2022. Retrieved 27 December 2022.

wm.edu

scdbwiki.swem.wm.edu

"Special Collections Research Center Knowledgebase".

worldcat.org

Powell, Richard J. (1997-01-01). Black art and culture in the 20th century. Thames & Hudson. ISBN 0500202958. OCLC 36243884.
Graham, Mark A. (September 2007). "An Interview with Artist Fred Wilson". Journal of Museum Education. 32 (3): 209–217. doi:10.1080/10598650.2007.11510571. ISSN 1059-8650. S2CID 191544890.
A., González, Jennifer (2008). Subject to display : reframing race in contemporary installation art. Cambridge, Mass.: MIT Press. ISBN 9780262072861. OCLC 75390017.{{cite book}}: CS1 maint: multiple names: authors list (link)
Erickson, Peter (2016). "Concluding Othello: Contrasting Endings by Shakespeare and Fred Wilson". Shakespeare Bulletin. 34 (2): 277–293. doi:10.1353/shb.2016.0030. ISSN 1931-1427. S2CID 194532816.
Erel, Tuçe (2018-09-02). "Istanbul Biennial 2018: A Good Neighbour". Journal of Visual Art Practice. 17 (2–3): 227–229. doi:10.1080/14702029.2018.1435058. ISSN 1470-2029. S2CID 150197137.