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Combellack, Frederick M. (1987). "The lusis ek ths lecews". The American Journal of Philology. 108 (2): 202–219. doi:10.2307/294813. JSTOR294813.
Koehl, Robert B. (1986). "The Chieftain Cup and a Minoan Rite of Passage". The Journal of Hellenic Studies. 106: 99–110. doi:10.2307/629645. JSTOR629645. S2CID159630527.
Bartman, Elizabeth (2002). "Eros's Flame: Images of Sexy Boys in Roman Ideal Sculpture". Memoirs of the American Academy in Rome. Supplementary Volumes 1: 249–271. doi:10.2307/4238454. JSTOR4238454.
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Waters, Sarah (1995). ""The Most Famous Fairy in History": Antinous and Homosexual Fantasy". Journal of the History of Sexuality. 6 (2): 194–230. JSTOR3704122.
Levin, Richard A. (1997). "The Dark Color of a Cardinal's Discontentment: The Political Plot of "Women Beware Women"". Medieval & Renaissance Drama in England. 10: 201–217. JSTOR24322350.
Koehl, Robert B. (1986). "The Chieftain Cup and a Minoan Rite of Passage". The Journal of Hellenic Studies. 106: 99–110. doi:10.2307/629645. JSTOR629645. S2CID159630527.
The AchaeanDiomedes is keen to capture the horses of Aeneas because "...they are of that stock wherefrom Zeus, whose voice is borne afar, gave to Tros recompense for his son Ganymedes, for that they were the best of all horses that are beneath the dawn and the sun.": Homer, Iliad5.265ff.
Xenophon, Symposium8.29–30; Craig Williams, Roman Homosexuality (Oxford University Press, 1999, 2010), p. 153.