Gasparo Cairano (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Gasparo Cairano" in English language version.

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That is, the mode of execution of this statue, which is visible due to lack of polishing, shows that Gasparo Cairano sculpted his works directly with a flat chisel, probably without ever resorting to the toothed chisel. See Zani, Vito (November 2012). "Un marmo lombardo del Rinascimento e qualche precisazione sulla scultura lapidea a Brescia tra Quattro e Cinquecento". Antiqua. Retrieved January 10, 2015.
This is a complex historico-critical discourse as evidenced by extant documentation; indeed, their interpretation is still debated. Besides Zani 2010, pp. 109, 135–138, see the considerations presented in Zani, Vito (September 2012). "Un marmo lombardo del Rinascimento e qualche precisazione sulla scultura lapidea a Brescia tra Quattro e Cinquecento (seconda parte)". Antiqua. Retrieved January 10, 2015. and Zani, Vito (November 2012). "Un marmo lombardo del Rinascimento e qualche precisazione sulla scultura lapidea a Brescia tra Quattro e Cinquecento (terza e ultima parte)". Retrieved January 10, 2015. {{cite journal}}: Cite journal requires |journal= (help) and the notes to the text and bibliography therein.
This dialogue of stone with bronze is found in Cairano's oeuvre, namely the contemporary altar of San Girolamo in the Church of St Francis of Assisi, where the extraordinary adaptation of Andrea Mantegna's Battle of the sea gods is typical of bronze work, imparting similar scenes along continuous circular bands. In this case, the main referents may be Pier Jacopo Alari Bonacolsi's Gonzaga Vase (1480–1483) in the Galleria Estense at Modena, and the bases of the three pillars in the Piazza San Marco in Venice, executed by Alessandro Leopardi in 1505. See Zani, Vito (March 2013). "Una copia del Sacrificio del Mausoleo Martinengo e alcune note iconografiche e stilistiche". Antiqua.
Zani 2012. Zani, Vito (2012). "Un marmo lombardo del Rinascimento e qualche precisazione sulla scultura lapidea a Brescia tra Quattro e Cinquecento". Antiqua.
Zani 2013. Zani, Vito (2013). "Una copia del Sacrificio del Mausoleo Martinengo e alcune note iconografiche e stilistiche". Antiqua.