Gender in horror films (English Wikipedia)

McIntosh, Peggy (1998). "White Privilege and Male Privilege". In Anderson, Margaret; Hill Collins, Patricia (eds.). Race, Class, and Gender: An Anthology. San Francisco, California: Wadsworth Publishing Company. pp. 76–87. ISBN 978-0534528799.

bbc.com

Hobbs, Thomas (November 17, 2020). "Trog: The strangest horror film of its era". BBC. Retrieved May 24, 2021.

blackgirlnerds.com

Complex, Valerie (July 31, 2015). "Will It Get Better For Black People In the Horror Genre?". Black Girl Nerds. Virginia Beach, Virginia: Black Girl Nerds, LLC. Archived from the original on December 19, 2017. Retrieved October 11, 2019.

books.google.com

Shelley, Peter (September 15, 2009). Grande Dame Guignol Cinema: A History of Hag Horror from "Baby Jane" to "Mother". Jefferson, North Carolina and London: McFarland and Company, Inc. ISBN 978-0786445691.
Douglas, Susan J. (March 10, 2020). In Our Prime: How Older Women Are Reinventing the Road Ahead. W. W. Norton & Company. ISBN 978-0-393-65256-7.
Shary, Timothy; McVittie, Nancy (September 6, 2016). Fade to Gray: Aging in American Cinema. University of Texas Press. pp. 80–86. ISBN 978-1-4773-1063-2.
McDonald, Tamar Jeffers, ed. (2010). Virgin territory : representing sexual inexperience in film. Detroit: Wayne State University Press. ISBN 978-0-8143-3695-3. OCLC 821725676.
Bell-Metereau, Rebecca (March 1, 2019). Transgender Cinema. Rutgers University Press. ISBN 978-0-8135-9735-5.
Phillips, J. (July 10, 2006). Transgender On Screen. Springer. ISBN 978-0-230-59633-7.

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Doane, Mary Ann (1980). "Misrecognition and Identity" (PDF). Ciné-Tracts. 3 (3): 25–31. Retrieved January 23, 2023.

bustle.com

Gallagher, Caitlin (April 10, 2017). "'Feud' Depicts "Hagsploitation" In All Its Offensive Glory". Bustle. Retrieved May 24, 2021.

ceeol.com

Fisiak, Tomasz (2020). "Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister's Music Videos". Text Matters: A Journal of Literature, Theory and Culture (10): 194–208. doi:10.18778/2083-2931.10.12. hdl:11089/38742. ISSN 2083-2931. S2CID 227950221.

chicagotribune.com

digitaledition.chicagotribune.com

Keegan, Rebecca. "The birth of 'hagsploitation'". Chicago Tribune. Retrieved May 24, 2021.

comingsoon.net

Blackwell, Ashlee (February 10, 2015). "Black (Fear) On Both Sides: Thinking About Candyman, Blacula and Race in Horror Films". comingsoon.net. Retrieved April 11, 2016.

composingdigitalmedia.org

Mulvey, Laura (1999). "Visual Pleasure and Narrative Cinema" (PDF). In Braudy, Leo; Cohen, Marshall (eds.). Film Theory and Criticism: Introductory Readings. Oxford University Press. pp. 833–44. ISBN 978-0195365627.

csumb.edu

digitalcommons.csumb.edu

Quinowski, Grace (2022). "Psycho, The Danish Girl, and Disclosure : Transgender Representation in Film". Culture, Society, and Praxis. 14 (1).

decolonization.wordpress.com

Smith, Arial (February 13, 2015). "Indigenous Cinema and the Horrific Reality of Colonial Violence". Decolonization: Indigeneity, Education & Society. Retrieved April 15, 2016.

doi.org

Sapolsky, Burry S.; Molitor, Fred; Luque, Sarah (2003). "Sex and Violence in Slasher Films: Re-examining the Assumptions". Journalism & Mass Communication Quarterly. 80: 28–38. doi:10.1177/107769900308000103. S2CID 143908234.
Clover, Carol J. (1987). "Her Body, Himself: Gender in the Slasher". Representations. 20 (20): 187–228. doi:10.2307/2928507. JSTOR 2928507. Retrieved April 12, 2012.
Nolan, Justin M.; Ryan, Gery W. (2000). "Fear and Loathing at the Cineplex: Gender Differences in Descriptions and Perceptions of Slasher Films". Sex Roles. 42: 39–56. doi:10.1023/A:1007080110663. S2CID 142297913.
Fisiak, Tomasz (2020). "Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister's Music Videos". Text Matters: A Journal of Literature, Theory and Culture (10): 194–208. doi:10.18778/2083-2931.10.12. hdl:11089/38742. ISSN 2083-2931. S2CID 227950221.
Linz, D.G.; Donnerstein, E.; Penrod, S. (1988). "Effects of long-term exposure to violent and sexually degrading depictions of women". Journal of Personality and Social Psychology. 35 (1): 758–768. doi:10.1037/0022-3514.55.5.758. PMID 3210143.
Weaver, James B. III (1991). "Are 'Slasher' Horror Films Sexually Violent? A Content Analysis". Journal of Broadcasting & Electronic Media. 35 (3): 385–392. doi:10.1080/08838159109364133.
Sapolsky, Burry S.; Molitor, Fred; Luque, Sarah (March 2003). "Sex and Violence in Slasher Films: Re-examining the Assumptions". Journalism & Mass Communication Quarterly. 80 (1): 28–38. doi:10.1177/107769900308000103. ISSN 1077-6990. S2CID 143908234.
Wester, Maisha (2012). "Torture Porn And Uneasy Feminisms: Re-Thinking (Wo)Men In Eli Roth's Hostel Films". Quarterly Review of Film & Video. 29 (5): 387–400. doi:10.1080/10509201003719258. S2CID 191339016.
Briefel, Aviva (March 2005). "Monster Pains: Masochism, Menstruation, and Identification in the Horror Film". Film Quarterly. 58 (3): 16–27. doi:10.1525/fq.2005.58.3.16. ISSN 0015-1386.
Price, Zachary (October 1, 2015). "Skin gazing: Queer bodies in Almodóvar's The Skin I Live In". Horror Studies. 6 (2): 305–317. doi:10.1386/host.6.2.305_3. ISSN 2040-3275.
Tharp, Julie (July 1, 1991). "The Transvestite as MonsterGender Horror in The Silence of the Lambs and Psycho". Journal of Popular Film and Television. 19 (3): 106–113. doi:10.1080/01956051.1991.9944116. ISSN 0195-6051.
Rieser, Klaus (April 1, 2001). "Masculinity and Monstrosity: Characterization and Identification in the Slasher Film". Men and Masculinities. 3 (4): 370–92. doi:10.1177/1097184X01003004002. S2CID 145588307.
Molitor, Fred; Sapolsky, Barry S. (Spring 1993). "Sex, Violence, and Victimization in Slasher Films". Journal of Broadcasting & Electronic Media. 37 (2): 233–42. doi:10.1080/08838159309364218.
Huddleston, Jason (2005). "Unmasking The Monster: Hiding And Revealing Male Sexuality In John Carpenter's Halloween". Journal of Visual Literacy. 25 (2): 219–236. doi:10.1080/23796529.2005.11674626. S2CID 192825579.
Welsh, Andrew (March 2, 2010). "On the Perils of Living Dangerously in the Slasher Horror Film: Gender Differences in the Association Between Sexual Activity and Survival". Sex Roles. 62 (11–12): 762–773. doi:10.1007/s11199-010-9762-x. ISSN 0360-0025. S2CID 143739788.
Benshoff, Harry M. (Winter 2000). "Blaxploitation Horror Films: Generic Reappropriation or Reinscription?". Cinema Journal. 39 (2): 31–50. doi:10.1353/cj.2000.0001. JSTOR 1225551. S2CID 144087335.
Linz, Daniel; Donnerstein, Edward (1994). "Dialogue: Sex and Violence in Slasher Films: A Reinterpretation". Journal of Broadcasting & Electronic Media. 38 (2): 243–246. doi:10.1080/08838159409364261.
Cowan, Glora; O'Brien, Margaret (1990). "Gender and Survival vs. Death in Slasher Films: A Content Analysis". Sex Roles. 23 (3–4): 187–196. doi:10.1007/BF00289865. S2CID 143217961.
Babener, Liahana (1992). "Patriarchal Politics in Fatal Attraction". Journal of Popular Culture. 26 (3): 25–34. doi:10.1111/j.0022-3840.1992.2603_25.x. Retrieved April 12, 2012 – via Wiley Online Library.
Martin, G. Neil (October 18, 2019). "(Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films". Frontiers in Psychology. 10: 2298. doi:10.3389/fpsyg.2019.02298. ISSN 1664-1078. PMC 6813198. PMID 31681095.

dx.doi.org

Price, Zachary (October 1, 2015). "Skin gazing: Queer bodies in Almodóvar's The Skin I Live In". Horror Studies. 6 (2): 305–317. doi:10.1386/host.6.2.305_3. ISSN 2040-3275.
Welsh, Andrew (March 2, 2010). "On the Perils of Living Dangerously in the Slasher Horror Film: Gender Differences in the Association Between Sexual Activity and Survival". Sex Roles. 62 (11–12): 762–773. doi:10.1007/s11199-010-9762-x. ISSN 0360-0025. S2CID 143739788.

feministfrequency.com

Sarkeesian, Anita (July 28, 2011). "The Mystical Pregnancy (Tropes vs. Women)". Feminist Frequency.

filmschoolrejects.com

Swanson, Anna (October 21, 2019). "10 Grand Hagsploitation Horror Movies". Film School Rejects. Retrieved January 23, 2022.

fourteeneastmag.com

Holtz, Jenni (January 18, 2019). "Blood, Bodies and Binaries: Trans Women in Horror". 14 East Magazine. Retrieved July 30, 2022.

gaylydreadful.com

"[Pride 2021] Transmasculinity in Horror". Gayly Dreadful -- Bursting out of your closet with the latest horror reviews. June 8, 2021. Retrieved July 30, 2022.

handle.net

hdl.handle.net

Fisiak, Tomasz (2020). "Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister's Music Videos". Text Matters: A Journal of Literature, Theory and Culture (10): 194–208. doi:10.18778/2083-2931.10.12. hdl:11089/38742. ISSN 2083-2931. S2CID 227950221.

indiewire.com

Cipriani, Casey (February 10, 2015). "Sorry, Ladies: Study on Women in Film and Television Confirms The Worst". IndieWire. Los Angeles, California: Penske Media Corporation. Retrieved October 20, 2018.

jstor.org

Clover, Carol J. (1987). "Her Body, Himself: Gender in the Slasher". Representations. 20 (20): 187–228. doi:10.2307/2928507. JSTOR 2928507. Retrieved April 12, 2012.
Benshoff, Harry M. (Winter 2000). "Blaxploitation Horror Films: Generic Reappropriation or Reinscription?". Cinema Journal. 39 (2): 31–50. doi:10.1353/cj.2000.0001. JSTOR 1225551. S2CID 144087335.

nih.gov

pubmed.ncbi.nlm.nih.gov

Linz, D.G.; Donnerstein, E.; Penrod, S. (1988). "Effects of long-term exposure to violent and sexually degrading depictions of women". Journal of Personality and Social Psychology. 35 (1): 758–768. doi:10.1037/0022-3514.55.5.758. PMID 3210143.
Martin, G. Neil (October 18, 2019). "(Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films". Frontiers in Psychology. 10: 2298. doi:10.3389/fpsyg.2019.02298. ISSN 1664-1078. PMC 6813198. PMID 31681095.

ncbi.nlm.nih.gov

Martin, G. Neil (October 18, 2019). "(Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films". Frontiers in Psychology. 10: 2298. doi:10.3389/fpsyg.2019.02298. ISSN 1664-1078. PMC 6813198. PMID 31681095.

northernhighlands.org

Williams, Linda (2001). "When the Woman Looks" (PDF). In Jancovich, Mark (ed.). Horror, The Film Reader (1st ed.). London: Routledge. ISBN 978-0-20-320484-9.

nytimes.com

Adler, Renata (March 21, 1968). "Miss Davis's 78th". The New York Times. ISSN 0362-4331. Retrieved May 26, 2021.

offscreen.com

Smith, Arial (August 2014). "This Essay Was Not Built On an Ancient Indian Burial Ground". Offscreen. Melbourne, Australia: Kai Branch. Retrieved April 11, 2016.

proquest.com

Kendall, Kathleen (2002). "Who Are You Afraid Of?: Young Women as Consumers and Producers of Horror Films". Femspec. 4 (1). ProQuest 200166679 – via ProQuest.

search.proquest.com

Kendall, Kathleen (2002). "Who Are You Afraid Of?: Young Women as Consumers and Producers of Horror Films". Femspec. 4 (1). ProQuest 200166679 – via ProQuest.

refinery29.com

Walker, Billie (March 28, 2022). "Hagsploitation: Horror's Repulsion Of The Ageing Woman". Refinery29. Retrieved January 22, 2023.

rue-morgue.com

Thompson, Rocco T. (February 1, 2018). "Menopausal Maniacs: A Hag Horror Watchlist". Rue Morgue. Retrieved May 24, 2021.

sagepub.com

journals.sagepub.com

Sapolsky, Burry S.; Molitor, Fred; Luque, Sarah (March 2003). "Sex and Violence in Slasher Films: Re-examining the Assumptions". Journalism & Mass Communication Quarterly. 80 (1): 28–38. doi:10.1177/107769900308000103. ISSN 1077-6990. S2CID 143908234.

semanticscholar.org

api.semanticscholar.org

Sapolsky, Burry S.; Molitor, Fred; Luque, Sarah (2003). "Sex and Violence in Slasher Films: Re-examining the Assumptions". Journalism & Mass Communication Quarterly. 80: 28–38. doi:10.1177/107769900308000103. S2CID 143908234.
Nolan, Justin M.; Ryan, Gery W. (2000). "Fear and Loathing at the Cineplex: Gender Differences in Descriptions and Perceptions of Slasher Films". Sex Roles. 42: 39–56. doi:10.1023/A:1007080110663. S2CID 142297913.
Fisiak, Tomasz (2020). "Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister's Music Videos". Text Matters: A Journal of Literature, Theory and Culture (10): 194–208. doi:10.18778/2083-2931.10.12. hdl:11089/38742. ISSN 2083-2931. S2CID 227950221.
Sapolsky, Burry S.; Molitor, Fred; Luque, Sarah (March 2003). "Sex and Violence in Slasher Films: Re-examining the Assumptions". Journalism & Mass Communication Quarterly. 80 (1): 28–38. doi:10.1177/107769900308000103. ISSN 1077-6990. S2CID 143908234.
Wester, Maisha (2012). "Torture Porn And Uneasy Feminisms: Re-Thinking (Wo)Men In Eli Roth's Hostel Films". Quarterly Review of Film & Video. 29 (5): 387–400. doi:10.1080/10509201003719258. S2CID 191339016.
Rieser, Klaus (April 1, 2001). "Masculinity and Monstrosity: Characterization and Identification in the Slasher Film". Men and Masculinities. 3 (4): 370–92. doi:10.1177/1097184X01003004002. S2CID 145588307.
Huddleston, Jason (2005). "Unmasking The Monster: Hiding And Revealing Male Sexuality In John Carpenter's Halloween". Journal of Visual Literacy. 25 (2): 219–236. doi:10.1080/23796529.2005.11674626. S2CID 192825579.
Welsh, Andrew (March 2, 2010). "On the Perils of Living Dangerously in the Slasher Horror Film: Gender Differences in the Association Between Sexual Activity and Survival". Sex Roles. 62 (11–12): 762–773. doi:10.1007/s11199-010-9762-x. ISSN 0360-0025. S2CID 143739788.
Benshoff, Harry M. (Winter 2000). "Blaxploitation Horror Films: Generic Reappropriation or Reinscription?". Cinema Journal. 39 (2): 31–50. doi:10.1353/cj.2000.0001. JSTOR 1225551. S2CID 144087335.
Cowan, Glora; O'Brien, Margaret (1990). "Gender and Survival vs. Death in Slasher Films: A Content Analysis". Sex Roles. 23 (3–4): 187–196. doi:10.1007/BF00289865. S2CID 143217961.

springer.com

link.springer.com

Nolan, Justin M.; Ryan, Gery W. (2000). "Fear and Loathing at the Cineplex: Gender Differences in Descriptions and Perceptions of Slasher Films". Sex Roles. 42: 39–56. doi:10.1023/A:1007080110663. S2CID 142297913.

syfy.com

Pahle, Rebecca (November 13, 2019). "A primer for the unexpectedly awesome hagsploitation horror subgenre". SYFY WIRE. Retrieved May 24, 2021.

ucpress.edu

fq.ucpress.edu

Briefel, Aviva (March 2005). "Monster Pains: Masochism, Menstruation, and Identification in the Horror Film". Film Quarterly. 58 (3): 16–27. doi:10.1525/fq.2005.58.3.16. ISSN 0015-1386.

ufsc.br

repositorio.ufsc.br

Albuquerque De Boer, Raphael (July 2014). "Who is Going to Save the Final Girl?: The Politics of Representation in the Films Halloween and The Silence of the Lambs" (PDF). Repositório Institucional da UFSC: 71. Retrieved September 18, 2019.

usc.edu

cinema.usc.edu

Miller, Lucy (2017). "Fear and the Cisgender Audience: Transgender Representation and Audience Identification in Sleepaway Camp" (PDF). Spectator. 37 (2): 40–47. Archived from the original (PDF) on November 24, 2020 – via USC Cinematic Arts.

web.archive.org

Miller, Lucy (2017). "Fear and the Cisgender Audience: Transgender Representation and Audience Identification in Sleepaway Camp" (PDF). Spectator. 37 (2): 40–47. Archived from the original (PDF) on November 24, 2020 – via USC Cinematic Arts.
Complex, Valerie (July 31, 2015). "Will It Get Better For Black People In the Horror Genre?". Black Girl Nerds. Virginia Beach, Virginia: Black Girl Nerds, LLC. Archived from the original on December 19, 2017. Retrieved October 11, 2019.

wiley.com

onlinelibrary.wiley.com

Babener, Liahana (1992). "Patriarchal Politics in Fatal Attraction". Journal of Popular Culture. 26 (3): 25–34. doi:10.1111/j.0022-3840.1992.2603_25.x. Retrieved April 12, 2012 – via Wiley Online Library.

worldcat.org

Fisiak, Tomasz (2020). "Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister's Music Videos". Text Matters: A Journal of Literature, Theory and Culture (10): 194–208. doi:10.18778/2083-2931.10.12. hdl:11089/38742. ISSN 2083-2931. S2CID 227950221.
Adler, Renata (March 21, 1968). "Miss Davis's 78th". The New York Times. ISSN 0362-4331. Retrieved May 26, 2021.
Sapolsky, Burry S.; Molitor, Fred; Luque, Sarah (March 2003). "Sex and Violence in Slasher Films: Re-examining the Assumptions". Journalism & Mass Communication Quarterly. 80 (1): 28–38. doi:10.1177/107769900308000103. ISSN 1077-6990. S2CID 143908234.
Briefel, Aviva (March 2005). "Monster Pains: Masochism, Menstruation, and Identification in the Horror Film". Film Quarterly. 58 (3): 16–27. doi:10.1525/fq.2005.58.3.16. ISSN 0015-1386.
McDonald, Tamar Jeffers, ed. (2010). Virgin territory : representing sexual inexperience in film. Detroit: Wayne State University Press. ISBN 978-0-8143-3695-3. OCLC 821725676.
Price, Zachary (October 1, 2015). "Skin gazing: Queer bodies in Almodóvar's The Skin I Live In". Horror Studies. 6 (2): 305–317. doi:10.1386/host.6.2.305_3. ISSN 2040-3275.
Tharp, Julie (July 1, 1991). "The Transvestite as MonsterGender Horror in The Silence of the Lambs and Psycho". Journal of Popular Film and Television. 19 (3): 106–113. doi:10.1080/01956051.1991.9944116. ISSN 0195-6051.
Welsh, Andrew (March 2, 2010). "On the Perils of Living Dangerously in the Slasher Horror Film: Gender Differences in the Association Between Sexual Activity and Survival". Sex Roles. 62 (11–12): 762–773. doi:10.1007/s11199-010-9762-x. ISSN 0360-0025. S2CID 143739788.
Martin, G. Neil (October 18, 2019). "(Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films". Frontiers in Psychology. 10: 2298. doi:10.3389/fpsyg.2019.02298. ISSN 1664-1078. PMC 6813198. PMID 31681095.

yesweekly.com

Brunson, Matt (March 6, 2019). "The crying shame". YES! Weekly. Retrieved May 24, 2021.