Analysis of information sources in references of the Wikipedia article "Generation X" in English language version.
in both the U.K. and the U.S. In America, punk remained an underground sensation, eventually spawning the hardcore and indie-rock scenes of the '80s, but in the UK, it was a full-scale phenomenon. In the U.K., the Sex Pistols were thought of as a serious threat to the well-being of the government and monarchy, but more importantly, they caused countless bands to form.
In Boom, Bust & Echo, Foot (1996: 18–22) divides youth into two groups: 'Generation X' born between 1960 and 1966 and the 'Bust Generation' born between 1967 and 1979.
Punk's full impact came only after the success of Nirvana in 1991, coinciding with the ascendance of Generation X—a new, disaffected generation born in the 1960s, many members of which identified with punk's charged, often contradictory mix of intelligence, simplicity, anger, and powerlessness.
In Boom, Bust & Echo, Foot (1996: 18–22) divides youth into two groups: 'Generation X' born between 1960 and 1966 and the 'Bust Generation' born between 1967 and 1979.
Punk was the first musical reaction to the classic-rock ethos of the Woodstock generation. The original punk rockers were late-period Boomers eager to distance themselves from the supercilious upper end of their demographic, and their music, reflecting the dour economics of the late 1970s, became a template for Generation X and the ensuing "post-punk" movement that eventually birthed grunge.
In Boom, Bust & Echo, Foot (1996: 18–22) divides youth into two groups: 'Generation X' born between 1960 and 1966 and the 'Bust Generation' born between 1967 and 1979.
In Boom, Bust & Echo, Foot (1996: 18–22) divides youth into two groups: 'Generation X' born between 1960 and 1966 and the 'Bust Generation' born between 1967 and 1979.
The golden age of hip-hop is at least a decade in the past, a time when the most artistically ambitious music--by performers such as Public Enemy, Eric B. and Rakim, De La Soul and A Tribe Called Quest--was also the most commercially successful.
Wearing a blue sweatsuit and a shining gold pendant, Nas reminded many in the crowd of the Golden Age of New York hip-hop, when rappers from Eric B. & Rakim to the Ultramagnetic MCs wore clothes tailored by the hip Harlem haberdashery Dapper Dan's.
To claim that "Critical Beatdown" is the greatest hip-hop album of 1988 would take a lot of courage-- after all, it was the zenith of hip-hop's Golden Age, boasting classics from nearly every influential late-1980s rap group. And even if Ultramagnetic's Kool Keith and Ced Gee didn't possess the intricate rhythms of Rakim and Chuck D, or paint vivid ghettoscapes as well as KRS-One or Slick Rick, "Critical Beatdown" is still probably the hardest, fastest, craziest hip-hop album of that year.
The Gen X soundtrack was more of a mixtape that ranged from feel-good dance and pop music, to punk, glam rock, new wave, alternative and rap.
"Sittin' in My Car" is vintage Slick Rick; bolstered by an elegant piano loop, Doug E. Fresh's beat-box breathalistics and Slick's crooning of Billy Stewart's "Sitting in the Park," the song invokes memories of rap's '86-'89 golden age, when it seemed that every new single reinvented the genre.
In a genre that regularly denigrates its heroes, KRS-One has enough battle scars to be considered the Neil Young of hip-hop: a raggedy, highly opinionated figure from rap's golden age...
For those of us who grew up in the shadow of the baby boom, force-fed the misremembered vainglory of Woodstock long after most hippies had become coked-out, craven yuppies on their way to becoming paranoid neo-cons, punk rock provided a corrective dose of hard truth. Punk was ugly and ugly was true, no matter how many new choruses the Boomers added to their song of self-praise. It was this perceived honesty that we, the nascent Generation X, feared and worshipped. But over time punk swelled into a Stalinistic doctrine of self-denial that stunted us. The yuppies kept sucking, but by clinging to punk we started to suck too.
Emerging from the late-1980s New York City underground rap scene, the Jungle Brothers inadvertently found themselves part of hip-hop's golden age. Their early albums, 1988's Straight Out the Jungle and 1989's Done by the Forces of Nature, are considered, along with efforts such as the Beastie Boys' Paul's Boutique and De La Soul's Three Feet High and Rising, to be among the most influential hip-hop albums.
By the late '70s, punk had finished its beginning and had emerged as a solid musical force. With its rise in popularity, punk began to split into numerous sub-genres. New musicians embraced the DIY movement and began to create their own individual scenes with specific sounds.
as hip-hop music moves into its 25th year, its 40-something followers are starting to wax nostalgic about what many feel was the "Golden Age" of hip-hop music: The '80s.
[Spin editor-in-chief Sia] Michel [...] points out that Spin started several years before hip-hop mag Source was founded: "We put hip-hop on the cover before anyone else did." "Because we started this list in 1985, we pretty much hit hip-hop in its golden age," she says. "There were so many important, groundbreaking albums coming out right about that time."
in both the U.K. and the U.S. In America, punk remained an underground sensation, eventually spawning the hardcore and indie-rock scenes of the '80s, but in the UK, it was a full-scale phenomenon. In the U.K., the Sex Pistols were thought of as a serious threat to the well-being of the government and monarchy, but more importantly, they caused countless bands to form.
For those of us who grew up in the shadow of the baby boom, force-fed the misremembered vainglory of Woodstock long after most hippies had become coked-out, craven yuppies on their way to becoming paranoid neo-cons, punk rock provided a corrective dose of hard truth. Punk was ugly and ugly was true, no matter how many new choruses the Boomers added to their song of self-praise. It was this perceived honesty that we, the nascent Generation X, feared and worshipped. But over time punk swelled into a Stalinistic doctrine of self-denial that stunted us. The yuppies kept sucking, but by clinging to punk we started to suck too.
By the late '70s, punk had finished its beginning and had emerged as a solid musical force. With its rise in popularity, punk began to split into numerous sub-genres. New musicians embraced the DIY movement and began to create their own individual scenes with specific sounds.
Punk was the first musical reaction to the classic-rock ethos of the Woodstock generation. The original punk rockers were late-period Boomers eager to distance themselves from the supercilious upper end of their demographic, and their music, reflecting the dour economics of the late 1970s, became a template for Generation X and the ensuing "post-punk" movement that eventually birthed grunge.
The Gen X soundtrack was more of a mixtape that ranged from feel-good dance and pop music, to punk, glam rock, new wave, alternative and rap.
Punk's full impact came only after the success of Nirvana in 1991, coinciding with the ascendance of Generation X—a new, disaffected generation born in the 1960s, many members of which identified with punk's charged, often contradictory mix of intelligence, simplicity, anger, and powerlessness.
as hip-hop music moves into its 25th year, its 40-something followers are starting to wax nostalgic about what many feel was the "Golden Age" of hip-hop music: The '80s.
"Sittin' in My Car" is vintage Slick Rick; bolstered by an elegant piano loop, Doug E. Fresh's beat-box breathalistics and Slick's crooning of Billy Stewart's "Sitting in the Park," the song invokes memories of rap's '86-'89 golden age, when it seemed that every new single reinvented the genre.
In a genre that regularly denigrates its heroes, KRS-One has enough battle scars to be considered the Neil Young of hip-hop: a raggedy, highly opinionated figure from rap's golden age...
Some experts have called Xennials, the 'Star Wars generation', because 1977 to 1983 was the timeframe of the original Star Wars trilogy.
