George Frideric Handel (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "George Frideric Handel" in English language version.

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  • There is a tantalising suggestion by Handel's biographer, Jonathan Keates, that he may have come to London in 1710 and settled in 1712 as a spy for the eventual Hanoverian successor to Queen Anne, George I. Day, Peter (12 April 2009). "How Handel played the markets". BBC News. Archived from the original on 5 March 2016.

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  • "Handel" entry in Collins English Dictionary gives the common variant "George Frederick" (used in his will and on his funeral monument) alongside the pronunciation of his last name. The spelling "Frideric" is used on his 1727 application for British citizenship.

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  • Antonia Quirke, “In Search of the Black Mozart: A Revealing Look at Handel’s Investment in the Slave Trade,” New Statesman (4 June 2015), [1] Archived 1 December 2021 at the Wayback Machine; David Hunter, "Handel Manuscripts and the Profits of Slavery: The 'Granville' Collection at the British Library and the First Performing Score of Messiah Reconsidered," in Notes 76, no. 1 (Sept 2019): 27ff [2] Archived 21 March 2023 at the Wayback Machine; "Artists respond to Handel’s investment in the transatlantic slave trade," St Paul Chamber Orchestra Blog (11 December 2020) [3] Archived 1 December 2021 at the Wayback Machine

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  • "Händel-Haus in Halle an der Saale – Handschriftliche Dokumente". Archived from the original on 19 May 2013.

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  • Rolland 1916, p. 71. Rolland, Romain (1916) [1910]. Handel. Translated by Hull, A. Eaglefield. London: Kegan Paul, Trench, Trubner & Co. Archived from the original on 3 December 2019. Retrieved 2 February 2017.

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  • Antonia Quirke, “In Search of the Black Mozart: A Revealing Look at Handel’s Investment in the Slave Trade,” New Statesman (4 June 2015), [1] Archived 1 December 2021 at the Wayback Machine; David Hunter, "Handel Manuscripts and the Profits of Slavery: The 'Granville' Collection at the British Library and the First Performing Score of Messiah Reconsidered," in Notes 76, no. 1 (Sept 2019): 27ff [2] Archived 21 March 2023 at the Wayback Machine; "Artists respond to Handel’s investment in the transatlantic slave trade," St Paul Chamber Orchestra Blog (11 December 2020) [3] Archived 1 December 2021 at the Wayback Machine

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  • Michael Cole (1993). "A Handel harpsichord" (PDF). Early Music. XXI (February 1993): 99–110. doi:10.1093/em/XXI.1.99. Archived from the original on 12 December 2022. Retrieved 29 April 2022. illus.1 Single-manual harpsichord by William Smith (Bate Collection, University of Oxford)

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  • Antonia Quirke, “In Search of the Black Mozart: A Revealing Look at Handel’s Investment in the Slave Trade,” New Statesman (4 June 2015), [1] Archived 1 December 2021 at the Wayback Machine; David Hunter, "Handel Manuscripts and the Profits of Slavery: The 'Granville' Collection at the British Library and the First Performing Score of Messiah Reconsidered," in Notes 76, no. 1 (Sept 2019): 27ff [2] Archived 21 March 2023 at the Wayback Machine; "Artists respond to Handel’s investment in the transatlantic slave trade," St Paul Chamber Orchestra Blog (11 December 2020) [3] Archived 1 December 2021 at the Wayback Machine

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