Gilles Binchois (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Gilles Binchois" in English language version.

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See a more complete list of Binchois' contemporaries in Brown (1976, pp. 59–65). See List of Renaissance composers for a broader list of the entire period Brown, Howard Mayer (1976). Music in the Renaissance. Englewood Cliffs: Prentice Hall. ISBN 978-0-13-608497-6.
Strohm 1985, p. 153. Strohm, Reinhard (1985). Music in Late Medieval Bruges (2 ed.). Oxford: Clarendon Press. ISBN 978-0-19-316418-5.

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Composers writing laments for fellow composers was a long-standing tradition in medieval and Renaissance music.^[25]^[26] Other examples include F. Andrieu's Armes, amours/O flour des flours (1377) for Guillaume de Machaut, Josquin des Prez's Nymphes des bois (1497) for Ockeghem, and William Byrd's Ye Sacred Muses (1585) for Thomas Tallis.^[27] See Rice (1999, p. 31) for a complete list of extant medieval and Renaissance laments. Rice, Eric (1999). "Tradition and Imitation in Pierre Certon's Déploration for Claudin de Sermisy". Revue de Musicologie. 85 (1): 29–62. doi:10.2307/947006. JSTOR 947006.
Schuler 1976, p. 69. Schuler, Manfred (1976). "Neues zur Biographie von Gilles Binchois" [News on the Biography of Gilles Binchois]. Archiv für Musikwissenschaft (in German). 33 (Jahrg., H. 1): 68–78. doi:10.2307/930600. JSTOR 930600.
Rice 1999, p. 31. Rice, Eric (1999). "Tradition and Imitation in Pierre Certon's Déploration for Claudin de Sermisy". Revue de Musicologie. 85 (1): 29–62. doi:10.2307/947006. JSTOR 947006.
Slavin 1992, p. 342. Slavin, Dennis (Summer 1992). "Some Distinctive Features of Songs by Binchois: Cadential Voice Leading and the Articulation of Form". The Journal of Musicology. 10 (3): 342–361. doi:10.2307/763654. JSTOR 763654.
Slavin 1992, pp. 346–347. Slavin, Dennis (Summer 1992). "Some Distinctive Features of Songs by Binchois: Cadential Voice Leading and the Articulation of Form". The Journal of Musicology. 10 (3): 342–361. doi:10.2307/763654. JSTOR 763654.
Slavin 1992, pp. 347–348. Slavin, Dennis (Summer 1992). "Some Distinctive Features of Songs by Binchois: Cadential Voice Leading and the Articulation of Form". The Journal of Musicology. 10 (3): 342–361. doi:10.2307/763654. JSTOR 763654.
Slavin 1992, p. 347. Slavin, Dennis (Summer 1992). "Some Distinctive Features of Songs by Binchois: Cadential Voice Leading and the Articulation of Form". The Journal of Musicology. 10 (3): 342–361. doi:10.2307/763654. JSTOR 763654.

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Korth 2016. Korth, Hans-Otto (2016) [1999]. "Binchois, Gilles de Bins". MGG Online (in German). Kassel: Bärenreiter. (subscription required)

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Boucher 1963, p. 187. Boucher, Joan A. (1963). The Religious Music of Gilles Binchois (PhD thesis). Boston University. hdl:2144/29055. OCLC 603465003.
Hugo 1888, p. 391. Hugo, Victor (1888) [1869]. The Man Who Laughs. The Works of Victor Hugo. New York: The Athenaeum Society. OCLC 6737657.