Curry 2008. Marks on the bones of several gladiators suggest a sword thrust into the base of the throat and down towards the heart. Curry, Andrew (November–December 2008). "The Gladiator Diet". Archaeology. 61 (6). Archived from the original on 5 June 2011. Retrieved 21 March 2009.
Kyle 2007, p. 287; Mouritsen 2001, pp. 32, 109–111. Approximately 12% of Rome's adult male population could actually vote; but these were the wealthiest and most influential among ordinary citizens, well worth cultivation by any politician. Kyle, Donald G. (2007). Sport and Spectacle in the Ancient World. Oxford: Blackwell Publishing. ISBN978-0631229704. Mouritsen, Henrik (2001). Plebs and Politics in the Late Roman Republic. Cambridge: Cambridge University Press. ISBN0521791006.
Welch 2007, p. 21. Antiochus IV Epiphanes of Greece was keen to upstage his Roman allies, but gladiators were becoming increasingly expensive, and to save costs, all of his were local volunteers. Welch, Katherine E. (2007). The Roman Amphitheatre: From Its Origins to the Colosseum. Cambridge: Cambridge University Press. ISBN978-0521809443.
Richlin 1992, Shelby Brown, "Death as Decoration: Scenes of the Arena on Roman Domestic Mosaics", p. 181. Brown is citing Dio Cassius, 68.15. Richlin, Amy (1992). "Death As Decoration: Scenes of the Arena on Roman Domestic Mosaics (Shelby Brown)". Pornography and Representation in Greece and Rome. New York: Oxford University Press. pp. 180–211. ISBN0195067231.
Jacobelli 2003, p. 18, citing Dio Cassius 67.8.4, Suetonius's Domitianus 4.2, and Statius's Silvae 1.8.51–1.8.56: see also Brunet (2014) p. 480. Jacobelli, Luciana (2003). Gladiators at Pompeii. Los Angeles: Getty Publications. ISBN0892367318.
Plutarch. Moral Essays, 1099B (fully cited in Futrell 2006, pp. 86–87): "Even among the gladiators, I see those who...find greater pleasure in freeing their slaves, and commending their wives to their friends, than in satisfying their appetites." Futrell, Alison (2006). A Sourcebook on the Roman Games. Oxford: Blackwell Publishing. ISBN1405115688.
Futrell 2006, p. 102 (The evidence is on a stylised mosaic from Symmachus; the spectators praise the editor for "doing the right thing"). Futrell, Alison (2006). A Sourcebook on the Roman Games. Oxford: Blackwell Publishing. ISBN1405115688.
By Tertullian's time, Mercury was identified with Greek Hermes psychopompos, who led souls into the underworld. Tertullian describes these events as examples of hollow impiety, in which Rome's false deities are acceptably impersonated by low and murderous persons for the purposes of human sacrifice and evil entertainment. See Kyle 1998, pp. 155–168. Kyle, Donald G. (1998). Spectacles of Death in Ancient Rome. London: Routledge. ISBN0415096782.
Kyle 1998, pp. 40, 155–168. Dis Pater and Jupiter Latiaris rituals in Tertullian's Ad Nationes, 1.10.47: Tertullian describes the offering of a fallen gladiator's blood to Jupiter Latiaris by an officiating priest—a travesty of the offering of the blood of martyrs—but places this within a munus (or a festival) dedicated to Jupiter Latiaris; no such practice is otherwise recorded, and Tertullian may have mistaken or reinterpreted what he saw. Kyle, Donald G. (1998). Spectacles of Death in Ancient Rome. London: Routledge. ISBN0415096782.
Kyle 1998, p. 14 (including note #74). Kyle contextualises Juvenal's panem et circenses—bread and games as a sop to the politically apathetic plebs (Satires, 4.10)—within an account of the death and damnatio of Sejanus, whose body was torn to pieces by the crowd and left unburied. Kyle, Donald G. (1998). Spectacles of Death in Ancient Rome. London: Routledge. ISBN0415096782.
Futrell 2006, pp. 133, 149–153. The single name form on a gladiator memorial usually indicates a slave, two a freedman or discharged auctoratus and, very rare among gladiators, three ("tria nomina") a freedman or a full Roman citizen. See also vroma.orgArchived 12 January 2011 at the Wayback Machine on Roman names. Futrell, Alison (2006). A Sourcebook on the Roman Games. Oxford: Blackwell Publishing. ISBN1405115688.
Welch 2007, p. 17. The burning alive of a soldier who refused to become an auctoratus at a Spanish school in 43 BC is exceptional only because he was a citizen, technically exempt from such compulsion and penalty. Welch, Katherine E. (2007). The Roman Amphitheatre: From Its Origins to the Colosseum. Cambridge: Cambridge University Press. ISBN978-0521809443.
Futrell 2006, p. 153. Futrell is citing Cassius Dio, 62.17.3; see Cassius Dio, 59.10 and 13–14 for Caligula's extraordinary behaviour as editor; Valentinian/Theodosius, 15.9.1; Symmachus, Relatio, 8.3. Futrell, Alison (2006). A Sourcebook on the Roman Games. Oxford: Blackwell Publishing. ISBN1405115688.
Potter & Mattingly 1999, p. 226 (see also Pliny's Natural History, 36.113–115). The amphitheatre was commissioned by T. Statilius Taurus. According to Pliny, its three storeys were marble-clad, housed 3,000 bronze statues and seated 80,000 spectators. It was probably wooden-framed in part. Potter, David Stone; Mattingly, D. J. (1999). Life, Death, and Entertainment in the Roman Empire. Ann Arbor: University of Michigan Press. ISBN0472109243.
Richlin 1992, Shelby Brown, "Death As Decoration: Scenes of the Arena on Roman Domestic Mosaics", pp. 184–185. Even emperors who disliked munera were thus obliged to attend them. Richlin, Amy (1992). "Death As Decoration: Scenes of the Arena on Roman Domestic Mosaics (Shelby Brown)". Pornography and Representation in Greece and Rome. New York: Oxford University Press. pp. 180–211. ISBN0195067231.
Edwards 2007, pp. 19–45; Livy, 22.51.5–8, has wounded Romans at Cannae stretch out their necks for the death blow by comrades: cf Cicero's death in Seneca's Suasoriae, 6.17. Edwards, Catherine (2007). Death in Ancient Rome. New Haven, Connecticut: Yale University Press. ISBN978-0300112085.
Kyle 2007, p. 273. For bustuarius, with reference to Clodius's alleged impious disturbance at the funeral of Marius, see Cicero's In Pisonem (Against Piso). See Bagnani 1956, p. 26, for the bustuarius as a lower class of gladiator than one employed in the public munus. Cicero's unflattering references to Marcus Antonius as gladiator are in his 2nd Philippic. Kyle, Donald G. (2007). Sport and Spectacle in the Ancient World. Oxford: Blackwell Publishing. ISBN978-0631229704. Bagnani, Gilbert (January 1956). "Encolpius Gladiator Obscenus". Classical Philology. 51 (1): 24–27. doi:10.1086/363980. S2CID162196829.
Richlin 1992, Shelby Brown, "Death As Decoration: Scenes of the Arena on Roman Domestic Mosaics", p. 185. Tacitus, in Annals 15.44, describes the public repugnance towards Nero's punishment of Christians, which seemed based on his appetite for cruelty, rather than a desire for the public good. Richlin, Amy (1992). "Death As Decoration: Scenes of the Arena on Roman Domestic Mosaics (Shelby Brown)". Pornography and Representation in Greece and Rome. New York: Oxford University Press. pp. 180–211. ISBN0195067231.
Mouritsen 2001, p. 97; Coleman 1990, p. 50. Mouritsen, Henrik (2001). Plebs and Politics in the Late Roman Republic. Cambridge: Cambridge University Press. ISBN0521791006. Coleman, K. M. (1990). "Fatal Charades: Roman Executions Staged as Mythological Enactments". The Journal of Roman Studies. 80: 44–73. doi:10.2307/300280. JSTOR300280. S2CID163071557.
Barton, Carlin A. (1989). "The Scandal of the Arena". Representations (27): 27, 28, note 33. doi:10.2307/2928482. JSTOR2928482. (subscription required)
Grossschmidt & Kanz 2006, pp. 207–216. Grossschmidt, K.; Kanz, Fabian (July 2006). "Head Injuries of Roman Gladiators". Forensic Science International. 160 (2–3). Vienna: Center of Anatomy and Cell-biology, Medical University of Vienna and Austrian Archaeological Institute: 207–216. doi:10.1016/j.forsciint.2005.10.010. PMID16289900.
Hope, Valerie (January 2000). "Fighting for identity: The funerary commemoration of Italian gladiators". Bulletin of the Institute of Classical Studies. 44 (S73): 93–113. doi:10.1111/j.2041-5370.2000.tb01940.x.
Garrett G. Fagan, Gladiators, combatants at games, Oxford Classical Dictionary online, Jul 2015 doi:10.1093/acrefore/9780199381135.013.2845: "This refusal to concede honest defeat in the face of superior skill again speaks to professional pride and a certain braggadocio that is still operative today in combat sports."[2] (accessed 2 April 2017)
Jones 1987, pp. 139–155. Facial stigmata represented extreme social degradation. Jones, C. P. (1987). ""Stigma": Tattooing and Branding in Graeco-Roman Antiquity". Journal of Roman Studies. 77: 139–155. doi:10.2307/300578. JSTOR300578. S2CID162719864.
Cerutti, Steven M.; Richardson, L. (1989). "The Retiarius Tunicatus of Suetonius, Juvenal, and Petronius". The American Journal of Philology. 110 (4): 589. doi:10.2307/295282. JSTOR295282.
Kyle 2007, p. 273. For bustuarius, with reference to Clodius's alleged impious disturbance at the funeral of Marius, see Cicero's In Pisonem (Against Piso). See Bagnani 1956, p. 26, for the bustuarius as a lower class of gladiator than one employed in the public munus. Cicero's unflattering references to Marcus Antonius as gladiator are in his 2nd Philippic. Kyle, Donald G. (2007). Sport and Spectacle in the Ancient World. Oxford: Blackwell Publishing. ISBN978-0631229704. Bagnani, Gilbert (January 1956). "Encolpius Gladiator Obscenus". Classical Philology. 51 (1): 24–27. doi:10.1086/363980. S2CID162196829.
duke.edu
Carter 2004, pp. 43, 46–49. In the Eastern provinces of the later Empire the state archiereis combined the roles of editor, Imperial cult priest and lanista, giving gladiatoria munera in which the use of sharp weapons seems an exceptional honour. Carter, Michael (2004). "Archiereis and Asiarchs: A Gladiatorial Perspective"(PDF). Greek, Roman and Byzantine Studies. 44: 41–68. Archived from the original(PDF) on 26 February 2009.
Mouritsen 2001, p. 97; Coleman 1990, p. 50. Mouritsen, Henrik (2001). Plebs and Politics in the Late Roman Republic. Cambridge: Cambridge University Press. ISBN0521791006. Coleman, K. M. (1990). "Fatal Charades: Roman Executions Staged as Mythological Enactments". The Journal of Roman Studies. 80: 44–73. doi:10.2307/300280. JSTOR300280. S2CID163071557.
Barton, Carlin A. (1989). "The Scandal of the Arena". Representations (27): 27, 28, note 33. doi:10.2307/2928482. JSTOR2928482. (subscription required)
Its name was coined in the modern era, by Theodore Mommsen: in the Roman military, it marked the death of a soldier. See Mednikarova, Iveta (2001). "The Use of Θ in Latin Funerary Inscriptions". Zeitschrift für Papyrologie und Epigraphik. 136: 267–276. JSTOR20190914.
Jones 1987, pp. 139–155. Facial stigmata represented extreme social degradation. Jones, C. P. (1987). ""Stigma": Tattooing and Branding in Graeco-Roman Antiquity". Journal of Roman Studies. 77: 139–155. doi:10.2307/300578. JSTOR300578. S2CID162719864.
Cerutti, Steven M.; Richardson, L. (1989). "The Retiarius Tunicatus of Suetonius, Juvenal, and Petronius". The American Journal of Philology. 110 (4): 589. doi:10.2307/295282. JSTOR295282.
Grossschmidt & Kanz 2006, pp. 207–216. Grossschmidt, K.; Kanz, Fabian (July 2006). "Head Injuries of Roman Gladiators". Forensic Science International. 160 (2–3). Vienna: Center of Anatomy and Cell-biology, Medical University of Vienna and Austrian Archaeological Institute: 207–216. doi:10.1016/j.forsciint.2005.10.010. PMID16289900.
Garrett G. Fagan, Gladiators, combatants at games, Oxford Classical Dictionary online, Jul 2015 doi:10.1093/acrefore/9780199381135.013.2845: "This refusal to concede honest defeat in the face of superior skill again speaks to professional pride and a certain braggadocio that is still operative today in combat sports."[2] (accessed 2 April 2017)
semanticscholar.org
api.semanticscholar.org
Mouritsen 2001, p. 97; Coleman 1990, p. 50. Mouritsen, Henrik (2001). Plebs and Politics in the Late Roman Republic. Cambridge: Cambridge University Press. ISBN0521791006. Coleman, K. M. (1990). "Fatal Charades: Roman Executions Staged as Mythological Enactments". The Journal of Roman Studies. 80: 44–73. doi:10.2307/300280. JSTOR300280. S2CID163071557.
Jones 1987, pp. 139–155. Facial stigmata represented extreme social degradation. Jones, C. P. (1987). ""Stigma": Tattooing and Branding in Graeco-Roman Antiquity". Journal of Roman Studies. 77: 139–155. doi:10.2307/300578. JSTOR300578. S2CID162719864.
Kyle 2007, p. 273. For bustuarius, with reference to Clodius's alleged impious disturbance at the funeral of Marius, see Cicero's In Pisonem (Against Piso). See Bagnani 1956, p. 26, for the bustuarius as a lower class of gladiator than one employed in the public munus. Cicero's unflattering references to Marcus Antonius as gladiator are in his 2nd Philippic. Kyle, Donald G. (2007). Sport and Spectacle in the Ancient World. Oxford: Blackwell Publishing. ISBN978-0631229704. Bagnani, Gilbert (January 1956). "Encolpius Gladiator Obscenus". Classical Philology. 51 (1): 24–27. doi:10.1086/363980. S2CID162196829.
Futrell 2006, pp. 133, 149–153. The single name form on a gladiator memorial usually indicates a slave, two a freedman or discharged auctoratus and, very rare among gladiators, three ("tria nomina") a freedman or a full Roman citizen. See also vroma.orgArchived 12 January 2011 at the Wayback Machine on Roman names. Futrell, Alison (2006). A Sourcebook on the Roman Games. Oxford: Blackwell Publishing. ISBN1405115688.
Carter 2004, pp. 43, 46–49. In the Eastern provinces of the later Empire the state archiereis combined the roles of editor, Imperial cult priest and lanista, giving gladiatoria munera in which the use of sharp weapons seems an exceptional honour. Carter, Michael (2004). "Archiereis and Asiarchs: A Gladiatorial Perspective"(PDF). Greek, Roman and Byzantine Studies. 44: 41–68. Archived from the original(PDF) on 26 February 2009.
Curry 2008. Marks on the bones of several gladiators suggest a sword thrust into the base of the throat and down towards the heart. Curry, Andrew (November–December 2008). "The Gladiator Diet". Archaeology. 61 (6). Archived from the original on 5 June 2011. Retrieved 21 March 2009.
Futrell 2006, pp. 133, 149–153. The single name form on a gladiator memorial usually indicates a slave, two a freedman or discharged auctoratus and, very rare among gladiators, three ("tria nomina") a freedman or a full Roman citizen. See also vroma.orgArchived 12 January 2011 at the Wayback Machine on Roman names. Futrell, Alison (2006). A Sourcebook on the Roman Games. Oxford: Blackwell Publishing. ISBN1405115688.