Goethe–Schiller Monument (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Goethe–Schiller Monument" in English language version.

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  • Conzen, Kathleen Neils (1989). "Ethnicity as Festive Culture: Nineteenth-Century German America on Parade". In Sollors, Werner (ed.). The Invention of Ethnicity. Oxford University Press. p. 57. ISBN 978-0-19-505047-9. ... the freedom that Schiller celebrated was the freedom that Germans had found in America. Schiller, proclaimed a speaker at New York's celebration, was the best expression of that side of German character which most qualified the German despite his distinctiveness to become a true American citizen

beyondcriticism.com

  • Gurewitsch, Matthew (15 May 2009). "Of the German Shakespeare, his Mary Stuart, and more ..." During the Civil War," Ms. Lloyd said, "and this was complete news to me, a quarter of a million German-born soldiers were fighting for Lincoln. Many of them were carrying Schiller in their knapsacks.

books.google.com

  • Boyle, Nicholas (1986). Goethe, Faust, Part 1. Cambridge University Press. p. 1. ISBN 0-521-31412-7. Goethe is the supreme genius of modern German literature, and the dominant influence on German literary culture since the middle of the eighteenth Century.
  • Pohlsander, Hans A. (2010). German monuments in the Americas: bonds across the Atlantic. Peter Lang. p. 84. ISBN 978-3-0343-0138-1. The city of Weimar boasts one of the most famous and most beloved monuments in all of Germany, the Goethe–Schiller monument in front of the Nationaltheater.
  • Zanker, Paul (1996). The Mask of Socrates: The Image of the Intellectual in Antiquity. Alan Shapiro (Trans.). University of California Press. pp. 3–6. ISBN 978-0-520-20105-7. There arose a true cult of the monument ... the Germans began to see themselves, faute de mieux, as "the people of poets and thinkers."... This is especially true of the period of the restoration, and in particular, the years after the failed revolution of 1848, when monuments to famous Germans, above all Friedrich von Schiller, sprouted everywhere. ... The great men were deliberately rendered not in ancient costume, and certainly not nude, but in contemporary dress and exemplary pose.
    Perhaps the most famous of those monuments — and the one considered most successful by people of the time — was the group of Goethe and Schiller by Ernst Rietschel, set up in 1857 in front of the theater in Weimar. A fatherly Goethe gently lays his hand on the shoulder of the restless Schiller, as if to quiet the overzealous passion for freedom of the younger generation.
    Translation of Die Maske des Sokrates. Das Bild des Intellektuellen in der Antiken Kunst. C. H. Beck. 1995. ISBN 3-406-39080-3.
  • Pohlsander, Hans A. (2008). National Monuments and Nationalism in 19th Century Germany. Peter Lang. pp. 117–119. ISBN 978-3-03911-352-1. Hans A. Pohlsander is professor emeritus at the University of Albany, where he previously served as the chairman of the Department of Classics. See "Hans Pohlsander". University at Albany. Archived from the original on 29 June 2017.
  • Rietschel, Ernst; Oppermann, Andreas (1875). Ernst Rietschel, the sculptor, and the lessons of his life: an autobiography and a memoir. Mrs. George Sturge (Trans.). Hodder and Stoughton. pp. 158–169.
  • Rowan, Steven W., ed. (1998). Cleveland and its Germans. Western Reserve Historical Society Publication No. 185 (1907 ed.). Western Reserve Historical Society. p. 78. ISBN 978-0-911704-50-1. Translation from the German of Cleveland und Sein Deutschtum. Cleveland, Ohio: German-American Biographical Pub. Co. 1907.
  • Goethe–Schiller Denkmal Gesellschaft (1901). Das Goethe–Schiller Denkmal in San Francisco: Erinnerungen an den "deutschen Tag" der California Midwinter International Exposition, 1894, an das "Goethe–Schiller Fest," 1895 und an die "Enthüllung des Denkmals" im Golden Gate Park, 1901 [The Goethe–Schiller Monument in San Francisco: Memories of the German Day of the California Midwinter International Exposition, 1894, of the "Goethe–Schiller Fest," 1895, and of the "Unveiling of the Monument" in Golden Gate Park, 1901]. C. Leidecker & Co. p. 79. Der Deutsche, der diese zwei Meister als Erbschaft in seine neue Heimat mitbringt, fordert durch diesen Reichtum das Geistesleben seiner Mitbürger. Nie hat ein Genie mit mehr Beredtsamkeit und Begeisterung den Wert der Tugend, den Triumph der Freiheit, den edlen Kern des Patriotismus gekennzeichnet, als es Schiller gethan hat. Dieser Geistesschatz des Deutschen ist die schönste, kostbarste Mitgift, mit der er sich seinem Adoptiv-Vaterlande verbindet, und es war wohlgethan, diese Idee durch ein Denkmal zu bethatigen. (The German, who brought these two masters as his inheritance to a new homeland, contributed this wealth to the intellectual life of his fellow citizens. Never has a genius demonstrated the worth of virtue, the triumph of freedom, and the noble heart of patriotism with more eloquence and ardor than Schiller. This spiritual treasure of Germans is the most beautiful and precious dowry with which he could bind himself to his adoptive fatherland, and it was well-done to put it into service with a monument.)--Dr. C. Max Richter
  • Görner, Rüdiger (November 2009). "Schiller's Poetics of Freedom". Standpoint. Archived from the original on 16 November 2018. Retrieved 4 August 2011. Look all around at nature's mastery, / Founded on freedom. And how rich it grows, / Feeding on freedom. In the quote, the Marquis de Posa is imploring Philip II, the King of Spain. The original German text is: Sehen Sie sich um / In seiner herrlichen Natur! Auf Freiheit / Ist sie gegründet – und wie reich ist sie / Durch Freiheit! See Schiller, Friedrich (1907). Schillers Don Karlos, Infant von Spanien. Ein dramatisches Gedicht. Paderborn: Ferdinand Schöningh. p. 151. See also "Prof Rüdiger Görner". Queen Mary University of London. Archived from the original on 4 October 2011.
  • Lepenies, Wolf (2006). The Seduction of Culture in German History. Princeton University Press. p. 157. ISBN 978-0-691-12131-4.
  • Everest, Kate Asaphine (1892). "How Wisconsin Came By Its Large German Element". In Thwaite, Reuben Gold (ed.). Collections of the State Historical Society of Wisconsin: Volume 12. State Historical Society of Wisconsin. p. 300.
  • Hawgood, John Arkas (1970). The Tragedy of German-America. Ayer Publishing. p. 220. ISBN 978-0-405-00554-1.
  • Federal Writers' Project; Boye, Alan (2005). Nebraska: a guide to the Cornhusker State. University of Nebraska Press. p. 252. ISBN 978-0-8032-6918-7. RIVERVIEW PARK, ... A MONUMENT TO SCHILLER, designed by Johannes Maihoefer, shows the poet holding a book in his left hand and a pen in the right. The figure, about four feet tall, is mounted on a granite pedestal of four and one half feet, which, in turn, stands on a wide base formed in three low steps. On the front of the pedestal is a bronze lyre within a laurel wreath. The monument stands on a crest in the park, commanding a view of the area. In 1917, stimulated by World War propaganda, vandals attempted to destroy the monument because it was in honor of a German. After the war, the stone was restored. The Omaha Schwaben Society and other citizens of German birth or descent erected the monument in 1905. This book is a reprinting of the 1939 original.

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  • Adams, Willi Paul; Rippley, LaVerne J.; Reichmann, Eberhard (1993). The German Americans: An Ethnic Experience. Indiana University-Purdue University at Indianapolis. Archived from the original on 24 August 2011. Retrieved 4 August 2011. Translation supported by the Max Kade German American Center of the German book Adams, Willi Paul (1990). Die Deutschen im Schmelztiegel der USA: Erfahrungen im grössten Einwanderungsland der Europäer. Die Ausländerbeauftragte des Senats von Berlin.

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  • Paul Zanker is a German scholar and professor who has worked mostly on Hellenistic and Roman cultures; see "Paul Zanker". New York University. Archived from the original on 18 August 2011.

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  • Yang, Xifan (7 October 2011). "Anting German Town: Chinas deutsche Geisterstadt" [Anting German Town: China's German Ghost Town]. Spiegel Online (in German). Retrieved 22 June 2013. A photograph associated with this online article indicates that the statue is much smaller than the Weimar original.

standpointmag.co.uk

tagesspiegel.de

  • Maass, Harald (5 January 2007). "Chinesische Mauern" [Chinese Walls]. Der Tagesspiegel (in German). Retrieved 11 July 2011.

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  • Rößner, Alf (4 September 2007). "Festvortrag zum 150. Jubiläum des Goethe- und Schiller-Denkmals am 4. September 2007" [Address for the 150th Jubilee of the Goethe–Schiller Monument on September 4, 2007] (PDF) (in German). Retrieved 11 July 2011. Der Touristen-Pilgerstrom sorgte mit für die Ausgestaltung von "Deutschlands geistiger Hauptstadt" zu einem sichtbaren "Athen an der Ilm". Zur aufrichtigen Pietät gegenüber der Vergangenheit gesellte sich zunehmend die Entdeckung des Fremdenverkehrs als lukrative Geldeinnahmequelle. (The stream of tourists and pilgrims provided for the transformation of "Germany's intellectual capital city" into a visible "Athens on the Ilm". A sincere reverence for the past was joined to the increasing realization that the visitors were a lucrative source of cash.)[permanent dead link]

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  • Schütz, Brigitte (1993). "Fernweh und Heimweh". In Appelbaum, Dirk (ed.). Das Denkmal. Goethe und Schiller als Doppelstandbild in Weimar [The Memorial: Goethe and Schiller and their Double Statue in Weimar]. Edition Haniel (in German). Tübingen: Wasmuth. p. 162. ISBN 978-3-8030-0402-4. OCLC 30390910. Er erging an die Lauchhammer Werke, nachdem die Genehmigungen der Erben und der Albertina in Dresden, wo sich die Originalmodelle befanden, vorlagen. Die Abformung wurde unter Aufsicht von Professor Rudolf Siemering, Bildhauer aus Berlin, vorgenommen. Not available online.