Listed as a Gothic tale in Pitcher 1976. Mayo 1950, p. 777, states the story was sustaintly altered between its original 1790 publication and its 1798 appearance in Drake's Literary Hours as "Henry Fitzhowen, a Gothic Tale". Pitcher, Edward W. (1976). "Changes in short fiction in Britain 1785–1810: Philosophic tales, Gothic tales, and fragments and visions". Studies in Short Fiction. 13 (3). ProQuest1297933396. Mayo, Robert D. (1950). "Gothic romance in the magazines". PMLA. 65 (5): 762–789. JSTOR459573.
Rendered as "Montmorency, a Fragment" in Pitcher 1976 and Mayo 1950. Pitcher, Edward W. (1976). "Changes in short fiction in Britain 1785–1810: Philosophic tales, Gothic tales, and fragments and visions". Studies in Short Fiction. 13 (3). ProQuest1297933396. Mayo, Robert D. (1950). "Gothic romance in the magazines". PMLA. 65 (5): 762–789. JSTOR459573.
Mayo 1950, p. 778. Mayo, Robert D. (1950). "Gothic romance in the magazines". PMLA. 65 (5): 762–789. JSTOR459573.
Mayo 1950, p. 776; Pitcher 1976, §The Gothic tale. Mayo, Robert D. (1950). "Gothic romance in the magazines". PMLA. 65 (5): 762–789. JSTOR459573. Pitcher, Edward W. (1976). "Changes in short fiction in Britain 1785–1810: Philosophic tales, Gothic tales, and fragments and visions". Studies in Short Fiction. 13 (3). ProQuest1297933396.
While Kędra-Kardela 2012, p. 342, attributes the story to Anna Aikin, Pitcher 1996, p. 36, calls this attribution a "tradition" not fully supported by the historical evidence; he attributes it to the Aikins collectively. Kędra-Kardela, Anna (2012). "Between a fragment and a whole. A cognitive analysis of the Gothic fragment as a literary genre. A case study of Anna Letitia Aikin's 'Sir Bertrand: A Fragment'". In Fabiszak, Jacek; Urbaniak-Rybicka, Ewa; Wolski, Bartosz (eds.). Crossroads in literature and culture. Springer. ISBN9783642219948. Pitcher, Edward W. (1996). "Eighteenth-century Gothic fragments and the paradigm of violation and repair". Studies in Short Fiction. 33 (1): 35–42. ProQuest1297937994.
Listed as a Gothic tale in Pitcher 1976. Mayo 1950, p. 777, states the story was sustaintly altered between its original 1790 publication and its 1798 appearance in Drake's Literary Hours as "Henry Fitzhowen, a Gothic Tale". Pitcher, Edward W. (1976). "Changes in short fiction in Britain 1785–1810: Philosophic tales, Gothic tales, and fragments and visions". Studies in Short Fiction. 13 (3). ProQuest1297933396. Mayo, Robert D. (1950). "Gothic romance in the magazines". PMLA. 65 (5): 762–789. JSTOR459573.
Rendered as "Montmorency, a Fragment" in Pitcher 1976 and Mayo 1950. Pitcher, Edward W. (1976). "Changes in short fiction in Britain 1785–1810: Philosophic tales, Gothic tales, and fragments and visions". Studies in Short Fiction. 13 (3). ProQuest1297933396. Mayo, Robert D. (1950). "Gothic romance in the magazines". PMLA. 65 (5): 762–789. JSTOR459573.
Kędra-Kardela 2012, p. 342; Pitcher 1996, p. 36. Kędra-Kardela, Anna (2012). "Between a fragment and a whole. A cognitive analysis of the Gothic fragment as a literary genre. A case study of Anna Letitia Aikin's 'Sir Bertrand: A Fragment'". In Fabiszak, Jacek; Urbaniak-Rybicka, Ewa; Wolski, Bartosz (eds.). Crossroads in literature and culture. Springer. ISBN9783642219948. Pitcher, Edward W. (1996). "Eighteenth-century Gothic fragments and the paradigm of violation and repair". Studies in Short Fiction. 33 (1): 35–42. ProQuest1297937994.
Mayo 1950, p. 776; Pitcher 1976, §The Gothic tale. Mayo, Robert D. (1950). "Gothic romance in the magazines". PMLA. 65 (5): 762–789. JSTOR459573. Pitcher, Edward W. (1976). "Changes in short fiction in Britain 1785–1810: Philosophic tales, Gothic tales, and fragments and visions". Studies in Short Fiction. 13 (3). ProQuest1297933396.
Pitcher 1976, § Fragments and visions. Pitcher, Edward W. (1976). "Changes in short fiction in Britain 1785–1810: Philosophic tales, Gothic tales, and fragments and visions". Studies in Short Fiction. 13 (3). ProQuest1297933396.