Graphic notation (music) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Graphic notation (music)" in English language version.

refsWebsite

Global rank English rank

7doi.org

2^nd place

6jstor.org

26^th place

20^th place

5worldcat.org

5^th place

4semanticscholar.org

11^th place

8^th place

2classicfm.com

4,006^th place

2,582^nd place

1oxfordwesternmusic.com

low place

1jhu.edu

699^th place

479^th place

1taikooplace.com

low place

1upenn.edu

702^nd place

520^th place

1theguardian.com

12^th place

11^th place

1at.or.at

low place

1stanford.edu

179^th place

183^rd place

1ted.com

2,327^th place

1,627^th place

1artsalive.ca

low place

artsalive.ca

R. Murray Schafer at National Arts Centre ArtsAlive web site. Retrieved 2011-11-17.

at.or.at

Solitude by Hans-Christoph Steiner

classicfm.com

"John Cage – Aria – Art and Music". Classic FM (UK). Retrieved 2020-10-03.
"Phillips – Golden Flower Piece". Classic FM (UK). Retrieved 2020-10-04.

doi.org

Kojs, Juraj (2011). "Notating Action-Based Music". Leonardo Music Journal. 21: 65–72. doi:10.1162/LMJ_a_00063. ISSN 0961-1215. JSTOR 41416825. S2CID 57570690.
Gutkin, David (2012). "Drastic or Plastic?: Threads from Karlheinz Stockhausen's "Musik und Graphik", 1959". Perspectives of New Music. 50 (1–2): 255–305. doi:10.7757/persnewmusi.50.1-2.0255. ISSN 0031-6016. JSTOR 10.7757/persnewmusi.50.1-2.0255.
Evarts, John (1968). "The New Musical Notation—A Graphic Art?". Leonardo. 1 (4): 405–412. doi:10.2307/1571989. JSTOR 1571989. S2CID 191370151.
Bullen, George W. (1877). "The Galin-Paris-Cheve Method of Teaching Considered as a Basis of Musical Education". Proceedings of the Musical Association. 4: 68–93. doi:10.1093/jrma/4.1.68. ISSN 0958-8442. JSTOR 765284.
Pujadas, Magda Polo (2018). "Philosophy of Music: Wittgenstein and Cardew". Revista Portuguesa de Filosofia. 74 (4): 1425–1436. doi:10.17990/RPF/2018_74_4_1425. ISSN 0870-5283. JSTOR 26563363. S2CID 171868820.
Bosseur, Jean-Yves (2002), "Chapitre IX. Entre son et couleur", Peinture et musique, Presses universitaires du Septentrion, pp. 159–177, doi:10.4000/books.septentrion.69603, ISBN 978-2-85939-769-2
Vear, Craig (2019). The Digital Score: Musicianship, Creativity and Innovation (1st ed.). New York: Routledge. doi:10.4324/9780429504495. ISBN 9780429504495. S2CID 150530783.

jhu.edu

muse.jhu.edu

Evarts, John (1968). "The New Musical Notation—A Graphic Art?". Leonardo. 1 (4): 405–412. doi:10.2307/1571989. JSTOR 1571989. S2CID 191370151.

jstor.org

Kojs, Juraj (2011). "Notating Action-Based Music". Leonardo Music Journal. 21: 65–72. doi:10.1162/LMJ_a_00063. ISSN 0961-1215. JSTOR 41416825. S2CID 57570690.
Gutkin, David (2012). "Drastic or Plastic?: Threads from Karlheinz Stockhausen's "Musik und Graphik", 1959". Perspectives of New Music. 50 (1–2): 255–305. doi:10.7757/persnewmusi.50.1-2.0255. ISSN 0031-6016. JSTOR 10.7757/persnewmusi.50.1-2.0255.
Evarts, John (1968). "The New Musical Notation—A Graphic Art?". Leonardo. 1 (4): 405–412. doi:10.2307/1571989. JSTOR 1571989. S2CID 191370151.
Dillon, Emma (2016). "Seen and Not Heard". Il Saggiatore musicale. 23 (1): 5–27. ISSN 1123-8615. JSTOR 90001054.
Bullen, George W. (1877). "The Galin-Paris-Cheve Method of Teaching Considered as a Basis of Musical Education". Proceedings of the Musical Association. 4: 68–93. doi:10.1093/jrma/4.1.68. ISSN 0958-8442. JSTOR 765284.
Pujadas, Magda Polo (2018). "Philosophy of Music: Wittgenstein and Cardew". Revista Portuguesa de Filosofia. 74 (4): 1425–1436. doi:10.17990/RPF/2018_74_4_1425. ISSN 0870-5283. JSTOR 26563363. S2CID 171868820.

oxfordwesternmusic.com

Taruskin, Richard. "Chapter 2: Indeterminacy". Oxford History of Western Music. New York: Oxford University Press. Retrieved April 7, 2018.

semanticscholar.org

api.semanticscholar.org

Kojs, Juraj (2011). "Notating Action-Based Music". Leonardo Music Journal. 21: 65–72. doi:10.1162/LMJ_a_00063. ISSN 0961-1215. JSTOR 41416825. S2CID 57570690.
Evarts, John (1968). "The New Musical Notation—A Graphic Art?". Leonardo. 1 (4): 405–412. doi:10.2307/1571989. JSTOR 1571989. S2CID 191370151.
Pujadas, Magda Polo (2018). "Philosophy of Music: Wittgenstein and Cardew". Revista Portuguesa de Filosofia. 74 (4): 1425–1436. doi:10.17990/RPF/2018_74_4_1425. ISSN 0870-5283. JSTOR 26563363. S2CID 171868820.
Vear, Craig (2019). The Digital Score: Musicianship, Creativity and Innovation (1st ed.). New York: Routledge. doi:10.4324/9780429504495. ISBN 9780429504495. S2CID 150530783.

stanford.edu

library.stanford.edu

Heigemeir, Ray. "The Metaphysics of Notation". Stanford Libraries. Retrieved 9 April 2018.

taikooplace.com

"Speaking Scores: What's It Like To Be Stripsody?". taikooplace.com. 12 April 2018. Retrieved 28 October 2021.

ted.com

"The mad scientist of music".

theguardian.com

"Graphic music scores – in pictures". The Guardian. 2013-10-04. Retrieved 2020-10-03.

upenn.edu

http://www.upenn.edu/almanac/v46/n06/CrumbSpiral.gif ^{[bare URL image file]}

worldcat.org

search.worldcat.org

Kojs, Juraj (2011). "Notating Action-Based Music". Leonardo Music Journal. 21: 65–72. doi:10.1162/LMJ_a_00063. ISSN 0961-1215. JSTOR 41416825. S2CID 57570690.
Gutkin, David (2012). "Drastic or Plastic?: Threads from Karlheinz Stockhausen's "Musik und Graphik", 1959". Perspectives of New Music. 50 (1–2): 255–305. doi:10.7757/persnewmusi.50.1-2.0255. ISSN 0031-6016. JSTOR 10.7757/persnewmusi.50.1-2.0255.
Dillon, Emma (2016). "Seen and Not Heard". Il Saggiatore musicale. 23 (1): 5–27. ISSN 1123-8615. JSTOR 90001054.
Bullen, George W. (1877). "The Galin-Paris-Cheve Method of Teaching Considered as a Basis of Musical Education". Proceedings of the Musical Association. 4: 68–93. doi:10.1093/jrma/4.1.68. ISSN 0958-8442. JSTOR 765284.
Pujadas, Magda Polo (2018). "Philosophy of Music: Wittgenstein and Cardew". Revista Portuguesa de Filosofia. 74 (4): 1425–1436. doi:10.17990/RPF/2018_74_4_1425. ISSN 0870-5283. JSTOR 26563363. S2CID 171868820.